All the salty margaritas in Los Angeles
I’m gonna drink ’em upAnd if California slides into the ocean
Like the mystics and statistics say it will
I predict this motel will be standing until I pay my bill
~Warren Zevon (Desperados Under the Eaves)
Few of rock & roll’s great misanthropes were as talented, as charming, or as committed to their cynicism as Warren Zevon.
~Mark Deming (allmusic.com)
Live in Passaic NJ, 1982 (The Full Concert):
BF: Who are some of your favorite songwriters?
Bob Dylan: Buffett I guess. Lightfoot. Warren Zevon. Randy. John Prine. Guy Clark. Those kinds of writers.
~Bob Dylan (to Huffington Post – May 2009)
Young, Gifted and Black is the twentieth studio album by American singer Aretha Franklin, Released on January 24, 1972 by Atlantic Records. The album is Top 10 Gold-certified. The album won Aretha a 1972 Grammy Award for Best Female R&B Vocal Performance of the year. It takes its title from the Nina Simone song “To Be Young, Gifted and Black.” In 2003, the TV network VH1 named it the 76th greatest album of all time.
“The return of the Thin White Duke Throwing darts in lovers’ eyes Here are we, one magical moment, such is the stuff“
Station to Station is a collection of soul, rock, funk, and disco, twisted by an influence of experimental German artists. This is David Bowie’s “plastic soul” mixed with krautrock. This is the introduction of the “Thin White Duke”.
It is Bowie’s tenth album, one of his most important and in my opinion, one of his very best!
David Bowie came from the soul infused “Young Americans” into Nicolas Roeg’s film, “The Man who fell to Earth” (the picture on the cover is a still from the film) and then into this masterpiece of a record. If you see the film and listen to Young Americans you get a sense of what made the album. There is a switch from popular dance oriented music into a more artful approach. But, without losing the pop sensibility. It is also a start for Bowie on his journey back to a more European approach to his music, even if it was recorded in LA.
“I know it was in LA because I’ve read it was”
– David Bowie
TVC15 (from rehearsals for the Station to Station tour 1976):
…1968’s Lady Soul proved Aretha Franklin, the pop sensation, was no fluke. Her performances were more impassioned than on her debut, and the material just as strong, an inspired blend of covers and originals from the best songwriters in soul and pop music.
~John Bush (allmusic.com)
“It overwhelmed me, really. He had such talent, he could find things inside a song and vigorously develop them. He found things that other people wouldn’t think of finding in there. He probably improved upon it by the spaces he was using. I took license with the song from his version, actually, and continue to do it to this day.”
– Bob Dylan (1995)
“I liked Jimi Hendrix’s record of this and ever since he died I’ve been doing it that way… Strange how when I sing it, I always feel it’s a tribute to him in some kind of way.”
– Bob Dylan (booklet Biograph)
The Jimi Hendrix Experience began to record their cover version of Dylan’s “All Along the Watchtower” on January 21, 1968, at Olympic Studios in London. According to engineer Andy Johns, Jimi Hendrix had been given a tape of Dylan’s recording by publicist Michael Goldstein, who worked for Dylan’s manager Albert Grossman.
“(Hendrix) came in with these Dylan tapes and we all heard them for the first time in the studio”
– Andy Johns
For me it is the only cover version of a Bob Dylan song that is arguably as good or better than Dylan’s own version.
The Jimi Hendrix Experience – All Along The Watchtower (audio):