A lot of wonderful music was released in 1979, here are my 20 chosen songs.
And the Healing Has Begun – Van Morrison
Released on his 1979 album, Into the Music.
– And we’ll walk down the avenue again
And we’ll sing all the songs from way back when
And we’ll walk down the avenue again and the healing has begun
And we’ll walk down the avenue in style
And we’ll walk down the avenue and we’ll smile
And we’ll say “baby, ain’t it all worthwhile?” when the healing has begun
I want you to put on your pretty summer dress
You can wear your Easter bonnet and all the rest
And I want to make love to you yes, yes, yes, when the healing has begun
A lot of wonderful music was released in 1978, here are my 20 chosen songs.
Señor (Tales of Yankee Power) – Bob Dylan
Released on his brilliant album “Street-Legal” in 1978.
– Señor, señor
Can you tell me where we’re headin’?
Lincoln County Road or Armageddon?
Seems like I been down this way before
Is there any truth in that, señor?
And lets include a brilliant live version from London 1978:
A lot of exciting music was released in 1977, here are my 20 chosen songs.
Like a Hurricane – Neil Young
Written by Neil Young in 1975 and first released on the album American Stars ‘n Bars in 1977.
– Once I thought I saw you
in a crowded hazy bar,
Dancing on the light
from star to star.
Far across the moonbeam
I know that’s who you are,
I saw your brown eyes
turning once to fire.
In 1986, Chet Baker: Live at Ronnie Scott’s London presents Baker in an intimate stage performance filmed with Elvis Costello and Van Morrison as he performs a set of standards and classics, including “Just Friends”, “My Ideal”, and “Shifting Down”. Augmenting the music, Baker speaks one-on-one with friend and colleague Costello about his childhood, career, and struggle with drugs.
On My Aim Is True, Elvis’ raw energy comes through in a way that’s never completely recaptured on later records. While the songs range from mellow country twang to full-on, spitting assault, there’s a strange cohesiveness to the album simply by virtue of its rough, rushed feel. Although it’s a studio album, there’s a latent energy to Nick Lowe’s production that grants My Aim Is True all the immediacy of a live show.
~Matt LeMay (pitchfork.com)
Elvis Costello’s debut album brought home to me just how timid Little Criminals really is. Costello’s best songs are anything but timid, but they’re as intelligent as some of Newman’s finest, as endearingly elusive in their meanings, and funny in the same bitter, self-deprecating manner. They are also, like Newman’s signature songs, very weird.
~Greil Marcus (rollingstone.com)
.. it’s that his sensibility is borrowed from the pile-driving rock & roll and folksy introspection of pub rockers like Brinsley Schwarz, adding touches of cult singer/songwriters like Randy Newman and David Ackles. Then, there’s the infusion of pure nastiness and cynical humor, which is pure Costello. That blend of classicist sensibilities and cleverness make this collection of shiny roots rock a punk record — it informs his nervy performances and his prickly songs. Of all classic punk debuts, this remains perhaps the most idiosyncratic because it’s not cathartic in sound, only in spirit.
~Stephen Thomas Erlewine (alldylan.com)
Welcome to the working week
Oh, I know it don’t thrill you, I hope it don’t kill you
Welcome to the working week
You gotta do it till you’re through, so you better get to it
~Elvis Costello (Welcome to the working week)
A great songwriter can take even an uncomfortable or difficult subject and turn it into an enjoyable and inviting song. When two of the best songwriters in the world come together, they can take that same subject and not only create a hit but also illuminate the subject in ways both surprising and moving.
-Jim Beviglia (Pump It Up: Elvis Costello’s 100 Best Songs)
Here are some facts, original version, lyrics & live versions.