Donald “Duck” Dunn (November 24, 1941 – May 13, 2012) was an American bass guitarist, session musician, record producer, and songwriter. Dunn was notable for his 1960s recordings with Booker T. & the M.G.’s and as a session bassist for Stax Records, which specialized in blues and gospel-infused southern soul which became known as Memphis Soul
A 2 minute history of Donald “Duck” Dunn:
“We were recording almost a hit a day for a while there. But I never knew how popular that music was until I came to England with Otis Redding in 1967.”
– Donald Dunn (about the Stax period)
As the bassist for Booker T. & the MG’s, Donald “Duck” Dunn became, like James Jamerson at Motown, the man who provided a groove for an entire generation to dance to. In Dunn’s case it was the legendary Memphis record label Stax/Volt, where he laid down basslines for soul stars such as Otis Redding, Wilson Pickett, and Albert King, helping to create one of the largest bodies of soul and R&B music that exists.
~Steve Kurutz (allmusic.com)
This is a classic interview with Dick Cavett. Recorded 40 years ago (November 23, 1971), the conversation starts with light small-talk, then tackles some bigger issues. Did Yoko break up the band? Did the other Beatles hold him back musically? Is there any relationship between drugs and the Indian music that so fascinated Harrison? It was a question better left to Ravi Shankar to answer, and that he did:
The fall leg of 1984 featured a more intense Bruce than the summer 1984 shows. The darker songs, such as “Johnny Bye Bye” and “State Trooper,” were played more and more. …. This show features a gorgeous “Racing in the Street,” as well as an extended “Nebraska set.
–> The Boots
Many fans seems to agree on this being the best concert from the “Born In The U.S.A.” tour. Not my fav Springsteen tour, but this show is great!
Audience tape, probably the best of the tour. “Reason To Believe” has a intro with Bruce on the harmonica and Roy on the keyboards. “Johnny Bye-Bye” is introduced by Bruce as “Bye-Bye Johnny”, and includes a few lines of “Mystery Train” towards the end… “Racing In The Street” includes the now usual intro and also a spoken part at the end. “Kansas City” is included in the “Detroit Medley”. Recent reports on this show indicate that the original tape (or a 1st generation copy of it) was used for a radio broadcast in it’s entirety and that this broadcast was the source for the generally circulating tapes including the Crystal Cat release “Kansas City Night” . Now the show is available directly from Rick B’s master recording. Edited directly from the unedited master, a lot less edited, cut and processed than the Crystal Cat release. ‘Thunder Road’ fades out on the Crystal Cat release, but it is complete on this one. (“Roses In The Kansas Rain”, Ev2).