“When I was about 14, I saw Big Bill Broonzy on TV and that was an incredible thing. Because maybe if I’d just heard it, it might not have had the same effect. But to see footage of Broonzy playing ‘Hey Hey,’ this was a real blues artist and I felt like I was looking into heaven. That was it for me and then, when I went to explore his music, the song that always came back to me was an incredible version of ‘Key To The Highway.’ That was the one that I thought somehow would, like Crossroads, capture the whole journey of being a musician and a traveling journeyman.””
– Eric Clapton (2003)
“Key to the Highway” is a blues standard that has been performed and recorded by several blues and other artists. Blues pianist Charlie Segar first recorded the song in 1940. Jazz Gillum and Big Bill Broonzy followed with recordings during 1940–41, using an arrangement that has become the standard. When Little Walter updated the song in 1958 in an electric Chicago blues style, it became a success on the R&B record chart. Continue reading “Classic song: Key to the Highway by Chas Segar and Big Bill Broonzy”→
The Rolling Stones released their latest album December 2nd 2016, their first album in over a decade is a return to the blues. It is a great blues album, and a tremendous return to form by The Stones.
The album is fresh and spontaneous and was recorded in just 3 days last December (2015) with co-producer Don Was. It really sounds like band enjoying themselves.
“This album is manifest testament to the purity of their love for making music, and the blues is, for the Stones, the fountainhead of everything they do.”
– Don Was
It’s a very good introduction to the blues, by a band who clearly pours their love into the songs. We’ve included the versions that are closest to the Rolling Stones’s takes on these songs. It isn’t always the original recording.
“Music is a language that doesn’t speak in particular words. It speaks in emotions, and if it’s in the bones, it’s in the bones.”
― Keith Richards
“When you are growing up there are two institutional places that affect you most powerfully: the church, which belongs to God, and the public library, which belongs to you.”
― Keith Richards
He’s acknowledged as perhaps the greatest rhythm guitarist in rock & roll, but Keith Richards is even more legendary for his near-miraculous ability to survive the most debauched excesses of the rock & roll lifestyle. His prodigious consumption of drugs and alcohol has been well documented, and would likely have destroyed anyone with a less amazing endurance level.
~Steve Huey (allmusic.com)
GimmeShelter (w/ a lot of great Richards photos):
It’s just a shot away
It’s just a shot away
Songs from live albums not allowed (that’s another & more complicated list)
Please feel free to publish your own favorite songs from 1971 in the comments section…
AND lists like this are supposed to be fun! Don’t take it too seriously.
My favorite (studio) albums from 1971 include:
Bob Dylan’s Greatest Hits Vol. 2, If Only I Could Remember My Name (David Crosby), There’s a Riot Goin’ On (Sly & the Family Stone), What’s Going On (Marvin Gaye), Who’s Next (The Who), Tapestry (Carole King), Shaft: Music from the Soundtrack (Isaac Hayes), Sticky Fingers (The Rolling Stones), Imagine (John Lennon), Surf’s Up (Beach Boys), LA Woman (The Doors), Coat of Many Colors (Dolly Parton), IV (Led Zeppelin), Every Picture Tells a Story (Rod Stewart), Songs of Love & Hate (Leonard Cohen), Blue (Joni Mitchell), Pearl (Janis Joplin), White Light (Gene Clark), John Prine (John Prine), Nilsson Schmilsson (Harry Nilsson), Hunky Dory (David Bowie), Tupelo Honey (Van Morrison), Jack Johnson (Miles Davis), The Cry of Love (Jimi Hendrix), In Search Of A Song (Tom T. Hall), Crazy Horse (Crazy Horse) & Just as I Am (Bill Withers).
Beggars Banquet is the seventh British and ninth American studio album The Rolling Stones. It was released 6th December 1968 by Decca Records in the United Kingdom and London Records in the United States. The album was a return to a more rootsy rock for the band after the psychedelic “experiment”, Their Satanic Majesties Request.
The Rolling Stones – No Expectations (live Hyde Park, 1969):
In 2003, the album was ranked number 57 on Rolling Stone magazine’s list of the 500 greatest albums of all time. In the same year the TV network VH1 named Beggars Banquet the 67th greatest album of all time.
“Rape, murder, it’s just a shot away, it’s just a shot away.”
Rolling Stones Let it Bleed 1969
Let It Bleed is the eighth British and tenth American album by The Rolling Stones, released 5th December 1969. Released shortly after the band’s 1969 American Tour, it is the last album by the band to feature Brian Jones as well as the first to feature Mick Taylor.
5 December 1969
November 1968, February–November 1969, Olympic Studios, London, England
Blues rock, rock and roll, hard rock
London (US), Decca (UK)
It is part of the holy quartet: Exile on Main St., Beggars Banquet, Let it Bleed and Sticky Fingers. Rightfully considered the best albums in The Rolling Stones’ discography.