Washington-to-Moscow “hot line” communications link opens, designed to reduce risk of accidental war (Aug. 30). Background: cold war
Kenya achieves independence.
There are 15,000 US military advisers in South Vietnam. Background:
32 independent African nations establish the Organization for African Unity.
“March on Washington,” civil rights rally held by 200,000 blacks and whites in Washington, D.C.; Martin Luther King delivers “I have a dream” speech (Aug. 28).
President Kennedy shot and killed in Dallas, Tex. Lyndon B. Johnson becomes President same day (Nov. 22). Background: Timeline of Kennedy tragedies
Lee Harvey Oswald, accused Kennedy assassin, is shot and killed by Jack Ruby (Nov. 24).
Beatlemania hits the U.K. The Beatles, a British band composed of John Lennon, George Harrison, Ringo Starr and Paul McCartney, take Britain by storm.
The Rolling Stones emerge as the anti-Beatles, with an aggressive, blues-derived style.
Only one song per artist/group
The song must be released that specific year
Songs from live albums not allowed (that’s another & more complicated list)
Max 20 songs
Please feel free to publish your own favorite songs from 1972 in the comments section…
A Hard Rain’s a-Gonna Fall – Bob Dylan
Written by Bob Dylan in the summer of 1962. It was first recorded in Columbia Records’ Studio A on 6 December 1962 for his second album The Freewheelin’ Bob Dylan – released May 27, 1963. The lyric structure is based on the question and answer form of the traditional ballad “Lord Randall”, Child Ballad No. 12.
Oh, where have you been, my blue-eyed son?
And where have you been my darling young one?
I’ve stumbled on the side of twelve misty mountains
I’ve walked and I’ve crawled on six crooked highways
I’ve stepped in the middle of seven sad forests
I’ve been out in front of a dozen dead oceans
I’ve been ten thousand miles in the mouth of a graveyard
And it’s a hard, it’s a hard, it’s a hard, and it’s a hard
It’s a hard rain’s a-gonna fall.
.. a workmanlike singer and a very accomplished songwriter, who showed occasional flashes of brilliance.
~The Rough Guide to Soul and R&B
“…I’d had nothing directly to do with Motown while I’d been in Detroit, I’d still been around a lotta their artists and seen from a distance how they did things. And so, when I eventually got to Memphis, I could see that it was pretty much the SAME – you know, musicians getting together producing music, with everybody in the same groove… So yeah, working at Stax was very easy, because everybody was open-minded. You know, Al and I first met (legendary MGs guitarist) Steve Cropper at the same time we met Jim Stewart. So what would happen is, Cropper and I would more or less go off to the hotel, sit down and talk about music – and BOOM, almost immediately we’d WRITE something! While Al Bell and Jim Stewart would go off and talk about music and BUSINESS… So yeah, that’s the way it started – and it just moved on from THERE! I later went on to write with Booker T., which was great too. You know, Stax was all about TEAM-work. Like if an artist was recording and needing backing singers, I’d go and sing on THEIR record, and in turn they’d sing on MINE! That’s just the way we DID things.”
– Eddie Floyd (Blues&Soul.com, issue 1067)
Chips Moman, now semi-retired and living in LaGrange, Ga., still writes songs occasionally. “I write ’em,” he says, “but I just leave ’em laying there.” (- The Commercial Appeal, Memphis, 2008)
Lincoln Wayne “Chips” Moman (June 12, 1937 – June 13, 2016) was an American record producer, guitarist, and Grammy Award-winning songwriter.
One of the most important characters in the Memphis music scene in the 60’s. Chips Moman helped start Stax Records, then American Sound Studios, which cut 122 chart hits from 1967 to 1972 — an unparalleled achievement.
Released: August 26 , 2016
Producer: Rob Schnapf, Cass McCombs & Dan Horne
Label: Anti Records
“Mangy Love makes itself distinct from its predecessors with its outright jazziness and ethereality. Wit’s End was a traipse though the densely forested hills of solitude; Big Wheel and Others was a road trip through odd, nameless American sub-societies,; and Mangy Love is Cass McCombs in outer space.” – Dustin Lowman (Drowned in Sound)
This album really made me listen to the lyrics, I was fooled by the sweet melodies – but the lyrics are tough, hard, rough poems about love,sex, life and death. McCombs knows how to play with words (Switch): Turn you on, you light up the room Turn you off, it’s dark as a tomb– Hallgeir
End of Year lists
# 33 – American Songwriter
# 59 – Gorilla vs. Bear
# 29 – LA Music Blog
# 26 – MOJO
# 25 – Piccadilly Records
# 7 – Q Magazine
# 31 – Stereogum
# 31 – Uncut
Best songs: Opposite House, Bum Bum Bum and Switch
Donald “Duck” Dunn (November 24, 1941 – May 13, 2012) was an American bass guitarist, session musician, record producer, and songwriter. Dunn was notable for his 1960s recordings with Booker T. & the M.G.’s and as a session bassist for Stax Records, which specialized in blues and gospel-infused southern soul which became known as Memphis Soul
A 2 minute history of Donald “Duck” Dunn:
“We were recording almost a hit a day for a while there. But I never knew how popular that music was until I came to England with Otis Redding in 1967.”
– Donald Dunn (about the Stax period)
As the bassist for Booker T. & the MG’s, Donald “Duck” Dunn became, like James Jamerson at Motown, the man who provided a groove for an entire generation to dance to. In Dunn’s case it was the legendary Memphis record label Stax/Volt, where he laid down basslines for soul stars such as Otis Redding, Wilson Pickett, and Albert King, helping to create one of the largest bodies of soul and R&B music that exists.
~Steve Kurutz (allmusic.com)