Of all the pivotal figures in blues history, certainly one of the most important was Robert Nighthawk. He bridged the gap between Delta and Chicago blues effortlessly, taking his slide cues from Tampa Red and stamping them with a Mississippi edge learned first hand from his cousin, Houston Stackhouse.
~Cub Koda (allmuisc.com)
On November 29, 2002, a year after his death, a tribute concert for George Harrison was held at Royal Albert Hall. Friends and family gathered to play his songs, and it was an impressive, if predictable, roster:
Paul McCartney, Ringo Starr, Billy Preston, Tom Petty, and Eric Clapton, who also served as musical director, took center stage, but George’s son Dhani Harrison was also there, as was Ravi Shankar’s daughter Anoushka, early British rock & roller Joe Brown, and Gary Brooker. Unlike many all-star lineups, everybody had a close personal connection to George.
I went to the crossroad, fell down on my knees I went to the crossroad, fell down on my knees Asked the Lord above “Have mercy, save poor Bob, if you please”
Yeoo, standin’ at the crossroad, I tried to flag a ride Standin’ at The Crossroads, I tried to flag a ride Ain’t nobody seem to know me, everybody pass me by
Favorite album? I think the Robert Johnson album. I listen to that quite a bit still.
~Bob Dylan (Rockline Interview June 1985)
You want to know how good the blues can get? Well, this is it. ~Keith Richards (about Robert Johnson)
“Cross Road Blues” is a blues song written and recorded by American blues artist Robert Johnson in 1936. It is a solo performance in the Delta blues-style with Johnson’s vocal accompanied by his acoustic slide guitar. Although its lyrics do not contain any specific references, the song has become part of the Robert Johnson mythology as referring to the place where he supposedly sold his soul to the devil in exchange for his musical talents