“Folsom Prison looms large in Johnny Cash’s legacy, providing the setting for perhaps his definitive song and the location for his definitive album, At Folsom Prison. The ideal blend of mythmaking and gritty reality, At Folsom Prison is the moment when Cash turned into the towering Man in Black, a haunted troubadour singing songs of crime, conflicted conscience, and jail.”
~Stephen Thomas Erlewine (allmusic.com)
One of the best live albums in recording history was taped on this date in 1968, hell, it’s one of the best albums period. Today it is it’s 48-year anniversary.
“The preacher asked her and she said, ‘I do’
The preacher asked me and she said, ‘Yes, he does too’
The preacher said, ‘I pronounce you 99 to life
Son, she’s no lady, she’s your wife.’ “
– Lyle Lovett (She’s No Lady)
“Writes like Guy Clark, only plainer, sings like Jesse Winchester only countrier.”
– Robert Christgau
“While Lyle Lovett’s self-titled debut album made it clear he was one the most gifted and idiosyncratic talents to emerge in country music in the 1980s, his follow-up, 1987’s Pontiac, took the strengths of his first disc and refined them, and the result was a set whose sound and feel more accurately reflected Lovett’s musical personality.”
– Mark Deming (allmusic)
This classic country album was Lyle Lovett’s second album, and to me it’s his best still. The Texas singer-songwriter uses the same elements that made his 1986 debut such a delight, dry humour, observational storytelling told in a personal and devastating way. Relationship stories as dark and as funny as they sometimes are…and with great singing and music.
Vince Gill and Emmylou Harris visits on this first of many masterpieces from Lyle Lovett.
Pontiac (official video):
The release date is uncertain, some sites said it was released in 1987, but most reviews started coming out mid January 1988. Anyway that’s not the important part, what’s important is to celebrate a very fine album no matter if it was released December 1987 or January 1988.
Howlin’ Wolf is the third studio album from Chicago blues singer/guitarist/harmonicist Howlin’ Wolf. It is a collection of six singles previously released by the Chess label from 1960 through 1962. This was a common practise at the time.
Because of the illustration on its sleeve, shot by Don Bronstein, staff photgrapher at Playboy magazine and house photographer at Chess Records, the album is often called The Rockin’ Chair Album, a nickname even added to the cover on some reissue pressings of the LP.
Howlin’ Wolf’s second album brings together some of the blues great’s best singles from the late ’50s and early ’60s. Also available as a fine two-fer with his debut, Moanin’ in the Moonlight, the so-called Rockin’ Chair Album represents the cream of Wolf’s Chicago blues work. Those tracks afforded classic status are many, including “Spoonful,” “The Red Rooster,” “Wang Dang Doodle,” “Back Door Man,” “Shake for Me,” and “Who’s Been Talking?” Also featuring the fine work of Chess house producer and bassist Willie Dixon and guitarist Hubert Sumlin, Rockin’ Chair qualifies as one of pinnacles of early electric blues, and is an essential album for any quality blues collection. – Stephen Cook (Allmusic)*
…..Waters sings as though his life depended on it, Johnny Winter proves with every note how right he was to want to do this, and James Cotton–well, James Cotton doesn’t open his mouth except to make room for the harmonica, which sounds just great.
~Robert Christgau (robertchristgau.com)
This is Muddy Waters’ best “late” album.. Johnny Winter sure inspired the old blues legend to peak performance…. a wonderful record.
Wings over America is one of the reasons I miss vinyl, it was big in every sense of the word. A triple album, with a poster and a cover designed by Hipgnosis.
Originally, Wings over America was to be a two-record set, but this was rethought due to the success of a bootleg called Wings from the Wings, released on a bicentennial red, white and blue triple record set, recorded on 23 June 1976 at The Forum (Inglewood, California).
This caused McCartney to redo the official release as a three-record set covering the entire concert, including Denny Laine’s “Go Now”, a song from his time as a member of The Moody Blues. This song was only performed 21–23 June 1976 at the Forum.
Compiled from all recorded shows of the band’s Wings Over America Tour that spring, Wings over America was another success for Paul McCartney and Wings, reaching number 1 in the US in early 1977 (the last in a 5-album stretch of consecutive number 1 albums for Wings) and number 8 in the UK, and selling several million copies.
Wings Over America was reissued as a double-CD in 1984 on Columbia Records and later on Capitol Records.
“Rape, murder, it’s just a shot away, it’s just a shot away.”
Rolling Stones Let it Bleed 1969
Let It Bleed is the eighth British and tenth American album by The Rolling Stones, released 5th December 1969. Released shortly after the band’s 1969 American Tour, it is the last album by the band to feature Brian Jones as well as the first to feature Mick Taylor.
5 December 1969
November 1968, February–November 1969, Olympic Studios, London, England
Blues rock, rock and roll, hard rock
London (US), Decca (UK)
It is part of the holy quartet: Exile on Main St., Beggars Banquet, Let it Bleed and Sticky Fingers. Rightfully considered the best albums in The Rolling Stones’ discography.