Beatles for Sale is the fourth studio album by the Beatles, it was released on 4 December 1964 and produced by George Martin. The album marked a minor turning point in the evolution of the Lennon -McCartney partnership, John Lennon particularly now showing interest in composing songs of a more autobiographical nature. I’m a Loser shows Lennon for the first time coming under the influence of Bob Dylan, whom he met in New York while on tour, on 28 August 1964.
John, when you were in New York, what did you like best about it?
I just like cities, you see, and preferably big ones. That’s why I liked it. And we met some good people like Bob Dylan and Joan Baez, you know, and I enjoy meeting people I admire.
Beatles for Sale didn’t produce a single for the UK – the non-album tracks I Feel Fine and She’s a Woman performed that role. Nevertheless, that coupling was followed up in the United States by Eight Days a Week, which became their seventh number one.
There are places I’ll remember All my life, though some have changed Some forever, not for better Some have gone and some remain All these places had their moments With lovers and friends, I still can recall Some are dead and some are living In my life, I’ve loved them all
All four faces of The Beatles appear stretched on the cover of 1965’s Rubber Soul, but it is not only the picture that is mind bending, the music within stretches the boundaries of popular music, too. In my mind it is he first truly unified album by The Beatles (and their first recorded within a specified session period), it is a quantum leap compared to the band’s past work. The Songwriting is out of this world, and the instrumentation was cutting edge. A milestone in rock history. Continue reading “December 3: The Beatles Rubber Soul was released in 1965”→
We were different. We were older. We knew each other on all kinds of levels that we didn’t when we were teenagers. The early stuff – the Hard Day’s Night period, I call it – was the sexual equivalent of the beginning hysteria of a relationship. And the Sgt Pepper-Abbey Road period was the mature part of the relationship.”
– John Lennon (1980)
A Hard Day’s Night is the third album by The Beatles; it was released on July 10, 1964. The album is a soundtrack to the A Hard Day’s Night film, starring the Beatles. The American version of the album was released two weeks earlier, on 26 June 1964 by United Artists Records, with a different track listing. This is the first Beatles album to be recorded entirely on four-track tape, allowing for good stereo mixes.
In 2000, Q placed A Hard Day’s Night at number 5 in its list of the 100 Greatest British Albums Ever. In 2003, the album was ranked number 388 on Rolling Stone magazine’s list of the 500 Greatest Albums of All Time.
The soundtrack songs were recorded in late February, and the non-soundtrack songs were recorded in June. The title song itself was recorded on April 16.
…but A Hard Day’s Night is perhaps the band’s most straightforward album: You notice the catchiness first, and you can wonder how they got it later.
The best example of this is the title track– the clang of that opening chord to put everyone on notice, two burning minutes thick with percussion (including a hammering cowbell!) thanks to the new four-track machines George Martin was using, and then the song spiraling out with a guitar figure as abstractedly lovely as anything the group had recorded.”
– Tom Ewing, Pitchfork
The final Beatles Christmas offering was also recorded separately, as the band had effectively split by this point. It features an extensive visit with John and Yoko at their Tittenhurst Park estate, where they play “what will Santa bring me?” games. Harrison only appears briefly, and Starr only shows up to plug his recent film, The Magic Christian. Paul sings his original ad-lib, This is to Wish You a Merry, Merry Christmas. Starting at 1:30, at the tail-end of Ringo’s song, the guitar solos from The End are heard, followed by Yoko interviewing John.
Wings over America is one of the reasons I miss vinyl, it was big in every sense of the word. A triple album, with a poster and a cover designed by Hipgnosis.
Originally, Wings over America was to be a two-record set, but this was rethought due to the success of a bootleg called Wings from the Wings, released on a bicentennial red, white and blue triple record set, recorded on 23 June 1976 at The Forum (Inglewood, California).
This caused McCartney to redo the official release as a three-record set covering the entire concert, including Denny Laine’s “Go Now”, a song from his time as a member of The Moody Blues. This song was only performed 21–23 June 1976 at the Forum.
Compiled from all recorded shows of the band’s Wings Over America Tour that spring, Wings over America was another success for Paul McCartney and Wings, reaching number 1 in the US in early 1977 (the last in a 5-album stretch of consecutive number 1 albums for Wings) and number 8 in the UK, and selling several million copies.
Wings Over America was reissued as a double-CD in 1984 on Columbia Records and later on Capitol Records.