21 Songs Released in 1980 You Must Hear

My rules:

  • Only one song per artist/group
  • The song must be released that specific year
  • Songs from live albums not allowed
  • Restricted to only 20 songs

A lot of wonderful music was released in 1980, here are my 20 chosen songs.

  • Summertime in England – Van Morrison

    The longest & best song on Van Morrison’s 1980 album, Common One. Although the album on which the song appeared was not critically or commercially successful, the song would be performed by Morrison in concert for almost two and one-half decades, taking on new meaning when performed live. A truncated version of the song with an early fade-out was also released as the B-side of the 1983 single “Cry for Home”.

    Can you meet me in the country
    In the summertime in England
    Will you meet me?
    Will you meet me in the country
    In the summertime in England
    Will you meet me?
    We’ll go riding up to Kendal in the country
    In the summertime in England.
    Did you ever hear about
    Did you ever hear about
    Did you ever hear about
    Wordsworth and Coleridge, baby?
    Did you ever hear about Wordsworth and Coleridge?
    They were smokin’ up in Kendal
    By the lakeside


    Spotify:


    Live 1981:


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September 10: Randy Newman Released Good Old Boys in 1974

Randy_Newman-Good_Old_Boys-Frontal

“To me, someone who writes really good songs is Randy Newman. There’s a lot of people who write good songs. As songs. Now Randy might not go out on stage and knock you out, or knock your socks off. And he’s not going to get people thrilled in the front row. He ain’t gonna do that. But he’s gonna write a better song than most people who can do it.

You know, he’s got that down to an art. Now Randy knows music. He knows music But it doesn’t get any better than “Louisiana” or “Cross Charleston Bay” [“Sail Away”]. It doesn’t get any better than that. It’s like a classically heroic anthem theme. He did it. There’s quite a few people who did it. Not that many people in Randy’s class.”
– Bob Dylan (1991)

Good Old Boys is the fifth album by Randy Newman, released 10 September 1974 on Reprise Records. It peaked at #36 on the Billboard 200, Newman’s first album to obtain major commercial success. The premiere live performance of the album took place on October 5, 1974, at the Symphony Hall in Atlanta, Georgia, with guest Ry Cooder and Newman conducting the Atlanta Symphony Orchestra.

This is one of the best records about “The South” that has ever been made. Randy Newman is cruel but, oh, so witty.

The album’s scabrous opening cut, “Rednecks,” is guaranteed to offend practically anyone with its tale of a slow-witted, willfully (and proudly) ignorant Southerner obsessed with “keeping the n—–s down.” “A Wedding in Cherokee County” is more polite but hardly less mean-spirited, in which an impotent hick marries a circus freak; if the song’s melody and arrangement weren’t so skillful, it would be hard to imagine anyone bothering with this musical geek show.

Good Old Boys is one of Newman’s finest albums; it’s also one of his most provocative and infuriating, and that’s probably just the way he wanted it.
Mark Demming (Allmusic.com)

Rednecks:

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September 9: The Late Great Otis Redding was Born in 1941

otis-redding-876x668

Otis Redding was soul, but Otis Redding was country, too. That was a point on which he always insisted, and that was the way others saw him. His strength was his simplicity, even if the simplicity was hard-won. The basis for his music was sincerity, not spectacular showmanship; he was at heart a stand-up singer whose power came from his ability to inspire…
~Peter Guralnick

Check out: Robbie Robertson: The night Bob Dylan offered Otis Redding to record Just Like a Woman

Sitting on the dock of the bay:

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20 Songs Released in 1979 You Must Hear





My rules:

  • Only one song per artist/group
  • The song must be released that specific year
  • Songs from live albums not allowed
  • Restricted to only 20 songs

A lot of wonderful music was released in 1979, here are my 20 chosen songs.

  • And the Healing Has Begun – Van Morrison

    Released on his 1979 album, Into the Music.

    And we’ll walk down the avenue again
    And we’ll sing all the songs from way back when
    And we’ll walk down the avenue again and the healing has begun
    And we’ll walk down the avenue in style
    And we’ll walk down the avenue and we’ll smile
    And we’ll say “baby, ain’t it all worthwhile?” when the healing has begun
    I want you to put on your pretty summer dress
    You can wear your Easter bonnet and all the rest
    And I want to make love to you yes, yes, yes, when the healing has begun




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September 8: The Father of Country Music – Jimmie Rodgers Was Born in 1897 – 120 Years Ago

JR1

“Jimmie Rodgers’ name stands foremost in the country music field as the man who started it all.”
– brass plaque at the Country Music Hall of Fame

The most inspiring type of entertainer for me has always been somebody like Jimmie Rodgers, somebody who could do it alone and was totally original. He was combining elements of blues and hillbilly sounds before anyone else had thought of it. He recorded at the same time as Blind Willie McTell but he wasn’t just another white boy singing black. That was his great genius and he was there first… he sang in a plaintive voice and style and he’s outlasted them all.
~Bob Dylan

He was a performer of force without precedent with a sound as lonesome and mystical as it was dynamic. He gives hope to the vanquished and humility to the mighty.
~Bob Dylan

He is the voice of wilderness in our heads.
~Bob Dylan

James Charles “Jimmie” Rodgers (September 8, 1897 – May 26, 1933) was an American country singer in the early 20th century known most widely for his rhythmic yodeling. Among the first country music superstars and pioneers, Rodgers was also known as “The Singing Brakeman”, “The Blue Yodeler”, and “The Father of Country Music”.

JR2

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September 8: Bone Machine By Tom Waits Was Released in 1992

bone-machine

“it ain’t no sin, to take off your skin and dance around in your bones”
~Tom Waits

From Wikipedia:

Released September 8, 1992
Recorded Prairie Sun Recording, Cotati, California
Genre Rock, experimental rock, blues rock
Length 53:30
Label Island
Producer Tom Waits

Bone Machine is a critically acclaimed and award-winning album by Tom Waits, released in 1992 on Island Records. It won a Grammy Award for Best Alternative Music Album, and features guest appearances by Los Lobos’ David Hidalgo, Primus’ Les Claypool, and The Rolling Stones’ Keith Richards.

Bone Machine marked a return to studio material for Waits, coming a full five years after his previous studio album, Franks Wild Years (1987). The album is often noted for its dark lyrical themes of death and murder, and for its rough, stripped-down, percussion-heavy blues rock style.

Tom Waits

Recording & production:

Bone Machine was recorded and produced entirely at the Prairie Sun Recording studios in Cotati, California in a room of Studio C known as “the Waits Room,” in the old cement hatchery rooms of the cellar of the buildings.

Mark “Mooka” Rennick, Prairie Sun studio chief said:

[Waits] gravitated toward these “echo” rooms and created the Bone Machine aural landscape. […] What we like about Tom is that he is a musicologist. And he has a tremendous ear. His talent is a national treasure.

Waits said of the bare-bones studio, “I found a great room to work in, it’s just a cement floor and a hot water heater. Okay, we’ll do it here. It’s got some good echo.” References to the recording environment and process were made in the field-recorded interview segments made for the promotional CD release, Bone Machine: The Operator’s Manual, which threaded together full studio tracks and conversation for a pre-recorded radio show format.

Artwork:

The cover photo, which consists of a blurred black-and-white, close-up image of Waits in a leather skullcap with horns and protective goggles, was taken by Jesse Dylan, the son of Bob Dylan. He wears this same outfit in the video for “Goin’ Out West” and “I Don’t Wanna Grow up”.

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