Classic Concert: Johnny Cash @ Glastonbury Festival 1994 (video)

Johnny Cash considered his UK appearance at Glastonbury Festival 1994 as one of the great highlights of his musical career. He wrote about the performance in his autobiography and was so moved by his experience at the time, there were tears rolling down his face when he came off stage afterwards, according to the other performers who were there.
– Paul Goodman (hubpages.com)

Glastonbury Festival
Worthy Farm, Pilton, England
June 26, 1994

Band

  • Bob Wootton – guitar
  • W. S. Holland – drums
  • Dave Roe – bass
  • Backing vocals and rhythm guitar: John Carter Cash
  • Vocals on Jackson and If I were a Carpenter: June Carter

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Great concert: Van Morrison @ Ahoy, Rotterdam 1981 (video)

Great concert featuring a brilliant “Summertime in England” (starting at 33:20).

Appropriately, “Summertime in England” is a highlight of a Dutch TV concert recorded in Rotterdam in 1981… and Pee Wee Ellis joins in on backing vocal as Van in dark shades ad libs about when “Auden and Isherwood split” (in Berlin) and summons up Ginsberg in Saint Louis, and Ferlinghetti´s City Lights books publishing Colin Wilson. A Beat manifesto?
-Brian Hinton (Celtic Crossroads)

Ahoy, Rotterdam – May 23, 1981

  • Van Morrison: Lead Vocals
  • Mark Isham: Trumpet
  • Pee Wee Ellis: Sax – Backing vocals on “Summertime In England”
  • John Allair: Keyboards
  • Peter Van Hooke: Drums
  • David Hayes: Bass
  • Herbie Armstrong: Guitar
  • Mick Cox: Guitar

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December 15: Classic concert, Bruce Springsteen at Winterland Ballroom SF in 1978

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“Tonight you’re gonna hear the concert of your life”, the guy of KSAN states to his listeners at the beginning of this radio broadcast, and it is the truth!

Bruce Springsteen Winterland Ballroom

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Bruce’s Winterland-78 concert is by many fans & “concert tape collectors” regarded as one of his best shows ever… It is indeed a cornerstone in any collection of concert bootlegs (regardless of artist). Number 2 on my list (Egil) of the best Springsteen’s concerts I’ve heard. It is now selling as a “semi official” release at amazon.co.uk. Continue reading “December 15: Classic concert, Bruce Springsteen at Winterland Ballroom SF in 1978”

November 30: Van Morrison @ Beacon Theater New York – 1989 (Concert Video)

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In a review at the time, Geoff Wall describes the video .. as “ecstasy for the ears”, and it is tonic for the eyes as well. A surprise and a delight.
-Brian Hinton (Celtic Crossroads)

Great late 80’s VM concert with John Lee Hooker & Mose Allison. Check out “Summertime in England” @ ~30min.

Setlist:

(italic – not included in VHS release & this youtube video)

  1.  I Will Be There
  2. Whenever God Shines His Light
  3. Cleaning Windows
  4. It’s all in the game 
  5. Orangefield
  6. Tore Down A La Rimbaud
  7. When Will I Ever Learn To Live In God
  8. Beautiful Vision
  9. Help Me
  10. Everybody’s Cryin’ Mercy
  11. City Home
  12. Thank God For Self Love
  13. Raglan Road
  14. Carrickfergus
  15. Full Force Gale
  16. Summertime In England
  17. Caravan
  18. Moondance
  19. Fever
  20. Vanlose Stairway > Trans-Euro Train
  21. Star Of The County Down
  22. Northern Muse (Solid Ground) > When Heart Is Open
  23. In The Garden
  24. Have I Told You Lately
  25. These Are The Days
  26. Gloria
  27. It Serves Me Right To Suffer
  28. Boom Boom
  29. She Moves Through The Fair
  30. Buona Sera

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November 17: Bruce Springsteen @ Shrine Auditorium, LA 1990

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On November 17, 1990 Bruce Springsteen plays Shrine Auditorium in Los Angeles. This is the second concert (he played on November 16 as well), and a  slightly better concert than the first.

These 2 concerts are absolutely fantastic, Bruce hadn’t played live for a while… and he is a bit nervous and 100% focused. These recordings are a MUST for any Springsteen fan.

Nebraska:

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Leonard Cohen: 1970 Isle of Wight Festival (full concert video)

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Tension had been rising at the festival for days. The promoters had expected a hundred and fifty thousand people but half a million more turned up, many with no intention of paying. Even after the promoters were forced to declare it a free festival, ill will remained. During a set by Kris Kristofferson, bottles were thrown and he was booed offstage. “They were booing everybody,” says Kristofferson. “Except Leonard Cohen.”
~Sylvie Simmons

First off some facts from wikipedia:

The 1970 Isle of Wight Festival was held between 26 and 31 August 1970 at East Afton Farm an area on the western side of the Isle of Wight. It was the last of three consecutive music festivals to take place on the island between 1968 and 1970 and widely acknowledged as the largest musical event of its time, greater than the attendance of Woodstock. Although estimates vary, the Guinness Book of Records estimated 600,000, possibly 700,000 people attended. It was organised and promoted by local brothers, Ronnie, Ray and Bill Foulk. Ron Smith was site manager and Rikki Farr acted as compere.

The preceding Isle of Wight Festivals, also promoted by the Foulks, had already gained a good reputation in 1968 and 1969 by featuring acts such as Jefferson Airplane, T. Rex, The Move, The Pretty Things, Joe Cocker, The Moody Blues (performed at the 1969 festival), The Who, and Bob Dylan in his first performance since his 1966 motorcycle accident.

The 1970 version, following Woodstock in the previous year, set out to move one step forward and enlisted Jimi Hendrix. With Hendrix confirmed, artists such as Chicago, The Doors, Lighthouse, The Moody Blues, The Who, Miles Davis, Joan Baez, Joni Mitchell, Jethro Tull, Sly & the Family Stone, Ten Years After, Emerson, Lake & Palmer and Free willingly took up the chance to play there. The event had a magnificent but impractical site, since the prevailing wind blew the sound sideways across the venue, and the sound system had to be augmented by Pink Floyd’s PA. There was a strong, but inconsistent line up, and the logistical nightmare of transporting some 600,000 people onto an island with a population of fewer than 100,000.

Political and logistical difficulties resulted in the organisers eventually realising that the festival would not make a profit and declaring it to be “a free festival”, although the majority of the audience had paid for tickets in advance, and the event was filmed contemporaneously. The commercial failings of the festival ensured it was the last event of its kind on the Isle of Wight for thirty-two years.

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