When my favorite Norwegian music magazine – BEAT – died for the 5th time back in 1997, the journalists were asked to create a playlist (or rather a C60 tape back then) containing the best music ever.. in their opinion. The time limit was 60min (C60 tape).
Some of the lists are really great and I will share them in a series of posts, starting with Arild R. Andersen‘s list which consists of classic rock and some jazz.
Like so many, I discovered Lucinda Williams when she released the fantastic album, Car Wheels On A Gravel Road. I went to the record store (yes, we actually did that in the old days) and bought as many of her albums as I could find. There were four albums before Car Wheels.., great albums, I love them all. Since then I’ve awaited all Lucinda Williams albums with great excitement. She’s always good, most of the time she’s great.
Half an hour of the wonderful Lucinda Williams live at Paradiso Amsterdam (2013):
All the salty margaritas in Los Angeles
I’m gonna drink ’em upAnd if California slides into the ocean
Like the mystics and statistics say it will
I predict this motel will be standing until I pay my bill
~Warren Zevon (Desperados Under the Eaves)
Few of rock & roll’s great misanthropes were as talented, as charming, or as committed to their cynicism as Warren Zevon.
~Mark Deming (allmusic.com)
Live in Passaic NJ, 1982 (The Full Concert):
BF: Who are some of your favorite songwriters?
Bob Dylan: Buffett I guess. Lightfoot. Warren Zevon. Randy. John Prine. Guy Clark. Those kinds of writers.
~Bob Dylan (to Huffington Post – May 2009)
“The return of the Thin White Duke Throwing darts in lovers’ eyes Here are we, one magical moment, such is the stuff“
Station to Station is a collection of soul, rock, funk, and disco, twisted by an influence of experimental German artists. This is David Bowie’s “plastic soul” mixed with krautrock. This is the introduction of the “Thin White Duke”.
It is Bowie’s tenth album, one of his most important and in my opinion, one of his very best!
David Bowie came from the soul infused “Young Americans” into Nicolas Roeg’s film, “The Man who fell to Earth” (the picture on the cover is a still from the film) and then into this masterpiece of a record. If you see the film and listen to Young Americans you get a sense of what made the album. There is a switch from popular dance oriented music into a more artful approach. But, without losing the pop sensibility. It is also a start for Bowie on his journey back to a more European approach to his music, even if it was recorded in LA.
“I know it was in LA because I’ve read it was”
– David Bowie
TVC15 (from rehearsals for the Station to Station tour 1976):
…1968’s Lady Soul proved Aretha Franklin, the pop sensation, was no fluke. Her performances were more impassioned than on her debut, and the material just as strong, an inspired blend of covers and originals from the best songwriters in soul and pop music.
~John Bush (allmusic.com)