He [Chuck Berry] was the only guitar player. Yeah. And there was Jerry Lee [Lewis], his counterpart, and people like that. There must have been some elitist power that had to get rid of all these guys, to strike down rock ’n’ roll for what it was and what it represented — not least of all it being a black-and-white thing. Tied together and welded shut. If you separate the pieces, you’re killing it. Q: Do you mean it’s musical race-mixing, and that’s what made it dangerous?
A: Well, racial prejudice has been around a while, so yeah. And that was extremely threatening for the city fathers, I would think. When they finally recognized what it was, they had to dismantle it, which they did, starting with payola scandals and things like that. The black element was turned into soul music and the white element was turned into English pop. They separated it. I think of rock ’n’ roll as a combination of country blues and swing band music, not Chicago blues, and modern pop. Real rock ’n’ roll hasn’t existed since when? 1961, 1962? Well, it was a part of my DNA, so it never disappeared from me. I just incorporated it into other aspects of what I was doing
~Bob Dylan (to Robert Love, AARP The Magazine, February/March 2015)
We here at borntolisten.com really dig REAL Rock ‘n’ Roll, and will try to publish more post related to JLL, Elvis, Chuck Berry, etc..
This is a great show a couple of weeks after the release of Heartbreaker, Adams plays most of the album and some other favorites. He doesn’t talk much but delivers a good concert.
“Ryan doesn’t mind if live recordings make it up on sites as long as no money is changing hands, you know he allows anyone to plug into the board and record. Keep it fun and free and I think we are all ok with it.” as quoted from the co-webmaster of a Ryan Adam’s fan site. Quote was from Ryan Adams’ management.
“Wrecking Ball is a leftfield masterpiece, the most wide-ranging, innovative, and daring record in a career built on such notions. Rich in atmosphere and haunting in its dark complexity…The fixed point remains Harris’ voice, which leaps into each and every one of these diverse compositions — culled from the pens of Neil Young, Bob Dylan, Jimi Hendrix, Steve Earle, and others — with utter fearlessness, as if this were the album she’d been waiting her entire life to make. Maybe it is.” – Jason Ankeny (Allmusic)
Wrecking Ball is the eighteenth studio album by Emmylou Harris, released on September 26, 1995 throughElektra Records. Moving away from the traditional acoustic sound for which she had become known, Harris collaborated with rock producer Daniel Lanois and engineer Mark Howard. The album has been noted for atmospheric feel, and featured guest performances by Steve Earle, Larry Mullen, Jr., Lucinda Williams and Neil Young, who wrote the title song.
I saw Emmylou Harris live for the first time this summer, it made me go back and listen to all her albums again, with added interest and new-found love of her music. Not that I had ever lost it, but it felt fresh and deeper after the show in Oslo.
Wrecking Ball is my favourite Harris album, and I rank it among the 30 best albums ever made.
Emmylou Harris talks about Sweet Old World and sings the song with Neil Young:
Gold is the second studio album by Ryan Adams, released September 25, 2001 on Lost Highway Records. The album remains Adams’ best-selling album, certifying gold in the UKand going on to sell 364,000 copies in the U.S. and 812,000 worldwide.Adams noted that “with Gold, I was trying to prove something to myself. I wanted to invent a modern classic.”
After years of hair-flailing sludge that achieved occasional songform on singles no normal person ever heard, Seattle finally produces some proper postpunk, aptly described by resident genius Kurt Cobain: “Verse, chorus, verse, chorus, solo, bad solo.” This is hard rock as the term was understood before metal moved in–the kind of loud, slovenly, tuneful music you think no one will ever work a change on again until the next time it happens, whereupon you wonder why there isn’t loads more. It seems so simple.
~Robert Christgau (robertchristgau.com)
Nevermind was never meant to change the world, but you can never predict when the Zeitgeist will hit, and Nirvana’s second album turned out to be the place where alternative rock crashed into the mainstream.
~Stephen Thomas Erlewine (allmusic.com)
Smells Like A Teen Spirit:
Nirvana – Nevermind – Classic Album – documentary (youtube playlist):