A lot of GREAT music was released in 1970, here are my 20 chosen songs.
Into the Mystic – Van Morrison
“Into the Mystic” is one of Morrison’s warmest ballads, an Otis Redding-style reverie with acoustic guitar and horns. The lyrics are truly mysterious: “People say, ‘What does this mean?’ ” said Morrison. “A lot of times I have no idea what I mean. That’s what I like about rock & roll — the concept. Like Little Richard — what does he mean? You can’t take him apart; that’s rock & roll to me.”
Written by Van Morrison and featured on his 1970 album Moondance. It was also included on Morrison’s 1974 live album, It’s Too Late To Stop Now. It was recorded during the Moondance sessions at A&R Recording Studios in New York City in September to November 1969. Elliott Scheiner was the engineer.
– We were born before the wind
Also younger than the sun
Ere the bonnie boat was won as we sailed into the mystic
Hark, now hear the sailors cry
Smell the sea and feel the sky
Let your soul and spirit fly into the mystic
On November 29, 2002, a year after his death, a tribute concert for George Harrison was held at Royal Albert Hall. Friends and family gathered to play his songs, and it was an impressive, if predictable, roster:
Paul McCartney, Ringo Starr, Billy Preston, Tom Petty, and Eric Clapton, who also served as musical director, took center stage, but George’s son Dhani Harrison was also there, as was Ravi Shankar’s daughter Anoushka, early British rock & roller Joe Brown, and Gary Brooker. Unlike many all-star lineups, everybody had a close personal connection to George.
.. a big step forward, exploring doubt, loneliness, alienation, adult sexual longing, acoustic guitars, electric piano, bongos, castanets, and the finest George songs known to man. … Help! was utterly ruined in its U.S. version, which cut half the songs and added worthless orchestral soundtrack filler, so it’s always been underrated. But Help! is the first chapter in the astounding creative takeoff the Beatles were just beginning: the soulful bereavement of “Ticket to Ride,” the impossibly erotic gentleness of “Tell Me What You See,” the desperate falsetto and electric punch of “You’re Going to Lose That Girl.”
…. the album’s masterpiece is McCartney’s brooding, deceptively simple chamber-pop ballad “Yesterday.” … it’s compositionally complex, one of the first major pop songs to draw directly from classical music, juxtaposing acoustic guitar with a string quartet, shifting from minor to major chords. It set the stage for one of the most groundbreaking and innovative periods in The Beatles’ career, not to mention pop music in general.
~Mark Kemp (pastemagazine.com)
Help! – from a 6-song set filmed for British television in August of 1965:
6 August 1965
15–19 February, 13 April, 10 May& 14–17 June 1965,
EMI Studios, London
Wings over America is one of the reasons I miss vinyl, it was big in every sense of the word. A triple album, with a poster and a cover designed by Hipgnosis.
Originally, Wings over America was to be a two-record set, but this was rethought due to the success of a bootleg called Wings from the Wings, released on a bicentennial red, white and blue triple record set, recorded on 23 June 1976 at The Forum (Inglewood, California).
Let It Be… Naked is a remixed and remastered version of their 1970 album Let It Be. The project was initiated by Paul McCartney, who had always felt aggrieved that Phil Spector’s production did not accurately represent the group’s “stripped-down” intentions for the original album.
Let It Be… Naked presents the songs “naked” – without Spector’s overdubs and now including the incidental studio chatter featured between most cuts of the original album. Let It Be… Naked also replaces “Dig It” and “Maggie Mae” with “Don’t Let Me Down”, originally featured as the B-side of the “Get Back” single.