Led Zeppelin is the eponymous debut studio album by the English rock band Led Zeppelin, released on 12 January 1969 in the United States and on 31 March 1969 in the United Kingdom by Atlantic Records. Featuring integral contributions from each of the group’s four members, the album was recorded in October 1968 at Olympic Studios in London and established their fusion style of blues rock.
Although the album was not critically well-received when first released, it was commercially successful, and critics have since come to view it in a more favourable light. In 2003, Led Zeppelin was ranked at #29 on Rolling Stone magazine’s list of the 500 greatest albums of all time, and keeping that position after the list was updated in 2012. In 2004, the album was inducted into the Grammy Hall of Fame. Continue reading “January 12: Led Zeppelin released Led Zeppelin (debut album) in 1969”→
Howlin’ Wolf is the third studio album from Chicago blues singer/guitarist/harmonicist Howlin’ Wolf. It is a collection of six singles previously released by the Chess label from 1960 through 1962. This was a common practise at the time.
Because of the illustration on its sleeve, shot by Don Bronstein, staff photgrapher at Playboy magazine and house photographer at Chess Records, the album is often called The Rockin’ Chair Album, a nickname even added to the cover on some reissue pressings of the LP.
Howlin’ Wolf’s second album brings together some of the blues great’s best singles from the late ’50s and early ’60s. Also available as a fine two-fer with his debut, Moanin’ in the Moonlight, the so-called Rockin’ Chair Album represents the cream of Wolf’s Chicago blues work. Those tracks afforded classic status are many, including “Spoonful,” “The Red Rooster,” “Wang Dang Doodle,” “Back Door Man,” “Shake for Me,” and “Who’s Been Talking?” Also featuring the fine work of Chess house producer and bassist Willie Dixon and guitarist Hubert Sumlin, Rockin’ Chair qualifies as one of pinnacles of early electric blues, and is an essential album for any quality blues collection. – Stephen Cook (Allmusic)*
…..Waters sings as though his life depended on it, Johnny Winter proves with every note how right he was to want to do this, and James Cotton–well, James Cotton doesn’t open his mouth except to make room for the harmonica, which sounds just great.
~Robert Christgau (robertchristgau.com)
This is Muddy Waters’ best “late” album.. Johnny Winter sure inspired the old blues legend to peak performance…. a wonderful record.
This 1954 recording (the second, after 1952’s original) of blues standard “Hoochie Coochie Man” by Muddy Waters is one of the all-time classic blues records; a vital piece of Chicago-style electric blues that links the Delta to rock & roll..
~Bill Janovitz (allmusic.com)
Hank Williams (September 17, 1923 – January 1, 1953), born Hiram King Williams, is regarded as one of the most important country music artists of all time. Williams recorded 35 singles (five released posthumously) that would place in the Top 10 of the Billboard Country & Western Best Sellers chart, including 11 that ranked number one.Hank Williams died in 1953 and Townes Van Zandt died in 1997
John Townes Van Zandt (March 7, 1944 – January 1, 1997), best known as Townes Van Zandt, was an American Texas Country-folk music singer-songwriter, performer, and poet. Many of his songs, including “If I Needed You,” “To Live is to Fly,” and “No Place to Fall” are considered standards of their genre.
1981 was not a great year in music for me, but still some wonderful albums & singles were relesed. Here are my 20 chosen songs.
Every Grain of Sand – Bob Dylan
Written by Bob Dylan, recorded in Los Angeles in the spring of 1981 and released in August of that year on Dylan’s album Shot of Love.
The love in “Every Grain of Sand,” though firmly rooted in Dylan’s conversion experience and his Bible studies, immediately and obviously reaches beyond its context to communicate a deeply felt devotional spirit based on universal experiences: pain of self-awareness, and sense of wonder or awe at the beauty of the natural world.
-Paul Williams (Bob Dylan, performing artist:The Middle Years )
In the time of my confession, in the hour of my deepest need
When the pool of tears beneath my feet floods every newborn seed
There’s a dying voice within me reaching out somewhere
Toiling in the danger and the morals of despair