“The Blues ain’t nothin’ but a good woman on your mind.”
~Mississippi John Hurt
No blues singer ever presented a more gentle, genial image than Mississippi John Hurt. A guitarist with an extraordinarily lyrical and refined fingerpicking style, he also sang with a warmth unique in the field of blues, and the gospel influence in his music gave it a depth and reflective quality unusual in the field.
~Bruce Eder (allmusic.com)
“I’m trying to define the relationship between man and the universe,….. often it’s between man and man, or man and woman, or man and the cosmos. Whatever song comes through the door I’m happy with.… I’m lucky just to play the guitar and sing.”
~TVZ (on the purpose behind his songwriting)
“Figures like Townes Van Zandt remind us that the wandering bard, that American archetype, is still very much with us—and his music will live long after the voices that declare it in or out of fashion have been stilled or forgotten.”
~Robert Palmer (New York Times/Deep Blues/++)
“I lived in Fort Worth till I was 8, Midland till 9, Billings, Montana, till 12, Boulder, Colorado till 14, Chicago till 15 … Houston till I was 21. And then I started traveling.”
~TVZ (to Contemporary Musicians (CM) in 1992)
If I Needed You:
I can’t retire.
First of all, you have to understand that I’m like anybody else. When I hear my voice on a record I absolutely loathe my voice. I cannot stand my voice.
He almost invented the pseudo-messianic role taken up later by Jim Morrison and Robert Plant.
Roger Daltrey tribute:
“I’d rather be hated for who I am, than loved for who I am not.”
― Kurt Cobain
“Nobody dies a virgin… Life fucks us all.”
― Kurt Cobain
Smells Like Teen Spirit (Live at Reading 1992):
Nirvana – Rise And Rise Of Kurt Cobain – VH-1 Documentary (~20min)
“When I first started I never meant to make money. My only thought was to make a living singing, but all of a sudden I was getting $1500 a night. And if you take a 19-year-old boy and put him in those circumstances…it was a bad scene, it shouldn’t have happened on that first record. I didn’t know how to handle a hit: I was only a child, a boy.”
~Gene Vincent in 1969
Gene Vincent only had one really big hit, “Be-Bop-a-Lula,” which epitomized rockabilly at its prime in 1956 with its sharp guitar breaks, spare snare drums, fluttering echo, and Vincent’s breathless, sexy vocals. Yet his place as one of the great early rock & roll singers is secure, backed up by a wealth of fine smaller hits and non-hits that rate among the best rockabilly of all time.
~Richie Unterberger (allmusic.com)
You sure look fine tonight, in the beer sign light.
Why did you seem surprised when I saw through your disguise.
All your friends were there and no one had a care.
They all just looked away in this Honky Tonk Masquerade.
– Joe Ely
“I think I’ll always be restless, always trying new stuff, I gotta do that. I like the unknown. I like to see what’s going to happen without knowing what the outcome will be. For some reason, I like jumping off into new places where I have no clue what will happen.”
– Joe Ely
The Road Goes On Forever: