Crimson flames tied through my ears
Rollin’ high and mighty traps
Pounced with fire on flaming roads
Using ideas as my maps
“We’ll meet on edges, soon,” said I
Proud ’neath heated brow Ah, but I was so much older then I’m younger than that now
Our other blog – alldylan.com – is an “only Dylan” blog, that´s why we don´t post Dylan-stuff over here @ bortolisten.com.
But today we make an exception.
Here are a collection of links to interesting Bob Dylan posts @ alldylan.com.
“Is it rolling, Bob?” – Bob Dylan at the beginning of To Be Alone With You (Nashville Skyline)
“Johnston had fire in his eyes. He had that thing that some people call ‘Momentum.’ You could see it in his face and he shared that fire, that spirit. Columbia’s leading folk and country producer, he was born one hundred years too late. He should have been wearing a wide cape, a plumed hat, and riding with his sword held high. Johnston disregarded any warning that might get in his way. … Johnston lived on low country barbecue, and he was all charm.”
– Bob Dylan, Chronicles: Volume One
“I had the best in the world in my hand – there was no place I couldn’t go with him, so that’s where I went. I think Blonde On Blonde is the best record Dylan ever cut… Blonde On Blonde was the first symphony cut in Nashville!” – Bob Johnston (Uncut magazine)
Donald William ‘Bob’ Johnston (born May 14, 1932, Hillsboro, Texas, died August 14, 2015) was an American record producer, best known for his work with Bob Dylan, Johnny Cash, Leonard Cohen, and Simon and Garfunkel.
Al Kooper, by rights, should be regarded as one of the giants of ’60s rock, not far behind the likes of Bob Dylan and Paul Simon in importance. …. he was a very audible sessionman on some of the most important records of mid-decade, including Bob Dylan’s “Like a Rolling Stone.” Kooper also joined and led, and then lost two major groups, the Blues Project and Blood, Sweat & Tears. He played on two classic blues-rock albums in conjunction with his friend Mike Bloomfield. As a producer at Columbia, he signed the British invasion act the Zombies just in time for them to complete the best LP in their entire history; and still later, Kooper discovered Lynyrd Skynyrd and produced their best work.
~Bruce Eder (allmusic.com)
“When I was about 14, I saw Big Bill Broonzy on TV and that was an incredible thing. Because maybe if I’d just heard it, it might not have had the same effect. But to see footage of Broonzy playing ‘Hey Hey,’ this was a real blues artist and I felt like I was looking into heaven. That was it for me and then, when I went to explore his music, the song that always came back to me was an incredible version of ‘Key To The Highway.’ That was the one that I thought somehow would, like Crossroads, capture the whole journey of being a musician and a traveling journeyman.””
– Eric Clapton (2003)
“Key to the Highway” is a blues standard that has been performed and recorded by several blues and other artists. Blues pianist Charlie Segar first recorded the song in 1940. Jazz Gillum and Big Bill Broonzy followed with recordings during 1940–41, using an arrangement that has become the standard. When Little Walter updated the song in 1958 in an electric Chicago blues style, it became a success on the R&B record chart. Continue reading “Classic song: Key to the Highway by Chas Segar and Big Bill Broonzy”→
Songs from live albums not allowed (that’s another & more complicated list)
Please feel free to publish your own favorite songs from 1971 in the comments section…
AND lists like this are supposed to be fun! Don’t take it too seriously.
My favorite (studio) albums from 1971 include:
Bob Dylan’s Greatest Hits Vol. 2, If Only I Could Remember My Name (David Crosby), There’s a Riot Goin’ On (Sly & the Family Stone), What’s Going On (Marvin Gaye), Who’s Next (The Who), Tapestry (Carole King), Shaft: Music from the Soundtrack (Isaac Hayes), Sticky Fingers (The Rolling Stones), Imagine (John Lennon), Surf’s Up (Beach Boys), LA Woman (The Doors), Coat of Many Colors (Dolly Parton), IV (Led Zeppelin), Every Picture Tells a Story (Rod Stewart), Songs of Love & Hate (Leonard Cohen), Blue (Joni Mitchell), Pearl (Janis Joplin), White Light (Gene Clark), John Prine (John Prine), Nilsson Schmilsson (Harry Nilsson), Hunky Dory (David Bowie), Tupelo Honey (Van Morrison), Jack Johnson (Miles Davis), The Cry of Love (Jimi Hendrix), In Search Of A Song (Tom T. Hall), Crazy Horse (Crazy Horse) & Just as I Am (Bill Withers).
This is a message on a title card at the beginning of the film. The greatest concert movie ever made. This post concerns the movie, the audio releases have to wait for it’s own post.
The Last Waltz was a concert by the rock group The Band, held on American Thanksgiving Day, November 25, 1976, at Winterland Ballroom in San Francisco. The Last Waltz was advertised as the end of The Band’s illustrious touring career, and the concert saw The Band joined by more than a dozen special guests, including Paul Butterfield, Eric Clapton, Neil Diamond, Bob Dylan, Emmylou Harris, Ronnie Hawkins, Dr. John, Joni Mitchell, Van Morrison, Ringo Starr, Muddy Waters, Ronnie Wood, Bobby Charles and Neil Young.
The event was filmed by director Martin Scorsese and made into a documentary of the same name, released in 1978. The film features concert performances, scenes shot on a studio soundstage and interviews by Scorsese with members of The Band. A triple-LP soundtrack recording, produced by Rob Fraboni, was issued in 1978. The film was released on DVD in 2002 as was a four-CD box set of the concert and related studio recordings.
I have several versions of the film, and I’ve seen many versions of it. I’ve seen it at the cinema, I’ve played it to death on video casette, I have two DVD releases , a blu-ray release and I’ve seen/heard quite a bit of bootlegs of the show.
This is a film that I’m really passionate about, and I have often wondered if there’s footage, filmed sequences, that is not in the official version. Whatever condition such film would be in was irrelevant, I wanted to see as much as possible of the legendary concert.