From my perspective, there are better sound-quality boots out there (Live In Montreux, for example), but no Van boot I have — and I have more than a few — so integrates solid sound with a stunning performance: Live In Montreux comes close, but at 150+ minutes, Pagan is the winer. This boot is so good, so valued, that much like the ancestral heir loom one only wears on special occasions, I listen to Pagan Streams infrequently. If I listened to it too often, I would quit my job, leave my wife and dog, and sell my soul to attend every one of the Man’s concerts. I know it took me a while to track this boot down, and all I can say is: if you can find it, buy it.
–Niall Connors (oocities.org)
The sound quality of this double CD is a very good audience recording. In fact it sounds a lot like a soundboard recording. There is some distortion in a few tracks but it isn’t a huge problem and is very listenable. Van actually “booted” some tracks from this boot for his Gloria CD single.
-Russell Parkinson (oocities.org)
June 18: The Late great Jackie Leven would have been 66
Jackie Leven was brilliant and truly under-appreciated. I never tire of his music.His lyrics stand as poetry of the highest order.His life ended much too soon. I was lucky to see him in concert just a year before he died. He was a master story-teller both in his songs and between his songs.
After the show he asked me what my name was, I told him that it was Hallgeir. He said: “What?” and then tried to say it and laughed. “What does it mean?” I said that it is an old viking name that it literally means stone spear. He signed his cd for me with the words: “To my big viking friend, Hallgeir!” He was a sweet, funny and very talented man.
I found some fine moments on YouTube to celebrate a fine songwriter.
Jackie Leven – Empty in Soho Square and a fine interview (2004):
Jackie Leven – Ancient Misty Morning medley – Tramway Glasgow 1995:
Jackie Leven (18 June 1950 – 14 November 2011) was a Scottishsongwriter and folkmusician. After starting his career as a folk musician in the late 1960s, he first found success with new wave band Doll by Doll. He later recorded as a solo artist, releasing more than twenty albums under his own name or under the pseudonym Sir Vincent Lone. He sometimes complained that his record company wouldn’t let him release as many albums as he wanted. And he wanted to release a lot!
The first concert this year was Israel Nash, and what a start! Wonderful stuff, will be hard to top even for Wilco later today.
Israel Nash and his formidable band had been given the difficult task of opening Bergenfest music festival this year. The concert was set at four o’clock in the afternoon, it was warm and humid and people were slowly seeping into the festival area. A hard job for any band, but Israel Nash managed it without any problems. In fact he and his band gave us the best show of the first day at the festival. Great sound, good songs, a tight band and a happy audience.
OK, it’s a bit like a mix of David Crosby,Neil Young and Jonathan Wilson, unashamedly indebted to the cosmic side of American music, but how can that be a bad thing? We loved it!
The guitars swelled over us in waves and the California sound washed away all our doubts and fears of the future of music. Hell yes, we loved it!
Grammy-winning songwriter, producer and guitarist Lincoln Wayne “Chips” Moman, who wrote and produced hits for Elvis Presley, Willie Nelson, Waylon Jennings, B.J. Thomas, Dusty Springfield and many others, died at a hospice facility in his hometown of LaGrange, Georgia, on Monday, one day after his 79th birthday.
One of the most important characters in the Memphis music scene in the 60’s. Chips Moman helped start Stax Records, then American Sound Studios, which cut 122 chart hits from 1967 to 1972 — an unparalleled achievement.
Lincoln Wayne “Chips” Moman (June 12, 1937 – June 13, 2016)was an American record producer, guitarist, and songwriter. As a record producer, Moman was known for recording Elvis Presley, Bobby Womack, Carla Thomas, and Merrilee Rush, as well as guiding the career of the Box Tops in Memphis, Tennessee, during the 1960s. As a songwriter, he was responsible for standards associated with Aretha Franklin, James Carr, Waylon Jennings, and B. J. Thomas. He was asession guitarist for Franklin and other musicians.
June 14: The Grateful Dead released “Workingman’s Dead” in 1970
Workingman’s Dead, in part inspired by the rustic soul of the Band, ranks as the Dead’s studio masterpiece, followed closely by American Beauty. The focus is on the songs, rather than the jams, and these would provide the focal point of an era, spanning 1969–74, when the Dead played some of the most remarkable concerts in American history, virtually every one available in some incarnation thanks to the band’s dedicated tapers.