Chips Moman, now semi-retired and living in LaGrange, Ga., still writes songs occasionally. “I write ’em,” he says, “but I just leave ’em laying there.” (- The Commercial Appeal, Memphis, 2008)
Lincoln Wayne “Chips” Moman (June 12, 1937 – June 13, 2016) was an American record producer, guitarist, and Grammy Award-winning songwriter.
One of the most important characters in the Memphis music scene in the 60’s. Chips Moman helped start Stax Records, then American Sound Studios, which cut 122 chart hits from 1967 to 1972 — an unparalleled achievement.
Released: August 26 , 2016
Producer: Rob Schnapf, Cass McCombs & Dan Horne
Label: Anti Records
“Mangy Love makes itself distinct from its predecessors with its outright jazziness and ethereality. Wit’s End was a traipse though the densely forested hills of solitude; Big Wheel and Others was a road trip through odd, nameless American sub-societies,; and Mangy Love is Cass McCombs in outer space.” – Dustin Lowman (Drowned in Sound)
This album really made me listen to the lyrics, I was fooled by the sweet melodies – but the lyrics are tough, hard, rough poems about love,sex, life and death. McCombs knows how to play with words (Switch): Turn you on, you light up the room Turn you off, it’s dark as a tomb– Hallgeir
End of Year lists
# 33 – American Songwriter
# 59 – Gorilla vs. Bear
# 29 – LA Music Blog
# 26 – MOJO
# 25 – Piccadilly Records
# 7 – Q Magazine
# 31 – Stereogum
# 31 – Uncut
Best songs: Opposite House, Bum Bum Bum and Switch
Donald “Duck” Dunn (November 24, 1941 – May 13, 2012) was an American bass guitarist, session musician, record producer, and songwriter. Dunn was notable for his 1960s recordings with Booker T. & the M.G.’s and as a session bassist for Stax Records, which specialized in blues and gospel-infused southern soul which became known as Memphis Soul
A 2 minute history of Donald “Duck” Dunn:
“We were recording almost a hit a day for a while there. But I never knew how popular that music was until I came to England with Otis Redding in 1967.”
– Donald Dunn (about the Stax period)
As the bassist for Booker T. & the MG’s, Donald “Duck” Dunn became, like James Jamerson at Motown, the man who provided a groove for an entire generation to dance to. In Dunn’s case it was the legendary Memphis record label Stax/Volt, where he laid down basslines for soul stars such as Otis Redding, Wilson Pickett, and Albert King, helping to create one of the largest bodies of soul and R&B music that exists.
~Steve Kurutz (allmusic.com)
Sure, I’ve always dug Steve Cropper… his guitar playing. Ever since the first Booker T. record. I heard that back in the Midwest. Yeah, everybody was playing like him.
~Bob Dylan (to Jann Wenner, 29 Nov. 1969)
Memphis is in a very lucky position on the map. Everything just gravitated to Memphis for years.
Otis Redding was soul, but Otis Redding was country, too. That was a point on which he always insisted, and that was the way others saw him. His strength was his simplicity, even if the simplicity was hard-won. The basis for his music was sincerity, not spectacular showmanship; he was at heart a stand-up singer whose power came from his ability to inspire…