It’s rock and roll all over In every street and every station Kids fight like different nations And it’s brawn against brain And it’s knife against chain But it’s all young blood Flowing down the drain
One of those albums that was played so much on vinyl that it got worn out and bought again (twice!), Fantastic album!
Give ‘Em Enough Rope is one of the greatest transition albums of all time. The Clash was a purely punk album, and the best pure punk album “evvah!” London Calling is an eclectic and unique era-spanning masterpiece. Give ‘Em Enough Rope retain their punk roots, but start to draw in more influence from a more diverse pool. The album turns out to be one of the band’s best, what am I saying?! All their albums are must-haves! (except for the Cut The crap album of course). In true Clash fashion there’s not one bad track to spare.
Give ‘Em Enough Rope is the second studio album by the English punk rock band The Clash. It was released on 10 November 1978 through CBS Records. It was their first album released in the United States, preceding the US version of The Clash. The album was well received by critics and fans, peaking at number two in the United Kingdom Albums Chart.
The selection here is at once so obvious and so inappropriate it feels redemptive–as if that old softy Rick Rubin gently advised his fast-failing charge that if there was ever a song he wanted to sing he’d better not put it off till next time, ’cause there probably wasn’t gonna be one.
~Robert Christgau (robertchristgau.com)
Cash’s first three albums with producer Rick Rubin won Grammys, and this one should keep the streak alive. Supplementing his own material with songs from such varied sources as Nine Inch Nails and Hank Williams, it’s an eclectic collection whose highlights convey the adventurism and heart that have characterized this country music great’s best recordings for half a century.
~Robert Hilburn (LA Times)
Sonny Rollins recorded many memorable sessions during 1954-1958, but Saxophone Colossus is arguably his finest all-around set. Joined by pianist Tommy Flanagan, bassist Doug Watkins, and drummer Max Roach, Rollins debuts and performs the definitive version of “St. Thomas,” tears into the chord changes of “Mack the Knife” (here called “Moritat”), introduces “Strode Rode,” is lyrical on “You Don’t Know What Love Is,” and constructs a solo on “Blue Seven” that practically defines his style. Essential music that, as with all of Rollins’ Prestige recordings, has also been reissued as part of a huge “complete” box set; listeners with a tight budget are advised to pick up this single disc and be amazed.
-Scott Yanow (allmusic.com)
“…not exactly a great lead vocalist. Phillips knew this, and, according to his book, Papa John, he purposely buried his voice in the mix. This proved to be a bit of tragedy, because underneath it all, this is an excellent album. Songs such as “April Anne,” “Malibu People,” and “Holland Tunnel” bear out what a fine songwriter he really was, and indeed, these are some of the finest songs of his career. The performances on this record are spectacular. Backed by an all-star group of musicians (most of Elvis Presley’s band, including James Burton, as well as the Wrecking Crew, among others), the record’s decidedly country feel is crafted to the extreme. Mamas co-founder Denny Doherty has always felt that had the Mamas & Papas recorded this album, it would have been one of their finest. There’s no doubt.“ – Matthew Greenwald (Allmusic)
John Phillips (John, the Wolf King of L.A.) is the first solo recording by the Mamas & the Papas leader John Phillips. All songs were Phillips originals, dealing mostly with recent events in Phillips’ life, including references to his new girlfriend Geneviève Waïte and longtime friend Ann Marshall (“April Anne”). The backing musicians included members of Wrecking Crew. Today the album receives favourable reviews from fans and critics alike. The album was selected as one of ShortList’s 50 Coolest Albums Ever. Continue reading “January 25: John Phillips released John The Wolfking of L.A. in 1970”→
Young, Gifted and Black is the twentieth studio album by American singer Aretha Franklin, Released on January 24, 1972 by Atlantic Records. The album is Top 10 Gold-certified. The album won Aretha a 1972 Grammy Award for Best Female R&B Vocal Performance of the year. It takes its title from the Nina Simone song “To Be Young, Gifted and Black.” In 2003, the TV network VH1 named it the 76th greatest album of all time.
“The return of the Thin White Duke Throwing darts in lovers’ eyes Here are we, one magical moment, such is the stuff“
Station to Station is a collection of soul, rock, funk, and disco, twisted by an influence of experimental German artists. This is David Bowie’s “plastic soul” mixed with krautrock. This is the introduction of the “Thin White Duke”.
It is Bowie’s tenth album, one of his most important and in my opinion, one of his very best!
David Bowie came from the soul infused “Young Americans” into Nicolas Roeg’s film, “The Man who fell to Earth” (the picture on the cover is a still from the film) and then into this masterpiece of a record. If you see the film and listen to Young Americans you get a sense of what made the album. There is a switch from popular dance oriented music into a more artful approach. But, without losing the pop sensibility. It is also a start for Bowie on his journey back to a more European approach to his music, even if it was recorded in LA.
“I know it was in LA because I’ve read it was”
– David Bowie
TVC15 (from rehearsals for the Station to Station tour 1976):