Real Live Roadrunning is a collaborative live album by Mark Knopfler and Emmylou Harris, released on 14 November 2006. The album was recorded live on 28 June 2006 at the Gibson Amphitheatre in Los Angeles, at the end of their summer tour in support of their critically acclaimed album, All the Roadrunning. Real Live Roadrunning was released as a combined CD/DVD. This is the video version of the concert : Continue reading “Emmylou Harris and Mark Knopfler Real Live Roadrunning 2016 (full concert video)”→
“Folsom Prison looms large in Johnny Cash’s legacy, providing the setting for perhaps his definitive song and the location for his definitive album, At Folsom Prison. The ideal blend of mythmaking and gritty reality, At Folsom Prison is the moment when Cash turned into the towering Man in Black, a haunted troubadour singing songs of crime, conflicted conscience, and jail.”
~Stephen Thomas Erlewine (allmusic.com)
One of the best live albums in recording history was taped on this date in 1968, hell, it’s one of the best albums period. Today it is it’s 48-year anniversary.
Singer-songwriters John Prine and Sturgill Simpson shared the stage last summer at an intimate event for a lucky few Grammy Museum guests. “This is John’s night” Simpson said, “I just wanna be here, but it’s John’s night”.
Part interview and part performance, video of the two country artists together was streamed live on Facebook in two parts.
Great storytellers, wonderful songs and very good playing!
Interview session (with some songs):
“Souvenirs” and “Sam Stone” solo, John Prine
followed by duets with Sturgill Simpson on “Speed Of The Sound of Loneliness” and “Paradise”.
And Joan Baez means more to me than 100 of these singers around today. She’s more powerful. That’s what we’re looking for. That’s what we respond to. She always had it and always will, power for the species, not just for a select group.
~Bob Dylan (to Neil Hickey, Sept. 1976)
“I’ve never had a humble opinion. If you’ve got an opinion, why be humble about it?”
― Joan Baez
I went to jail for 11 days for disturbing the peace; I was trying to disturb the war.
~Joan Baez (Pop Chronicles interview – 1967)
Hank Williams (September 17, 1923 – January 1, 1953), born Hiram King Williams, is regarded as one of the most important country music artists of all time. Williams recorded 35 singles (five released posthumously) that would place in the Top 10 of the Billboard Country & Western Best Sellers chart, including 11 that ranked number one.Hank Williams died in 1953 and Townes Van Zandt died in 1997
John Townes Van Zandt (March 7, 1944 – January 1, 1997), best known as Townes Van Zandt, was an American Texas Country-folk music singer-songwriter, performer, and poet. Many of his songs, including “If I Needed You,” “To Live is to Fly,” and “No Place to Fall” are considered standards of their genre.
Townes Van Zandt have been chosen, along with Bob Morrison, Beth Nielsen and Aaron Barker, to be included in the Nashville Songwriters Hall of Fame 9th of October this year.
The Nashville Songwriters Hall of Fame was founded in 1970 and have 199 inductees today.
We think Van Zandt’s inclusion is long overdue and here are 11 reasons why. There are many more, but these gems really shine.
Marie she didn’t wake up this morning She didn’t even try She just rolled over and went to Heaven My little boy safe inside
I laid them in the sun where somebody’d find them Caught a Chesapeak on the fly Marie will know I’m headed south So’s to meet me by and by
Marie will know I’m headed south So to meet me by and by
– Townes Van Zandt
Townes Van Zandt is one of the greatest songwriters in music-history. To narrow down my choice to just 11 songs is a pain. His 9 studio albums, and some compilations released after his death in 97 are so full of great songs that my task has been nearly impossible. I could pick 11 other songs in his songbook that are just as good, but today this is my list.
Kurt Wolff (allmusic): Townes Van Zandt’s music doesn’t jump up and down, wear fancy clothes, or beat around the bush. Whether he was singing a quiet, introspective country-folk song or a driving, hungry blues, Van Zandt’s lyrics and melodies were filled with the kind of haunting truth and beauty that you knew instinctively. His music came straight from his soul by way of a kind heart, an honest mind, and a keen ear for the gentle blend of words and melody. He could bring you down to a place so sad that you felt like you were scraping bottom, but just as quickly he could lift your spirits and make you smile at the sparkle of a summer morning or a loved one’s eyes — or raise a chuckle with a quick and funny talking blues. The magic of his songs is that they never leave you alone.