Mediocrity’s easy, the good things take time, the great need commitment.
~Bob Seger, Lock And Loaded
That’s a good way to live, go against the wind.
Combining the driving charge of Ryder’s Detroit Wheels with Stonesy garage rock and devotion to hard-edged soul and R&B, he crafted a distinctively American sound.
~Stephen Thomas Erlewine (allmusic.com)
Kid Rock inducts Bob Seger Rock and Roll Hall of Fame inductions 2004:
There stood a log cabin made of earth and wood
Where lived a country boy named Johnny B. Goode,
Who never ever learned to read or write so well
But he could play a guitar just like a ringin’ a bell.
You can’t copyright guitar licks and maybe that’s good, because if you could, Chuck might have hoarded them as he does his Cadillacs. Without The Chuck Berry Riff, we’d lose not just the Beach Boys, but essential elements of the Beatles, the Rolling Stones, Bob Dylan, Bob Seger, and Bruce Springsteen — to mention only the most obvious examples. In a way, what was at the center of the first wave of the British Invasion could be described as a Chuck Berry revival.
~Dave Marsh (The Heart of Rock and Soul)
“Blue Suede Shoes” is a rock and roll standard written and first recorded by Carl Perkins in 1955 and is considered one of the first rockabilly (rock and roll) records and incorporated elements of blues, country and pop music of the time. Perkins’ original version of the song was on the Cashbox Best Selling Singles list for 16 weeks, and spent 2 weeks in the No. 2 position.
See You Later, Alligator” is the title of an iconic rock and roll song of the 1950s written and first recorded by Robert Charles Guidry, known as Bobby Charles. The song was a Top Ten hit for Bill Haley and the Comets in 1956 in the U.S.
The most famous recording of the song was that created on December 12, 1955 by Bill Haley & His Comets at a recording session for Decca Records. Unlike most of Haley’s recordings for Decca, which were created at the Pythian Temple studio in New York City, “Alligator” and its flip-side, “The Paper Boy (On Main Street U.S.A.)”, were recorded at the Decca Building in New York. The song was featured in Rock Around the Clock, a musical film Haley and the Comets began shooting in January 1956.