In Performance with Derek Bell & Clive Culbertson
In Conversation with Martin Lynch, Professor Bob Welch & Derek Bell
New University of Ulster
April 20th 1988
Ulster Television Production
- Foggy Mountain Top
- Conversation #1
- Western Plain
- A Sense Of Wonder
- Conversation #2
- Celtic Ray
- In The Garden
- Conversation #3
- Raglan Road
May 21: Marvin Gaye released What’s Going On (album) in 1971
What’s Going On is not only Marvin Gaye’s masterpiece, it’s the most important and passionate record to come out of soul music, delivered by one of its finest voices, a man finally free to speak his mind and so move from R&B sex symbol to true recording artist.
~John Bush (allmusic.com)
… Marvin Gaye then did something no other Motown artist had ever dared. With What’s Going On (1971), he started a revolution. Although it spawned three hits—the antiwar title song, the ecological plea “Mercy Mercy Me,” and “Inner City Blues”—this was Motown’s first true album. Its blend of unembarrassed spirituality and unflinching social realism, as well as relentless percussion set against lush orchestration, was unlike anything that came before it in both form and content. For Gaye, it was a self-produced declaration of independence.
~ The New Rolling Stone Album Guide
What’s Going On:
“Why did you leave America
Why did you let me down,
And now that things seem better off,
Why do you come around,
You know I just can’t see you know,
In my new world crystal ball,
You know I just can’t free you now,
That’s not my job at all.”
– Van Morrison
His Band and the Street Choir is another beautiful phase in the continuing development of one of the few originals left in rock. In his own mysterious way. Van Morrison continues to shake his head, strum his guitar and to sing his songs. He knows it’s too late to stop now and he quit trying to a long, long time ago. Meanwhile, the song he is singing keeps getting better and better.”
– John Landau, Rolling Stone Magazine (1971)
Morrison is still a brooder–“Why did you leave America?” he asks over and over on the final cut, and though I’m not exactly sure what he’s talking about, that sounds like a good all-purpose question/accusation to me–but not an obsessive one, and this is another half-step away from the acoustic late-night misery of Astral Weeks. As befits hits, “Domino” and especially “Blue Money” are more celebratory if no more joyous than anything on Moondance, showing off his loose, allusive white r&b at its most immediate. And while half of side two is comparatively humdrum, I play it anyway. A
~Robert Christgau (Consumer guide)
May 20: The Jam released their debut album In The City in 1977
“…armed and extremely dangerous The Jam stalk the decrepit grooves. If you don’t like them, hard luck they’re gonna be around for a long time. It’s been a long time since albums actually reflected pre-20 delusions and this one does”.
– Barry Cain (Record Mirror)
In the City is the debut studio album of The Jam. It was released in 1977 by Polydor Records and featured the hit single and title track “In the City”. The album includes two cover songs, “Slow Down” and the theme to the 1960s television series, Batman, the latter of which had also been previously covered by The Who, The Kinks and Link Wray.
Paul Weller’s guitar style on the album is very much influenced by Wilko Johnson and Pete Townshend.
The Jam – In The City – Electric Circus, August 1977:
Van Morrison at the Winterland Feb 2, 1974
Van Morrison remains seated and playing acoustic guitar for most of this show. This footage is in black & white and concentrates entirely on Van Morrison. It’s an incredible set-list and the delivery is first class.
- Dahaud Shaar: drums
- James Trumbo: keyboards
- Ralph Wash: guitar
- David Hayes: bass
- Dorothy Morrison: backing vocals
- Bill Combs: backing vocals
I want to single out Just like a woman: