Meet the Beatles! was not their first album released in USA, but as the first Beatles album released by Capitol Records, it was indeed the record where many millions of Americans were introduced to them.
“The further these songs get from Ronstadtland, the more I like them. The four that exorcise male psychoses by mock celebration are positively addictive, the two uncomplicated rockers do the job, and two of the purely “serious” songs get by. But no one has yet been able to explain to me what “accidentally like a martyr” might mean–answers dependent on the term “Dylanesque” are not acceptable–and I have no doubt that that’s the image Linda will home in on. After all, is she going to cover the one about the headless gunner? A-“ – Robert Christgau
Excitable Boy is the third album by Warren Zevon, it was released in 1978. It includes the top 40 success “Werewolves of London”. The album brought Warren to commercial attention and remains the best-selling album of his career. A remastered and expanded edition was released during 2007.
“Elvis has come out with a record which gives us some of the very finest and most affecting music since he first recorded for Sun almost 17 years ago”- Peter Guralnick (Rolling Stone Magazine 1971)
“…Elvis was at his peak when he cut Elvis Country. Actually, Elvis Presley was positively on a roll at the time. A decade after the end of what were thought to be his prime years, he was singing an ever-widening repertory of songs with more passion and involvement than he’d shown since the end of the 1950s…”
~Bruce Eder (allmusic.com)
Elvis Presley – Funny How Time Slips Away (Willie Nelson):
Sing Me Back Home is the fifth studio album by singer and songwriter Merle Haggard, released in 1968 on Capitol Records.
“Sing Me Back Home follows the blueprint of Merle Haggard’s first three albums, balancing a hit single with album tracks and a couple of covers, but there is a difference. Where the previous album Branded Man was a transitional album, hinting that Haggard’s talents were deepening substantially, Sing Me Back Home is the result of the flowering of his talent.”
– Thomas Erlewine (allmusic)
Merle Haggard appeared on Austin City Limits nine times over the course of his legendary career. Here’s “Sing Me Back Home” from his appearance in 1978:
The ice age is coming, the sun is zooming in
Engines stop running and the wheat is growing thin A nuclear error, but I have no fear
London is drowning-and I live by the river
I walked home from the local grocery store, Ringdal grocery store, exactly 38 years ago today with a plastic bag containing this double album by The Clash. It was priced as a single LP but had two vinyl records tucked inside. It was a frosty day, and when I was half way home I had to take off the plastic wrapping. To this day I can remember the smell, that wonderful smell of new vinyl on a frosty day.
The inner sleeves had “hand written” lyrics and it has to be the lyrics I’ve read most often. As a 13 year old boy from norway this was much more important in learning the english language than any class at school. Both historically and personally The Clash, London Calling had a profound impact.
… Lennon presents everything on the surface, and the song titles — “Mother,” “I Found Out,” “Working Class Hero,” “Isolation,” “God,” “My Mummy’s Dead” — illustrate what each song is about, and charts his loss of faith in his parents, country, friends, fans, and idols. It’s an unflinching document of bare-bones despair and pain, but for all its nihilism, it is ultimately life-affirming; it is unique not only in Lennon’s catalog, but in all of popular music. Few albums are ever as harrowing, difficult, and rewarding as John Lennon/Plastic Ono Band.
~Stephen Thomas Erlewine (allmusic.com)