June 4: Johnny Cash Live at San Quentin was released in 1969
When I was little boy I was very interested in music, the radio and records. My father had a small but very good record collection. Among the treasures in his collection was this album, Johnny Cash – Live at San Quentin. My father told me the story of the album, and I remember that the Norwegian broadcast company (yes there were only one channel at the time, early 70s) showed the actual concert. It was very late at night but my father woke me and I got to see this legendary show. It marked me for life.
At San Quentin is the 31st overall album and a recording of a live concert given by Johnny Cash to the inmates of San Quentin State Prison. As well as being released on record the concert was filmed by Granada Television.
Johnny Cash considered his UK appearance at Glastonbury Festival 1994 as one of the great highlights of his musical career. He wrote about the performance in his autobiography and was so moved by his experience at the time, there were tears rolling down his face when he came off stage afterwards, according to the other performers who were there.
– Paul Goodman (hubpages.com)
Worthy Farm, Pilton, England
June 26, 1994
Bob Wootton – guitar
W. S. Holland – drums
Dave Roe – bass
Backing vocals and rhythm guitar: John Carter Cash
Vocals on Jackson and If I were a Carpenter: June Carter
The site was Hiltons, Virginia, a short distance from Bristol, the “Birthplace of Country Music,” where acts including the Carter Family made some of the very first country recordings. Just three miles down a narrow country road from Hiltons, in a large wooden structure known as the Carter Family Fold, Cash was introduced by one of the Fold founders, Janette Carter, the daughter of Sara and A.P., two-thirds of the original Carter Family with Maybelle Carter. Cash, who toured and recorded with the Carter Family throughout the Sixties, would later become inexorably linked to the family when he married June Carter, the second of Mother Maybelle’s three daughters.
-Stephen L. Betts (rollingstone.com)
“Folsom Prison looms large in Johnny Cash’s legacy, providing the setting for perhaps his definitive song and the location for his definitive album, At Folsom Prison. The ideal blend of mythmaking and gritty reality, At Folsom Prison is the moment when Cash turned into the towering Man in Black, a haunted troubadour singing songs of crime, conflicted conscience, and jail.”
~Stephen Thomas Erlewine (allmusic.com)
One of the best live albums in recording history was taped on this date in 1968, hell, it’s one of the best albums period. Today it is it’s 48-year anniversary.
Sam Phillips was not just one of the most important producers in rock history. There’s a good argument to be made that he was also one of the most important figures in 20th century American culture.
~Richie Unterberger (allmusic.com)
Please check out the new book:
Sam Phillips: The Man Who Invented Rock ‘n’ Roll
Written by Peter Guralnick
Rock ‘n’ roll was born in rural Alabama, 1923, in the form of Sam Phillips, the youngest son of a large family living in a remote colony called the Lovelace Community. His father had a gift for farming, which was brought to an end by the Depression. His mother picked guitar and showed the kind of forbearance that allowed her to name her son after the doctor who delivered him drunk and then had to be put to bed himself. And yet from these unprepossessing origins, in 1951 Phillips made what is widely considered to be the first rock ‘n’ roll record, Ike Turner and Jackie Brenston’s ‘Rocket 88’.