April 24: David Bowie released Diamond Dogs in 1974

When this came out in 1974, it was roundly dismissed as Ziggy Stardust’s last strangled gasp. In hindsight, Diamond Dogs is marginally more worthwhile; its resigned nihilism inspired interesting gloom and doom from later goth and industrial acts such as Bauhaus and Nine Inch Nails.
~Mark Kemp (rollingstone.com in 2004)

All this hopelessness and annihilation would be suffocating if it weren’t for Bowie’s exuberance. He throws himself into Orwell’s draconian hell as if strutting around in Kansai Yamamoto’s Aladdin Sane-era bodysuit; it fits his skeletal contours. Determined to reaffirm his relevance in spite of his setbacks, the singer sparkled so brightly that he offset the darkness of his material. Just as Watergate was coming to a boil, singer-songwriters and prog-rockers were glutting the charts, and ’60s resistance was morphing into ’70s complacency, this sweet rebel (rebel) made revolution strangely sexy again. Glaring at you from Dogs’ cover with canine hindquarters and emaciated features like the circus sideshow Freaks he footnotes in the title cut, he served notice that rock’s outsiders remained more compelling than the softies who increasingly occupied its center, even as his ever-growing popularity chipped away at it. You can bet Patti Smith, the Ramones, and Television sat up and took notes.
-Barry Walters (pitchfork.com)

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April 23: The Rolling Stones released Sticky Fingers 1971

Sticky Fingers was never meant to be the title. It’s just what we called it while we were working on it. Usually though, the working titles stick.
~Keith Richards 1971

While many hold their next album, Exile On Main St., as their zenith, Sticky Fingers, balancing on the knife edge between the 60s and 70s, remains their most coherent statement.
~Chris Jones (bbc.co.uk)

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April 8: Elvis Presley released Elvis is Back! in 1960

Elvis is back

 Recorded when Presley was 25, fresh off a two-year military stint and musically fit to burst, Elvis Is Back! might be the King’s greatest noncompilation LP: wildly varied material, revelatory singing, impeccable stereo sound.
~Will Hermes (rollingstone.com)

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April 1: The White Stripes released “Elephant” in 2003

“..a work of pulverizing perfection,.. It will be one of the best things you hear all year”
-David Fricke (rollingstone.com)

“Crucially, the White Stripes know the difference between fame and success; while they may not be entirely comfortable with their fame, they’ve succeeded at mixing blues, punk, and garage rock in an electrifying and unique way ever since they were strictly a Detroit phenomenon. On these terms, Elephant is a phenomenal success.”
-Heather Phares (allmusic.com)

Released April 1, 2003
Recorded November 2001 and April 2002 at Toe Rag Studios and BBC Maida Vale Studios, London, England
Genre

Alternative rock, garage rock, blues rock & punk blues

Length 49:56
Label V2, XL
Producer Jack White

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March 28: Led Zeppelin Houses of the Holy was released in 1973

“The Rain Song” is one of Zep’s finest moments, featuring a soaring string arrangement and a gentle, aching melody. “The Ocean” is just as good, starting with a heavy, funky guitar groove before slamming into an a cappella section and ending with a swinging, doo wop-flavored rave-up. With the exception of the rampaging opening number, “The Song Remains the Same,” the rest of Houses of the Holy is fairly straightforward, ranging from the foreboding “No Quarter” and the strutting hard rock of “Dancing Days” to the epic folk/metal fusion “Over the Hills and Far Away.” Throughout the record, the band’s playing is excellent, making the eclecticism of Page and Robert Plant’s songwriting sound coherent and natural.”
– Thomas Erlewine (allmusic)

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March 11: Déjà Vu by Crosby, Stills, Nash & Young was released in 1970

crosby stills nash young deja vu

March 11: Déjà Vu (Crosby, Stills, Nash & Young album) released in 1970

 

One of the most hotly awaited second albums in history — right up there with those by the Beatles and the Band — Déjà Vu lived up to its expectations and rose to number one on the charts.
~Bruce Eder (allmusic.com)

Almost Cut My Hair – Live Wembley 1974:

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