Ann Lee Peebles (born April 27, 1947) is an American singer and songwriter who gained celebrity for her Memphis soul albums of the 1970s for Hi Records. Two of her most popular songs are “I Can’t Stand the Rain”, which she wrote with her husband Don Bryant and radio broadcaster Bernie Miller, and “I’m Gonna Tear Your Playhouse Down”. In 2014, Ann Peebles was inducted into the Memphis Music Hall of Fame.
When this came out in 1974, it was roundly dismissed as Ziggy Stardust’s last strangled gasp. In hindsight, Diamond Dogs is marginally more worthwhile; its resigned nihilism inspired interesting gloom and doom from later goth and industrial acts such as Bauhaus and Nine Inch Nails.
~Mark Kemp (rollingstone.com in 2004)
All this hopelessness and annihilation would be suffocating if it weren’t for Bowie’s exuberance. He throws himself into Orwell’s draconian hell as if strutting around in Kansai Yamamoto’s Aladdin Sane-era bodysuit; it fits his skeletal contours. Determined to reaffirm his relevance in spite of his setbacks, the singer sparkled so brightly that he offset the darkness of his material. Just as Watergate was coming to a boil, singer-songwriters and prog-rockers were glutting the charts, and ’60s resistance was morphing into ’70s complacency, this sweet rebel (rebel) made revolution strangely sexy again. Glaring at you from Dogs’ cover with canine hindquarters and emaciated features like the circus sideshow Freaks he footnotes in the title cut, he served notice that rock’s outsiders remained more compelling than the softies who increasingly occupied its center, even as his ever-growing popularity chipped away at it. You can bet Patti Smith, the Ramones, and Television sat up and took notes.
-Barry Walters (pitchfork.com)
Sticky Fingers was never meant to be the title. It’s just what we called it while we were working on it. Usually though, the working titles stick.
~Keith Richards 1971
While many hold their next album, Exile On Main St., as their zenith, Sticky Fingers, balancing on the knife edge between the 60s and 70s, remains their most coherent statement.
~Chris Jones (bbc.co.uk)
My parents wanted to light my artistic candle. But over time, the definition of ‘the arts’ began to stretch. And as I got older, they suddenly realized, Oh, my God, we’re the parents of Iggy Pop.
There’s a reason why many consider Iggy Pop the godfather of punk: every single punk band of the past and present has either knowingly or unknowingly borrowed a thing or two from Pop and his late-’60s/early-’70s band, the Stooges.
~Greg Prato (allmusic.com)
The music is the message, the message is the music. So that’s my little ministry that the Big Man upstairs gave to me – a little ministry called love and happiness.
“Green plays the boyish Sam Cooke supplicant–or maybe a smooth Otis Redding, or an assertive Smokey Robinson–with the startling is-that-a-synthesizer? high note…”
~Robert Christgau (in 1970 – review of “Gets next to you” album)