From my perspective, there are better sound-quality boots out there (Live In Montreux, for example), but no Van boot I have — and I have more than a few — so integrates solid sound with a stunning performance: Live In Montreux comes close, but at 150+ minutes, Pagan is the winer. This boot is so good, so valued, that much like the ancestral heir loom one only wears on special occasions, I listen to Pagan Streams infrequently. If I listened to it too often, I would quit my job, leave my wife and dog, and sell my soul to attend every one of the Man’s concerts. I know it took me a while to track this boot down, and all I can say is: if you can find it, buy it.
–Niall Connors (oocities.org)
The sound quality of this double CD is a very good audience recording. In fact it sounds a lot like a soundboard recording. There is some distortion in a few tracks but it isn’t a huge problem and is very listenable. Van actually “booted” some tracks from this boot for his Gloria CD single.
-Russell Parkinson (oocities.org)
Televised as a Rockpalast Special; The correct date for the Van Morrison show is Sunday April 4. The Rockpalast Night where this show was taken from started on April 3 around 11:00 pm with Rick James. Van played the second set and this was around 1:00 am on April 4. Therefore date of the actual show started on April 3 (in the late evening) and ended on April 4 (in the early morning). The broadcast date was the following evening April 4. Most of the Rockpalast shows are broadcast the date following the actual show. Hence the show was played over the 3rd and 4th of April 1982. It was broadcast live across Europe on April 4, 1982 that evening. This is why this show sometimes circulates as April 3 , 1982 (panicstream.net)
In Moondance, Morrison bursts forth in warm Technicolor. The Van Morrison that the public would come to know and recognize over the decades—Van the Man, the Belfast Cowboy, etc—essentially makes his first appearance on Moondance.
This is Van Morrison’s 6th Symphony; like Beethoven’s equivalent, it’s fixated on the power of nature, but rather than merely sitting in awe, it finds spirituality and redemption in the most basic of things. The pinnacle of Van The Man’s career, and maybe, of non-American soul in general.