Nov 30: The late great Robert Nighthawk was born in 1909

Of all the pivotal figures in blues history, certainly one of the most important was Robert Nighthawk. He bridged the gap between Delta and Chicago blues effortlessly, taking his slide cues from Tampa Red and stamping them with a Mississippi edge learned first hand from his cousin, Houston Stackhouse.
~Cub Koda (allmuisc.com)

Goin’ Down To Eli’s (Live On Maxwell Street):

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November 30: Van Morrison @ Beacon Theater New York – 1989 (Concert Video)

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In a review at the time, Geoff Wall describes the video .. as “ecstasy for the ears”, and it is tonic for the eyes as well. A surprise and a delight.
-Brian Hinton (Celtic Crossroads)

Great late 80’s VM concert with John Lee Hooker & Mose Allison. Check out “Summertime in England” @ ~30min.

Setlist:

(italic – not included in VHS release & this youtube video)

  1.  I Will Be There
  2. Whenever God Shines His Light
  3. Cleaning Windows
  4. It’s all in the game 
  5. Orangefield
  6. Tore Down A La Rimbaud
  7. When Will I Ever Learn To Live In God
  8. Beautiful Vision
  9. Help Me
  10. Everybody’s Cryin’ Mercy
  11. City Home
  12. Thank God For Self Love
  13. Raglan Road
  14. Carrickfergus
  15. Full Force Gale
  16. Summertime In England
  17. Caravan
  18. Moondance
  19. Fever
  20. Vanlose Stairway > Trans-Euro Train
  21. Star Of The County Down
  22. Northern Muse (Solid Ground) > When Heart Is Open
  23. In The Garden
  24. Have I Told You Lately
  25. These Are The Days
  26. Gloria
  27. It Serves Me Right To Suffer
  28. Boom Boom
  29. She Moves Through The Fair
  30. Buona Sera

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Best Albums 2016 – Lists from Uncut & MOJO

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It´s that time of year, the Year-end lists are rolling in.

This post includes 2 UK based magazines: UNCUT & MOJO. My favourite magazine among them is UNCUT Magazine. So I´ll start there.. and also throw some videos in between.

Uncut’s Top 75 Albums of 2016

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David Bowie – Lazarus:

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Nov 29: Concert for George 2002

On November 29, 2002, a year after his death, a tribute concert for George Harrison was held at Royal Albert Hall. Friends and family gathered to play his songs, and it was an impressive, if predictable, roster:

Paul McCartney, Ringo Starr, Billy Preston, Tom Petty, and Eric Clapton, who also served as musical director, took center stage, but George’s son Dhani Harrison was also there, as was Ravi Shankar’s daughter Anoushka, early British rock & roller Joe Brown, and Gary Brooker. Unlike many all-star lineups, everybody had a close personal connection to George.

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November 27: Robert Johnson recorded “Cross Road Blues” in 1936

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I went to the crossroad, fell down on my knees
I went to the crossroad, fell down on my knees
Asked the Lord above “Have mercy, save poor Bob, if you please”

Yeoo, standin’ at the crossroad, I tried to flag a ride
Standin’ at The Crossroads, I tried to flag a ride
Ain’t nobody seem to know me, everybody pass me by
—-

Favorite album? I think the Robert Johnson album. I listen to that quite a bit still.
~Bob Dylan (Rockline Interview June 1985)

You want to know how good the blues can get? Well, this is it.
~Keith Richards (about Robert Johnson)

 

Wikipedia:

Cross Road Blues” is a blues song written and recorded by American blues artist Robert Johnson in 1936. It is a solo performance in the Delta blues-style with Johnson’s vocal accompanied by his acoustic slide guitar. Although its lyrics do not contain any specific references, the song has become part of the Robert Johnson mythology as referring to the place where he supposedly sold his soul to the devil in exchange for his musical talents

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November 27: George Harrison released All Things Must Pass in 1970

“That was the great thing about [the Beatles] splitting up: to be able to go off and make my own record … And also to be able to record with all these new people, which was like a breath of fresh air.”
– George Harrison, December 2000

All Things Must Pass is a triple album by George Harrison, released in November 1970. His third solo album, it includes the hit singles “My Sweet Lord” and “What Is Life”, as well as songs such as “Isn’t It a Pity” and the title track that were turned down by Harrison’s former band, the Beatles. The album reflects the influence of his musical activities outside the Beatles during 1968–70, with Bob Dylan, the Band, Delaney & Bonnie, Billy Preston and others, and Harrison’s growth as an artist beyond his supporting role to former bandmates John Lennon and Paul McCartney.
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