“Prine’s stuff is pure Proustian existentialism. Midwestern mind trips to the nth degree. And he writes beautiful songs. I remember when Kris Kristofferson first brought him on the scene. All that stuff about Sam Stone the soldier junkie daddy and Donald and Lydia, where people make love from 10 miles away. Nobody but Prine could write like that. If I had to pick one song of his, it might be ‘Lake Marie.’ I don’t remember what album that’s on.”
– Bob Dylan
“Prine has always appealed to me,I can remember first hearing him, playing his records late at night and thinking that he was writing about everyday life, people like us.” – Mike Leonard (director)
“Jesus was a good guy, he didn’t need this shit.”
― John Prine
“And you may see me tonight with an illegal smile. It don’t cost very much, but it lasts a long while. Won’t you please tell the man I didn’t kill anyone. No, I’m just tryin’ to have me some fun.”
― John Prine
I was born right here on Randolph Street in Freehold Here right behind that big red maple in Freehold Well I went to school right here Got laid and had my first beer In Freehold
Today we have found a great “story-song” from Bruce Springsteen that has never been officially released.
This is a sweet and funny song that appeared for the first time live on 8 Nov 1996 in Freehold, NJ. Freehold/ In Freehold is never officially released and I think it has only been played live (not recorded in studio). It is a song in the same vein as Growing Up, but set at an earlier age and in a less serious tone.
The debut of the song was at The Ghost Of Tom Joad Solo Acoustic Tour (Freehold 8 Nov) and it has been played around 20 times after that. It is speculated that the song was written specifically for this event. It was a sort of homecoming show in the sense that he grew up in Freehold, but hadn’t played there since 1967. Bruce Springsteen left Freehold in 1968.
The same year as Mule Variations was released, 1999, VH1 broadcast a Storyteller episode with Tom Waits. It aired in the middle of the night; I didn’t have any plans for the next day so I stayed up and watched.
What a songwriter! What a storyteller! He teases the audience, plays with them, he is the pied piper! All the stories are funny/weird and moving. Is he lying? He’s probably making the stuff up as he goes along, or have all of these things actually happen? I really don’t care, his delivery is amusing and so entertaining that he could probably read the A to G in the phonebook and I would find it funny. This might not work with newcomers to Waits’s concerts, they will probably find it a bit too weird and rambling. They should watch Big Time (the movie) first and then come back to this (or maybe it’s the other way ’round, he he).
VH1 Storytellers allows Tom Waits to showcase some his then new material — among them is House Where Nobody Lives, one of the finest ballads he has ever written, here in a heartbreakingly beautiful version. We also get some Tom Waits history with favorites like Downtown Train (also a hit for Rod Stewart); Old ’55, (a hit for The Eagles ); and Jersey Girl, which Bruce Springsteen turned into a live favorite.
Downtown Train Ol’ 55 House Where Nobody Lives
What’s He Building In There? Strange Weather Get Behind The Mule
Tom Waits – VH1 Storytellers 1999:
The show was around 44 minutes but there were much more material recorded.
Rising from the New York punk movement of the 70’s, Patti Smith is an influential singer and musician known for combining spoken word poetry with primal garage rock. By 1976, she had released her debut Horses and the more raw-sounding Radio Ethiopia.
Her October 3rd, 1976 concert at The Konserthuset in Stockholm, Sweden was filmed and recorded for broadcast, documenting this early stage in her career. Prior to the internet, the audio portion had been circulated among fans with the bootleg title, ‘I Never Talked To Bob Dylan,’ a slight reference to the short interview that accompanied the performance.
“Each person comes to have this musical experience, this moment with us, where they get to sink into our world for a little while. It’s this very unhurried world. It’s fairly quiet, it’s contemplative, but it can be quite panoramic. I think people think interesting thoughts at our shows, and they go rather deeply into some personal experience of their own. I’m really proud that our music seems to connect, because it’s not for everybody. But for the people that our music works for, it really gets down pretty deep in there.”
~Gillian Welch on her live shows (via Acoustic Guitar)
Gillian Welch (born October 2, 1967) is an American singer-songwriter. She performs with her musical partner, guitarist David Rawlings. Their sparse and dark musical style, which combines elements of Appalachian music, Bluegrass, and Americana, is described by The New Yorker as “at once innovative and obliquely reminiscent of past rural forms”.