From my perspective, there are better sound-quality boots out there (Live In Montreux, for example), but no Van boot I have — and I have more than a few — so integrates solid sound with a stunning performance: Live In Montreux comes close, but at 150+ minutes, Pagan is the winer. This boot is so good, so valued, that much like the ancestral heir loom one only wears on special occasions, I listen to Pagan Streams infrequently. If I listened to it too often, I would quit my job, leave my wife and dog, and sell my soul to attend every one of the Man’s concerts. I know it took me a while to track this boot down, and all I can say is: if you can find it, buy it.
–Niall Connors (oocities.org)
The sound quality of this double CD is a very good audience recording. In fact it sounds a lot like a soundboard recording. There is some distortion in a few tracks but it isn’t a huge problem and is very listenable. Van actually “booted” some tracks from this boot for his Gloria CD single.
-Russell Parkinson (oocities.org)
Sticky Fingers was never meant to be the title. It’s just what we called it while we were working on it. Usually though, the working titles stick.
~Keith Richards 1971
While many hold their next album, Exile On Main St., as their zenith, Sticky Fingers, balancing on the knife edge between the 60s and 70s, remains their most coherent statement.
~Chris Jones (bbc.co.uk)
Televised as a Rockpalast Special; The correct date for the Van Morrison show is Sunday April 4. The Rockpalast Night where this show was taken from started on April 3 around 11:00 pm with Rick James. Van played the second set and this was around 1:00 am on April 4. Therefore date of the actual show started on April 3 (in the late evening) and ended on April 4 (in the early morning). The broadcast date was the following evening April 4. Most of the Rockpalast shows are broadcast the date following the actual show. Hence the show was played over the 3rd and 4th of April 1982. It was broadcast live across Europe on April 4, 1982 that evening. This is why this show sometimes circulates as April 3 , 1982 (panicstream.net)
Geoffrey Arnold “Jeff” Beck (born 24 June 1944) is an English rock guitarist. He is one of the three noted guitarists to have played with The Yardbirds (the other two being Eric Clapton and Jimmy Page). Beck also formed The Jeff Beck Group and Beck, Bogert & Appice.
Much of Beck’s recorded output has been instrumental, with a focus on innovative sound, and his releases have spanned genres ranging from blues rock, hard rock, jazz fusion, and an additional blend of guitar-rock and electronica. Although he recorded two hit albums (in 1975 and 1976) as a solo act, Beck has not established or maintained the sustained commercial success of many of his contemporaries and bandmates. Beck appears on albums by Rod Stewart, Mick Jagger, Tina Turner, Morrissey, Jon Bon Jovi, Malcolm McLaren, Kate Bush, Roger Waters, Donovan, Stevie Wonder, Les Paul, Zucchero, Cyndi Lauper, Brian May, Stanley Clarke, Screaming Lord Sutch, ZZ Top, and Toots and the Maytals. Continue reading “Full concert: Jeff Beck live in Switzerland, The Baloise Sessions 2016”→
With Bill Kreutzmann masterfully drumming alone following the resignation of Mickey Hart, and augmented the previous fall by Keith Godchaux’s elegant piano, the Dead leaned toward the pared-down sound they’d perfected on their previous studio albums, Workingman’s Dead and American Beauty. Indeed, Europe ’72 arguably completes an acid-Americana trilogy insofar as it features a handful of sepia-toned new tunes: “He’s Gone,” “Jack Straw,” “Brown-Eyed Women,” “Ramble on Rose,” and “Tennessee Jed.” It also eliminates nearly all crowd noise and contains enough post-tour overdubs (mainly in the vocals department) to suggest a live-studio hybrid, with Jerry Garcia’s joyously apocalyptic “Morning Dew” as its show-stopping closer. The Dead’s best-selling live album also marked the group’s final recording with singer-keyboardist Ron “Pigpen” McKernan, who died the following year.
~Richard Gehr (rollingstone.com)