July 17: Yellow Submarine the film was released in 1968

Yellow Submarine is a 1968 British-American animated musical fantasy comedy film inspired by the music of the Beatles.

The film was directed by animation producer George Dunning, and produced by United Artists and King Features Syndicate. Initial press reports stated that the Beatles themselves would provide their own character voices; however, aside from composing and performing the songs, the real Beatles participated only in the closing scene of the film, while their cartoon counterparts were voiced by other actors.

German Pos
German Pos

The film received a widely positive reception from critics and audiences alike. It is also credited with bringing more interest in animation as a serious art form. Time commented that it “turned into a smash hit, delighting adolescents and esthetes alike”

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Japanese Poster, Yellow Submarine

“What follows is the most original and inventive feature-length animated cartoon since the days when Walt Disney was still thinking up innovations. As Disney demonstrated in “Fantasia,” and as the underground has abundantly proved for the past decade, there is no form of film with more freedom than animation. You can do absolutely anything you want with movement, dimension color, shapes, perspective and anything else that occurs to you.”
– Roger Ebert (1968)

In addition to the 1966-released title song “Yellow Submarine”, several complete or excerpted songs, four previously unreleased, were used in the film. The songs included “All Together Now” (Paul played it in Oslo, a few weeks ago, sadly it was the worst of an otherwise  fantastic concert); “It’s All Too Much”, written by Harrison; “Baby, You’re a Rich Man”, which had first appeared as the B-side to “All You Need Is Love”, in June 1967; “Only a Northern Song”, a Harrison composition originally recorded during sessions for Sgt. Pepper’s Lonely Hearts Club Band; and, for the European release only, “Hey Bulldog”. Written by Lennon, this last track was cut from the film when it opened in U.S. cinemas; according to Segal, its removal was suggested by McCartney when the film-makers met with the band straight after the London premiere in July 1968.[15] “Hey Bulldog” was restored for the U.S. theatrical reissue in 1999. The four new songs used on the soundtrack album were not considered of high enough quality for appearance on a regular Beatles album.

The film’s instrumental music was an orchestral score composed and arranged by George Martin. One of the film’s cues, heard after the main title credits, was originally recorded during sessions for “Good Night” (a track on The Beatles, also known as the White Album) and would have been used as the introduction to Starr’s White Album composition “Don’t Pass Me By”. The same cue was later released as “A Beginning” on the 1996 compilation Anthology 3.

– Hallgeir

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