September 8: Bone Machine By Tom Waits Was Released in 1992

bone-machine

“it ain’t no sin, to take off your skin and dance around in your bones”
~Tom Waits

From Wikipedia:

Released September 8, 1992
Recorded Prairie Sun Recording, Cotati, California
Genre Rock, experimental rock, blues rock
Length 53:30
Label Island
Producer Tom Waits

Bone Machine is a critically acclaimed and award-winning album by Tom Waits, released in 1992 on Island Records. It won a Grammy Award for Best Alternative Music Album, and features guest appearances by Los Lobos’ David Hidalgo, Primus’ Les Claypool, and The Rolling Stones’ Keith Richards.

Bone Machine marked a return to studio material for Waits, coming a full five years after his previous studio album, Franks Wild Years (1987). The album is often noted for its dark lyrical themes of death and murder, and for its rough, stripped-down, percussion-heavy blues rock style.

Tom Waits

Recording & production:

Bone Machine was recorded and produced entirely at the Prairie Sun Recording studios in Cotati, California in a room of Studio C known as “the Waits Room,” in the old cement hatchery rooms of the cellar of the buildings.

Mark “Mooka” Rennick, Prairie Sun studio chief said:

[Waits] gravitated toward these “echo” rooms and created the Bone Machine aural landscape. […] What we like about Tom is that he is a musicologist. And he has a tremendous ear. His talent is a national treasure.

Waits said of the bare-bones studio, “I found a great room to work in, it’s just a cement floor and a hot water heater. Okay, we’ll do it here. It’s got some good echo.” References to the recording environment and process were made in the field-recorded interview segments made for the promotional CD release, Bone Machine: The Operator’s Manual, which threaded together full studio tracks and conversation for a pre-recorded radio show format.

Artwork:

The cover photo, which consists of a blurred black-and-white, close-up image of Waits in a leather skullcap with horns and protective goggles, was taken by Jesse Dylan, the son of Bob Dylan. He wears this same outfit in the video for “Goin’ Out West” and “I Don’t Wanna Grow up”.

Continue reading “September 8: Bone Machine By Tom Waits Was Released in 1992”

Great Tom Waits Song: Goin’ Out West

I’m goin’ out west where the wind blows tall
‘Cause Tony Franciosa used to date my ma
They got some money out there, they’re givin’ it away
I’m gonna do what I want and I’m gonna get paid
Do what I want and I’m gonna get paid

Bone Machine’s standout track was “Goin’ out West,” a throwback to the demonic R&B of “Heartattack and Vine” and “16 Shells from a Thirty-Ought Six.” Over possibly the greatest drum sound ever—Waits whacking what sounds like a metal door— Joe Gore and Larry Taylor created an infernal Cramps-ish racket that put the likes of the Jon Spencer Blues Explosion utterly in the shade. Waits raged away in the guise of a wannabe actor en route to California, a deluded ex-con who claimed he looked good with his shirt off and planned to call himself Hannibal or Rex. The song was Elmore Leonard’s Be Cool distilled into three frenzied minutes, a capsule snapshot of a dumb Everglades hunk with a head full of celluloid fantasies. Waits had seen dolts like this swarming into LA for years.
-Barney Hoskyns (Lowside of the Road: A Life of Tom Waits)

Continue reading “Great Tom Waits Song: Goin’ Out West”