It felt like it all belonged together. Rubber Soul was a collection of songs…that somehow went together like no album ever made before, and I was very impressed. I said, “That’s it. I really am challenged to do a great album.”
~Brian Wilson (...inspiration for creating “Pet Sounds”)
[Pet Sounds] blew me out of the water. I love the album so much. I’ve just bought my kids each a copy of it for their education in life…I figure no one is educated musically ’til they’ve heard that album…it may be going overboard to say it’s the classic of the century…but to me, it certainly is a total, classic record that is unbeatable in many ways…I’ve often played Pet Sounds and cried. I played it to John [Lennon] so much that it would be difficult for him to escape the influence.
~Paul McCartney (recalling his first impressions of Pet Sounds)
Pet Stories – A documentary about the making of “Pet Sounds.” (39 min):
To me, country music tells a story about, and deals with, the way people live their lives and what they do.
I’ve learned the importance of loving what you do. I have also learned more patience due to the nature of the music business.
Like the Beatles in rock, Randy Travis marks a generational shift in country music. When his Storms of Life came out in 1986, country music was still wallowing in the post-urban cowboy recession, chasing elusive crossover dreams. Travis brought the music back to its basics, sounding like nothing so much as a perfect blend of George Jones and Merle Haggard. ~Stephen Thomas Erlewine (allmusic.com)
Tom Waits is one of the most original musicians of the last five decades. Renowned for his gravelly voice and dazzling mix of musical styles, he’s also one of modern music’s most enigmatic and influential artists.
His songs have been covered by Bruce Springsteen, Rod Stewart and Norah Jones, among many others. But Waits has always pursued his own creative vision, with little concern for musical fashion.
In a long career of restless reinvention, from the barfly poet of his early albums to the junkyard ringmaster of Swordfishtrombones, his songs chronicle lives from the margins of American society – drifters, dreamers, hobos and hoodlums – and his music draws on a rich mix of influences, including the blues, jazz, Weimar cabaret and film noir.
Using rare archive, audio recordings and interviews, this film is a bewitching after-hours trip through the surreal, moonlit world of Waits’ music – a portrait of a pioneering musician and his unique, alternative American songbook.
Executive Producer Richard Bright
Director James Maycock
Production Manager Fiona Crawford
Production Coordinator Fiona Dorman
Editor Bradley Richards
Camera Operator Luke Finn
Interviewed Guest: Terry Gilliam, Lucinda Williams, Ian Rankin, Ed Harcourt, Ralph Carney, Bones Howe, Ute Lemper, Nitin Sawhney, Guy Garvey and Jim Sclavunos
A 54-minute documentary film about the life, times, and music of blues legend Blind Willie McTell.
With music masters Taj Mahal Stefan Grossman,historian Daphne Duval Harrison,and Atlantic Records founder Ahmet Ertegun.
Written and produced by David Fulmer
“Nothing less than the economic, social, and
historical evolution of America’s indigenous music.”
— Video Librarian
I have a lot(!) of Neil Young documentaries/films/concert footage lying around, and this is the best of them all (…no, it was not me who uploaded it on YouTube, thanks to the original uploader). Neil Young really opens up and the live footage is spectacular. Young is very much aware of his “difficult” personality, his quest for great art is his most important task in life. The film explores how Young’s unflinching dedication to the muse has created an impressive body of work and bruised a lot of people along the way. But he is also a warm and funny person. This docu was also shown in the American Masters series on PBS in the US.
The film ends with Neil Young playing an anti-Bush anthem to a Republican audience in the South, still refusing to be denied.
“Prine’s stuff is pure Proustian existentialism. Midwestern mind trips to the nth degree. And he writes beautiful songs. I remember when Kris Kristofferson first brought him on the scene. All that stuff about Sam Stone the soldier junkie daddy and Donald and Lydia, where people make love from 10 miles away. Nobody but Prine could write like that. If I had to pick one song of his, it might be ‘Lake Marie.’ I don’t remember what album that’s on.”
– Bob Dylan
“Prine has always appealed to me,I can remember first hearing him, playing his records late at night and thinking that he was writing about everyday life, people like us.” – Mike Leonard (director)