Of all the pivotal figures in blues history, certainly one of the most important was Robert Nighthawk. He bridged the gap between Delta and Chicago blues effortlessly, taking his slide cues from Tampa Red and stamping them with a Mississippi edge learned first hand from his cousin, Houston Stackhouse.
~Cub Koda (allmuisc.com)
June 10: The late great Howlin Wolf was born in 1910 – 106 years ago
Chester Arthur Burnett (June 10, 1910 – January 10, 1976), known as Howlin’ Wolf, was an influential American blues singer, guitarist and harmonica player.
With a booming voice and looming physical presence, Burnett is commonly ranked among the leading performers in electric blues; musician and critic Cub Koda declared, “no one could match Howlin’ Wolf for the singular ability to rock the house down to the foundation while simultaneously scaring its patrons out of its wits.” A number of songs written or popularized by Burnett—such as “Smokestack Lightnin'”, “Back Door Man”, “Killing Floor” and “Spoonful”—have become blues and blues rock standards.
“A Robert Johnson may have possessed more lyrical insight, a Muddy Waters more dignity, and a B.B. King certainly more technical expertise, but no one could match him for the singular ability to rock the house down to the foundation while simultaneously scaring its patrons out of its wits.”
Very fine documentary, The Howlin’ Wolf Story – The Secret History Of Rock and Roll (playlist with 8 videos):
“And he used to put on such a show. He would get down on the floor, crawl like a wolf and sing in that voice: “I’m a tail dragger.” He would do this boogie-woogie thing, around and around — like the kids used to do with the hula hoops, where you had to go around and around at your waist, to keep the hoop going. That was the kind of shit he was doing. I’d see that and think, “Man, there goes the Wolf.“”
Sam John Hopkins (March 15, 1912 – January 30, 1982), better known as Lightnin’ Hopkins, was an American country blues singer, songwriter, guitarist and occasional pianist, fromHouston, Texas. Rolling Stone magazine included Hopkins at number 71 on their list of the 100 greatest guitarists of all time.
Musicologist Robert “Mack” McCormick opined that Hopkins “is the embodiment of the jazz-and-poetry spirit, representing its ancient form in the single creator whose words and music are one act”
I came to Lightnin’ Hopkins through Townes Van Zandt and Justin Townes Earle (I guess he discovered him through Townes as well…). I was expecting something ancient, something old, but Hopkins sounds modern and his guitar playing is just out of this world!
Sometimes music hit you so hard you simply do not know what happened, Justin Townes Earle did just that when he covered the relatively unknown song, hell, he ripped through a rousing version of Lightnin’ Hopkins’ My starter won’t start (I been burnin bad gasoline). And suddenly I understood what/why Hopkins was held in as high a regard as he does! It was pure magic! (see own post)
Willie Mae “Big Mama” Thornton (December 11, 1926 – July 25, 1984) was an American rhythm and blues singer and songwriter. She was the first to record Leiber and Stoller’s “Hound Dog” in 1952, which became her biggest hit. It spent seven weeks at number one on the Billboard R&B charts in 1953 and sold almost two million copies. However, her success was overshadowed three years later, when Elvis Presley recorded his more popular rendition of “Hound Dog”. Similarly, Thornton’s “Ball ‘n’ Chain” (written in 1961 but not released until 1968) had a bigger impact when performed and recorded by Janis Joplin in the late 1960s.
Steve Earle performing live in the KEXP studio. Recorded February 20, 2015.
I saw Steve Earle with The Mastersons/Dukes last week, it is the best concert I’ve seen all year (I’ve seen 56 shows this year, Steve Earle’s concert was number 55). I have experienced Steve Earle several times on stage, but I’ve never seen him better.
We have dug up a performance from KEPX aired in February right after his lates album was released.
He’s talking about life, music and the blues in particular.
Here’s a wonderful performance:
Ain’t Nobody’s Daddy Now
You’re The Best Lover That I’ve Ever Had
King Of The Blues