“The further these songs get from Ronstadtland, the more I like them. The four that exorcise male psychoses by mock celebration are positively addictive, the two uncomplicated rockers do the job, and two of the purely “serious” songs get by. But no one has yet been able to explain to me what “accidentally like a martyr” might mean–answers dependent on the term “Dylanesque” are not acceptable–and I have no doubt that that’s the image Linda will home in on. After all, is she going to cover the one about the headless gunner? A-”
– Robert Christgau
Excitable Boy is the third album by Warren Zevon, it was released in 1978. It includes the top 40 success “Werewolves of London”. The album brought Warren to commercial attention and remains the best-selling album of his career. A remastered and expanded edition was released during 2007.
Continue reading “January 18: Warren Zevon released Excitable Boy in 1978”
“When I was about 14, I saw Big Bill Broonzy on TV and that was an incredible thing. Because maybe if I’d just heard it, it might not have had the same effect. But to see footage of Broonzy playing ‘Hey Hey,’ this was a real blues artist and I felt like I was looking into heaven. That was it for me and then, when I went to explore his music, the song that always came back to me was an incredible version of ‘Key To The Highway.’ That was the one that I thought somehow would, like Crossroads, capture the whole journey of being a musician and a traveling journeyman.””
– Eric Clapton (2003)
“Key to the Highway” is a blues standard that has been performed and recorded by several blues and other artists. Blues pianist Charlie Segar first recorded the song in 1940. Jazz Gillum and Big Bill Broonzy followed with recordings during 1940–41, using an arrangement that has become the standard. When Little Walter updated the song in 1958 in an electric Chicago blues style, it became a success on the R&B record chart. Continue reading “Classic song: Key to the Highway by Chas Segar and Big Bill Broonzy”
One of her most overlooked ’60s albums, on which she presented some of her jazziest material, despite the title. None of these cuts were significant hits, and none were Aretha originals; she displayed her characteristically eclectic taste in the choice of cover material, handling compositions by Percy Mayfield, Sam Cooke, Smokey Robinson, and, at the most pop-oriented end of her spectrum, John Hartford’s “Gentle on My Mind” and Bob Lind’s “Elusive Butterfly.”
Her vocals are consistently passionate and first-rate, though, as is the musicianship; besides contributions from the Muscle Shoals Rhythm Section, session players include respected jazzmen Kenny Burrell, Ron Carter, Grady Tate, David Newman, and Joe Zawinul.
– Richie Unterberger (allmusic) Continue reading “January 17: Aretha Franklin released Soul ’69 in 1969”
“In a perfect world, Steve Earle would run Nashville.”
– Todd Snider
“If I can get me out of the way, I can do anything”
– Steve Earle
“I don’t really think in terms of obstacles. My biggest obstacle is always myself.”
All we do as songwriters is rewrite the songs that have impressed us till we find our own voice. It’s part of learning the craft.
One of our greatest musical heroes
Fort Worth Blues:
Continue reading “January 17: Steve Earle was born in 1955 – Happy Birthday!”
Muddy Waters Bluesband live at Rockpalast is a great document of a fantastic musician and stage personality. It really shows Muddy’s magnetism and skill in working a crowd. Especially when he abandons his guitar for “Mannish Boy” and at the end prowls the stage, manic preaching-style, as he jumps up and down, bemoaning the fact that “another mule is kicking in your stall”. His falsetto is sweet and true here, and gives us a glimpse of the strong sexual attraction Waters exuded in the fifties. What an artist, what a stage presence!
This is a fabulous blues concert!
Continue reading “Classic Concert: Muddy Waters at Rockpalast 1978”
Blind Willie’s Blues
A 54-minute documentary film about the life, times, and music of blues legend Blind Willie McTell.
With music masters Taj Mahal Stefan Grossman,historian Daphne Duval Harrison,and Atlantic Records founder Ahmet Ertegun.
Written and produced by David Fulmer
“Nothing less than the economic, social, and
historical evolution of America’s indigenous music.”
— Video Librarian
Continue reading “Georgia Blues: Blind Willie McTell , Blind Willie’s Blues (Documentary) 1997”