July 15: Happy 73rd Birthday Linda Ronstadt

I have always believed that one learns more from failure than from success.
~Linda Ronstadt, Simple Dreams: A Musical Memoir

The essential elements of singing are voice, musicianship, and story. It is the rare artist that has all three in abundance.
~Linda Ronstadt

Ronstadt is Blessed with arguably the most sterling set of pipes of her generation … rarest of rarities – a chameleon who can blend into any background yet remain boldly distinctive … It’s an exceptional gift; one shared by few others.
~Christopher Loudon (Jazz Times, 2004)

Ronstadt was inducted into the Rock and Roll Hall of Fame in April 2014.

Part 1

Part 2

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July 14: American Folk Legend Woody Guthrie was born in 1912

“Take it easy, but take it.”
― Woody Guthrie

“The most important thing I know I learned from Woody Guthrie”
~Bob Dylan (The Freewheelin’ Bob Dylan liner notes)

From Wikipedia:

Woodrow Wilson “Woody” Guthrie (July 14, 1912 – October 3, 1967) was an American singer-songwriter and folk musician whose musical legacy includes hundreds of political, traditional and children’s songs, ballads and improvised works. He frequently performed with the slogan This Machine Kills Fascists displayed on his guitar. His best-known song is “This Land Is Your Land.” Many of his recorded songs are archived in the Library of Congress. Such songwriters as Bob Dylan, Phil Ochs, Bruce Springsteen, John Mellencamp, Pete Seeger, Joe Strummer, Billy Bragg, Jeff Tweedy and Tom Paxton have acknowledged Guthrie as a major influence.

 

“…he paved the way for Bob Dylan, Bruce Springsteen and a host of other folk and rock songwriters who have been moved by conscience to share experiences and voice opinions in a forthright manner.”
– Rock’n Roll Hall of Fame

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July 13: Happy 77th Birthday Roger McGuinn

Roger McGuinn’s sparkling, chordal 12-string Rickenbacker riffs on the Byrds’ early hits were the sonic bridge between folk and rock – and an irreplaceable color in rock’s palette: Every indie band who’s more interested in beatific strumming than screaming solos owes him a debt (the striking break in “Bells of Rhymney” could be on a Smiths record). McGuinn could do a lot more than chime, however, as demonstrated by his still-astonishing psychedelic-raga-Coltrane licks on “Eight Miles High.
rollingstone.com

James Roger McGuinn (born James Joseph McGuinn III on July 13, 1942) known professionally as Roger McGuinn and previously as Jim McGuinn, is an American singer-songwriter and guitarist. He is best known for being the lead singer and lead guitarist on many of The Byrds‘ records. He is a member of the Rock and Roll Hall of Fame for his work with The Byrds.

The Byrds were an American rock band, formed in Los Angeles, California in 1964. The band underwent multiple line-up changes throughout its existence, with frontman Roger McGuinn (aka Jim McGuinn) remaining the sole consistent member until the group disbanded in 1973.

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Neil Young plays Bob Dylan songs





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We love Bob Dylan and Neil Young and today they are playing in London(July 12 2019). This is our way of celebrating this major event (in addition to Egil being there in person, the lucky bastard).

I think Neil Young is maybe the best interpreter of Bob Dylan’s songs. Here are some great versions, sometimes alone and sometimes with other great artists.

Here is a fine clip from the Charlie Rose Show, Neil Young talks about Bob Dylan:

Neil Young – Girl From The North Country:

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July 11: David Bowie released Space Oddity (single) in 1969 – 50 years ago today

Ground Control to Major Tom
Ground Control to Major Tom
Take your protein pills and put your helmet on
Ground Control to Major Tom (ten, nine, eight, seven, six)
Commencing countdown, engines on (five, four, three)
Check ignition and may God’s love be with you (two, one, liftoff)

…Finally, he teamed up with Elton John producer Gus Dudgeon to create “Space Oddity,” a song he’d been fiddling with all year. The folk ballad about astronaut Major Tom getting stranded in space was rushed out by his label to coincide with the launch of the Apollo 11 moon landing, and the BBC played the song during the coverage of the event. “In England, it was always presumed that it was written about the space landing, because it kind of came to prominence around the same time. But it actually wasn’t,” he told Performing Songwriter. “It was written because of going to see the film 2001, which I found amazing.
rollingstone.com

Single by David Bowie
from the album David Bowie
B-side “Wild Eyed Boy from Freecloud”
Released 11 July 1969
Format 7-inch single
Recorded
Genre
  • Psychedelic
  • folk rock
Length 5:15 (album version)
4:33 (UK single edit)
3:26 (U.S. single edit)
Label Philips
Songwriter(s) David Bowie
Producer(s) Gus Dudgeon

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July 10: The Beatles released A Hard Day’s Night in 1964

A_Hard_Day's_Nigth

We were different. We were older. We knew each other on all kinds of levels that we didn’t when we were teenagers. The early stuff – the Hard Day’s Night period, I call it – was the sexual equivalent of the beginning hysteria of a relationship. And the Sgt Pepper-Abbey Road period was the mature part of the relationship.”
– John Lennon (1980)

A Hard Day’s Night is the third album by The Beatles; it was released on July 10, 1964. The album is a soundtrack to the A Hard Day’s Night film, starring the Beatles. The American version of the album was released two weeks earlier, on 26 June 1964 by United Artists Records, with a different track listing. This is the first Beatles album to be recorded entirely on four-track tape, allowing for good stereo mixes.

HDN

In 2000, Q placed A Hard Day’s Night at number 5 in its list of the 100 Greatest British Albums Ever. In 2003, the album was ranked number 388 on Rolling Stone magazine’s list of the 500 Greatest Albums of All Time.

The soundtrack songs were recorded in late February, and the non-soundtrack songs were recorded in June. The title song itself was recorded on April 16.

…but A Hard Day’s Night is perhaps the band’s most straightforward album: You notice the catchiness first, and you can wonder how they got it later.

The best example of this is the title track– the clang of that opening chord to put everyone on notice, two burning minutes thick with percussion (including a hammering cowbell!) thanks to the new four-track machines George Martin was using, and then the song spiraling out with a guitar figure as abstractedly lovely as anything the group had recorded.”
– Tom Ewing, Pitchfork

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