“Van Morrison is interested, obsessed with how much musical or verbal information he can compress into a small space, and, almost, conversely, how far he can spread one note, word, sound, or picture. To capture one moment, be it a caress or a twitch. He repeats certain phrases to extremes that from anybody else would seem ridiculous, because he’s waiting for a vision to unfold, trying as unobtrusively as possible to nudge it along…It’s the great search, fuelled by the belief that through these musical and mental processes illumination is attainable. Or may at least be glimpsed.” ~Lester Bangs
Van Morrison, OBE (born George Ivan Morrison; 31 August 1945) is a Northern Irish singer-songwriter and musician. His live performances at their best are described as transcendental, while some of his recordings, such as the studio albums Astral Weeks and Moondance and the live album It’s Too Late to Stop Now, are critically acclaimed and appear at the top of many greatest album lists.
Heaps of wonderful music was released in 1971, here are my 30 chosen songs.
Wild Horses – The Rolling Stones
A song by The Rolling Stones from their 1971 album Sticky Fingers, written by Mick Jagger and Keith Richards. Rolling Stone ranked it at No. 334 in its “500 Greatest Songs of All Time” list in 2004.
– Childhood living is easy to do The things you wanted I bought them for you Graceless lady you know who I am You know I can’t let you slide through my hands
Post-Al Green What’s Going On, which means it’s about fucking rather than the human condition, thank the wholly holey. Gaye is still basically a singles artist, and the title track, as much a masterpiece as “Inner City Blues,” dominates in a way “I’m Still in Love with You,” say, doesn’t. Then again, it’s an even better song, and this album prolongs its seductive groove to an appropriate thirty minutes plus
~Robert Christgau (Consumer Guide Reviews)
On this album, Gaye meditated on the gap between sex and love and how to reconcile them – an adult version of the Motown tunes he had built his career on. It’s some of the most gorgeous music he ever made, resplendent with sweet strings and his clear-throated crooning.
“Timor mortis conturbat me. It’s from a medieval Scottish poem by William Dunbar, It means, ‘The fear of death just fucks me up’”
– Warren Zevon (told to The Guardian, and roaring with laughter)
Warren Zevon died in 2003 aged 56, he was noted for his black humour and dry wit; he never had the big commercial success he deserved. He was highly regarded by critics and music lovers (and musicians), you could say he enjoyed a cult following. He should have been big.
“This was a nice deal: life.”
– Warren Zevon
Two weeks before he died of lung cancer, he released one of his best albums, The Wind.
“It’s hard to say if he’s being sincere or darkly witty with his cover of “Knockin’ on Heaven’s Door,” though he manages to make it work both ways.”
– Mark Deming (allmusic)
When diagnosed with lung cancer, he said: “I feel the opposite of regret. I was the hardest-living rocker on my block for a while. I was a malfunctioning rummy for a while and running away for a while. Then for 18 years I was a sober dad of some amazing kids. Hey, I feel like I’ve lived a couple of lives.”
The diagnose did in his own words, lead him into one of the most intense and creative periods of his life. Many of his more famous friend came to lend a hand on the record, including Bruce Springsteen, Jackson Browne, Tom Petty, Emmylou Harris, Don Henley, Ry Cooder, Billy Bob Thornthon, Jim Keltner, David Lindley, T-Bone Burnett, Joe Walsh and Dwight Yoakam. None of them taking the show from Warren Zevon, he is so clearly in control of his last creation. It is not a big bombastic farewell, it is a guy who enjoys making a record with a bunch of his friends. It feels better, more right!
We’re caught in a trap
I can’t walk out
Because I love you too much baby
Recorded between four and seven in the morning, during the landmark Memphis session that helped return the King to his throne, “Suspicious Minds” — the final Number One single of his lifetime — is Presley’s masterpiece: He sings so intensely through the fade-out that his band returns for another minute of the tear-stained chorus.
Together with “Mystery Train” this is my favourite Elvis song.