August 25: Lucinda Williams released Sweet Old World in 1992
See what you lost when you left this world, this sweet old worldThe breath from your own lips, the touch of fingertipsA sweet and tender kissThe sound of a midnight train, wearing someone’s ringSomeone calling your nameSomebody so warm cradled in your armsDidn’t you think you were worth anythingSee what you lost when you left this world, this sweet old world
Sweet Old World is Lucinda Williams’ fourth album, it was released 25 August in 1992. It is a fantastic album. It is a record that I bought after buying Car Wheels On A Gravel Road and her eponymous 1988 album, I love them all (and all she has given us since then). She really took her time between the albums, and the wait for new music from Lucinda Williams has often put my patience to a test. She never delivers bad stuff, most often she gives us fantastic songs. Sweet Old World is even better than its predesessor and almost as good as Car Wheels… and that is a masterpiece! Here’s a great performance of the title track, Sweet old World (live at Austin City Limits):
Don’t run back inside
Darling you know just what I’m here for
So you’re scared and you’re thinking
That maybe we ain’t that young anymore
Show a little faith there’s magic in the night
You ain’t a beauty but hey you’re alright
Oh and that’s alright with me
~From “Thunder Road”
To hear Springsteen sing the line “Hiding on the backstreets” is to be captured by an image; the details can come later. Who needed to figure out all the words to “Like a Rolling Stone” to understand it?
~Greil Marcus (rollingstone.com)
Born to Run is a powerhouse release that takes you on an open-ended cinematic rock and roll journey.
~Bill Pulice (puluche.com)
Happy Birthday to my fav Springsteen album!
Thunder Road – best version – Live @ Hammersmith 1975-11-18:
Wings For Wheels – The Making of Born to Run (GREAT documentary – ~90min)
Jeffrey Scot “Jeff” Tweedy (born August 25, 1967) is an American songwriter, musician and leader of the band Wilco. Tweedy joined rockabilly band The Plebes with high school friend Jay Farrar in the early 1980s, but Tweedy’s musical interests caused one of Farrar’s brothers to quit. The Plebes changed their name to The Primitives in 1984, and subsequently to Uncle Tupelo. Uncle Tupelo garnered enough support to earn a record deal and to tour nationally. After releasing four albums, the band broke up in 1994 because of conflicts between Tweedy and Farrar.
Kind of Blue is a studio album by American jazz musician Miles Davis, released August 17, 1959, on Columbia Records in the United States. Recording sessions for the album took place at Columbia’s 30th Street Studio in New York City on March 2 and April 22, 1959. The sessions featured Davis’s ensemble sextet, which consisted of pianist Bill Evans (Wynton Kelly on one track), drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian “Cannonball” Adderley.
Though precise figures have been disputed, Kind of Blue has been described by many music writers not only as Davis’s best-selling album, but as the best-selling jazz record of all time. On October 7, 2008, it was certified quadruple platinum in sales by the Recording Industry Association of America (RIAA). It has been regarded by many critics as the greatest jazz album of all time and Davis’s masterpiece.
The album’s influence on music, including jazz, rock, and classical music, has led music writers to acknowledge it as one of the most influential albums ever made. In 2002, it was one of fifty recordings chosen that year by the Library of Congress to be added to the National Recording Registry. In 2003, the album was ranked number 12 on Rolling Stone magazine’s list of the 500 greatest albums of all time.
‘Cause movin’s in my soul, i guess a gypsy boy got a hold
Of somebody in my family long ago
If some night while half asleep you hear the back door softly squeak
You’ll touch my empty pillow, then you’ll know
That restless wind, is calling me again
– Billy Joe Shaver (from “Restless Wind” (one of his best songs))
“He may be the best songwriter alive today”
– Willie Nelson
«He’s a real writer like Hemingway. He’s timeless»
– Kris Kristofferson
«Billy Joe is unique. One of a kind. They threw away the mold. The best.»
– Robert Duvall
I’m listening to Billy Joe Shaver And i’m reading James Joyce
-Bob Dylan (I Feel a Change Comin’ On)
…. Actually we are soul mates. As far as guitar playing goes he never steps all over with fancy licks. Yeah, Mark was incredible. He helped make this record in a thousand ways, not only musically, which in itself would have been enough. Brilliant guy, I can’t say enough about him.
~Bob Dylan (Talking about Knopfler part in the making of “Infidels” – July 1983 to Martin Killer)
The most celebrated British guitar hero to emerge in the 1970s and ’80s, Mark Knopfler rose to fame as the leader of Dire Straits, and his songwriting and incisive guitar work played a decisive role in making them an international success story. At a time when punk and new wave were making technique for its own sake seem irrelevant, and metal was taking the guitar solo in noisier and unpredictable directions, Knopfler’s clean but dexterous picking proved there was still room for traditionalism and chops in mainstream rock & roll.
~Mark Deming (allmusic.com)
Dire Straits – Sultans Of Swing (Alchemy Live – 1983):