“This ain’t no part of no unplugged nothin — God, I hate MTV”
~Steve Earle (Liner notes)
I got to thinking,…if I don’t make this record now, I won’t get the chance to make it. .. I’m singing the best I’ve sung in years. Mainly [because of] no dope. Heroin relaxes your vocal cords, it lowers the top of your range a little bit, and then when you try to sing over it…
~Steve Earle (to SPIN in 1995)
I wish I’d never come back home
It don’t feel right since I’ve been grown
I can’t find any of my old friends hangin’ ’round
Won’t nothin’ bring you down like your hometown
February 28, 1995
Folk, country, country rock, bluegrass
Train a Comin’ is an acoustic studio album by Steve Earle. The album, Earle’s first in five years, was released in 1995. In addition to Earle, it features Peter Rowan, Norman Blake, Roy Huskey, and Emmylou Harris. The album was nominated for a Grammy for Best Contemporary Folk Album.
If you see her out tonight
And she tells you it’s just the lights
That bring her here and not her loneliness
That’s what she says but sometimes she forgets
I like this town, it’s really great. They’ve put me in The Nashville Songwriters Hall of Fame. This town is about music. It’s about the kind of music I like.
I used to go down every year for the remembrance of Elvis’ birthday. Memphis State College invited me to sit in the auditorium and speak to the people for one of those Elvis days.
Blackwell’s songwriting style is as identifiable as that of Willie Dixon or Jerry Leiber & Mike Stoller. He helped formulate the musical vocabulary of rock & roll when the genre was barely breathing on its own.
~Bill Dahl (allmusic.com)
“Folsom Prison looms large in Johnny Cash’s legacy, providing the setting for perhaps his definitive song and the location for his definitive album, At Folsom Prison. The ideal blend of mythmaking and gritty reality, At Folsom Prison is the moment when Cash turned into the towering Man in Black, a haunted troubadour singing songs of crime, conflicted conscience, and jail.”
~Stephen Thomas Erlewine (allmusic.com)
One of the best live albums in recording history was taped on this date in 1968, hell, it’s one of the best albums period. Today it is it’s 48-year anniversary.
“The preacher asked her and she said, ‘I do’
The preacher asked me and she said, ‘Yes, he does too’
The preacher said, ‘I pronounce you 99 to life
Son, she’s no lady, she’s your wife.’ “
– Lyle Lovett (She’s No Lady)
“Writes like Guy Clark, only plainer, sings like Jesse Winchester only countrier.”
– Robert Christgau
“While Lyle Lovett’s self-titled debut album made it clear he was one the most gifted and idiosyncratic talents to emerge in country music in the 1980s, his follow-up, 1987’s Pontiac, took the strengths of his first disc and refined them, and the result was a set whose sound and feel more accurately reflected Lovett’s musical personality.”
– Mark Deming (allmusic)
This classic country album was Lyle Lovett’s second album, and to me it’s his best still. The Texas singer-songwriter uses the same elements that made his 1986 debut such a delight, dry humour, observational storytelling told in a personal and devastating way. Relationship stories as dark and as funny as they sometimes are…and with great singing and music.
Vince Gill and Emmylou Harris visits on this first of many masterpieces from Lyle Lovett.
Pontiac (official video):
The release date is uncertain, some sites said it was released in 1987, but most reviews started coming out mid January 1988. Anyway that’s not the important part, what’s important is to celebrate a very fine album no matter if it was released December 1987 or January 1988.