…1968’s Lady Soul proved Aretha Franklin, the pop sensation, was no fluke. Her performances were more impassioned than on her debut, and the material just as strong, an inspired blend of covers and originals from the best songwriters in soul and pop music.
~John Bush (allmusic.com)
“It overwhelmed me, really. He had such talent, he could find things inside a song and vigorously develop them. He found things that other people wouldn’t think of finding in there. He probably improved upon it by the spaces he was using. I took license with the song from his version, actually, and continue to do it to this day.”
– Bob Dylan (1995)
“I liked Jimi Hendrix’s record of this and ever since he died I’ve been doing it that way… Strange how when I sing it, I always feel it’s a tribute to him in some kind of way.”
– Bob Dylan (booklet Biograph)
The Jimi Hendrix Experience began to record their cover version of Dylan’s “All Along the Watchtower” on January 21, 1968, at Olympic Studios in London. According to engineer Andy Johns, Jimi Hendrix had been given a tape of Dylan’s recording by publicist Michael Goldstein, who worked for Dylan’s manager Albert Grossman.
“(Hendrix) came in with these Dylan tapes and we all heard them for the first time in the studio”
– Andy Johns
For me it is the only cover version of a Bob Dylan song that is arguably as good or better than Dylan’s own version.
The Jimi Hendrix Experience – All Along The Watchtower (audio):
Meet the Beatles! was not their first album released in USA, but as the first Beatles album released by Capitol Records, it was indeed the record where many millions of Americans were introduced to them.
“The further these songs get from Ronstadtland, the more I like them. The four that exorcise male psychoses by mock celebration are positively addictive, the two uncomplicated rockers do the job, and two of the purely “serious” songs get by. But no one has yet been able to explain to me what “accidentally like a martyr” might mean–answers dependent on the term “Dylanesque” are not acceptable–and I have no doubt that that’s the image Linda will home in on. After all, is she going to cover the one about the headless gunner? A-” – Robert Christgau
Excitable Boy is the third album by Warren Zevon, it was released in 1978. It includes the top 40 success “Werewolves of London”. The album brought Warren to commercial attention and remains the best-selling album of his career. A remastered and expanded edition was released during 2007.