Sticky Fingers was never meant to be the title. It’s just what we called it while we were working on it. Usually though, the working titles stick.
~Keith Richards 1971
While many hold their next album, Exile On Main St., as their zenith, Sticky Fingers, balancing on the knife edge between the 60s and 70s, remains their most coherent statement.
~Chris Jones (bbc.co.uk)
Recorded when Presley was 25, fresh off a two-year military stint and musically fit to burst, Elvis Is Back! might be the King’s greatest noncompilation LP: wildly varied material, revelatory singing, impeccable stereo sound.
~Will Hermes (rollingstone.com)
“..a work of pulverizing perfection,.. It will be one of the best things you hear all year”
-David Fricke (rollingstone.com)
“Crucially, the White Stripes know the difference between fame and success; while they may not be entirely comfortable with their fame, they’ve succeeded at mixing blues, punk, and garage rock in an electrifying and unique way ever since they were strictly a Detroit phenomenon. On these terms, Elephant is a phenomenal success.”
-Heather Phares (allmusic.com)
|Released||April 1, 2003|
|Recorded||November 2001 and April 2002 at Toe Rag Studios and BBC Maida Vale Studios, London, England|
Alternative rock, garage rock, blues rock & punk blues
“The Rain Song” is one of Zep’s finest moments, featuring a soaring string arrangement and a gentle, aching melody. “The Ocean” is just as good, starting with a heavy, funky guitar groove before slamming into an a cappella section and ending with a swinging, doo wop-flavored rave-up. With the exception of the rampaging opening number, “The Song Remains the Same,” the rest of Houses of the Holy is fairly straightforward, ranging from the foreboding “No Quarter” and the strutting hard rock of “Dancing Days” to the epic folk/metal fusion “Over the Hills and Far Away.” Throughout the record, the band’s playing is excellent, making the eclecticism of Page and Robert Plant’s songwriting sound coherent and natural.”
– Thomas Erlewine (allmusic)
March 11: Déjà Vu (Crosby, Stills, Nash & Young album) released in 1970
One of the most hotly awaited second albums in history — right up there with those by the Beatles and the Band — Déjà Vu lived up to its expectations and rose to number one on the charts.
~Bruce Eder (allmusic.com)
Almost Cut My Hair – Live Wembley 1974:
..It speak volumes about the album’s universality that its songs have soundtracked everything from Michael Hutchence’s funeral to Shrek 2.
~Stuart Berman (pitchfork.com)
The Boatman’s Call is one of his finest albums and arguably the masterpiece he has been promising throughout his career.
~Stephen Thomas Erlewine (allmusic.com)
Into My Arms – live