“The further these songs get from Ronstadtland, the more I like them. The four that exorcise male psychoses by mock celebration are positively addictive, the two uncomplicated rockers do the job, and two of the purely “serious” songs get by. But no one has yet been able to explain to me what “accidentally like a martyr” might mean–answers dependent on the term “Dylanesque” are not acceptable–and I have no doubt that that’s the image Linda will home in on. After all, is she going to cover the one about the headless gunner? A-” – Robert Christgau
Excitable Boy is the third album by Warren Zevon, it was released in 1978. It includes the top 40 success “Werewolves of London”. The album brought Warren to commercial attention and remains the best-selling album of his career. A remastered and expanded edition was released during 2007.
One of her most overlooked ’60s albums, on which she presented some of her jazziest material, despite the title. None of these cuts were significant hits, and none were Aretha originals; she displayed her characteristically eclectic taste in the choice of cover material, handling compositions by Percy Mayfield, Sam Cooke, Smokey Robinson, and, at the most pop-oriented end of her spectrum, John Hartford’s “Gentle on My Mind” and Bob Lind’s “Elusive Butterfly.”
Her vocals are consistently passionate and first-rate, though, as is the musicianship; besides contributions from the Muscle Shoals Rhythm Section, session players include respected jazzmen Kenny Burrell, Ron Carter, Grady Tate, David Newman, and Joe Zawinul.
– Richie Unterberger (allmusic) Continue reading “January 17: Aretha Franklin released Soul ’69 in 1969”→
Sing Me Back Home is the fifth studio album by singer and songwriter Merle Haggard, released in 1968 on Capitol Records.
“Sing Me Back Home follows the blueprint of Merle Haggard’s first three albums, balancing a hit single with album tracks and a couple of covers, but there is a difference. Where the previous album Branded Man was a transitional album, hinting that Haggard’s talents were deepening substantially, Sing Me Back Home is the result of the flowering of his talent.”
– Thomas Erlewine (allmusic)
Merle Haggard appeared on Austin City Limits nine times over the course of his legendary career. Here’s “Sing Me Back Home” from his appearance in 1978:
… Lennon presents everything on the surface, and the song titles — “Mother,” “I Found Out,” “Working Class Hero,” “Isolation,” “God,” “My Mummy’s Dead” — illustrate what each song is about, and charts his loss of faith in his parents, country, friends, fans, and idols. It’s an unflinching document of bare-bones despair and pain, but for all its nihilism, it is ultimately life-affirming; it is unique not only in Lennon’s catalog, but in all of popular music. Few albums are ever as harrowing, difficult, and rewarding as John Lennon/Plastic Ono Band.
~Stephen Thomas Erlewine (allmusic.com)
Beggars Banquet is the seventh British and ninth American studio album The Rolling Stones. It was released 6th December 1968 by Decca Records in the United Kingdom and London Records in the United States. The album was a return to a more rootsy rock for the band after the psychedelic “experiment”, Their Satanic Majesties Request.
The Rolling Stones – No Expectations (live Hyde Park, 1969):
In 2003, the album was ranked number 57 on Rolling Stone magazine’s list of the 500 greatest albums of all time. In the same year the TV network VH1 named Beggars Banquet the 67th greatest album of all time.
“Rape, murder, it’s just a shot away, it’s just a shot away.”
Rolling Stones Let it Bleed 1969
Let It Bleed is the eighth British and tenth American album by The Rolling Stones, released 5th December 1969. Released shortly after the band’s 1969 American Tour, it is the last album by the band to feature Brian Jones as well as the first to feature Mick Taylor.
5 December 1969
November 1968, February–November 1969, Olympic Studios, London, England
Blues rock, rock and roll, hard rock
London (US), Decca (UK)
It is part of the holy quartet: Exile on Main St., Beggars Banquet, Let it Bleed and Sticky Fingers. Rightfully considered the best albums in The Rolling Stones’ discography.