March 11: Déjà Vu by Crosby, Stills, Nash & Young was released in 1970

crosby stills nash young deja vu

March 11: Déjà Vu (Crosby, Stills, Nash & Young album) released in 1970

 

One of the most hotly awaited second albums in history — right up there with those by the Beatles and the Band — Déjà Vu lived up to its expectations and rose to number one on the charts.
~Bruce Eder (allmusic.com)

Almost Cut My Hair – Live Wembley 1974:

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March 3: Nick Cave and The Bad Seeds released The Boatman’s Call in 1997

..It speak volumes about the album’s universality that its songs have soundtracked everything from Michael Hutchence’s funeral to Shrek 2.
~Stuart Berman (pitchfork.com)

The Boatman’s Call is one of his finest albums and arguably the masterpiece he has been promising throughout his career.
~Stephen Thomas Erlewine (allmusic.com)

Into My Arms – live

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February 13: The Black Crowes released Shake Your Money Maker in 1990

“Shake Your Money Maker may not be stunningly original, but it doesn’t need to be; it’s the most concise demonstration of the fact that the Black Crowes are a great, classic rock & roll band.”
– Steve Huey (allmusic)

Shake Your Money Maker is the debut studio album by The Black Crowes, released 13th of February 1990 on Def American Recordings. It is the only album by the band to feature guitarist Jeff Cease. The album is named after a classic blues song written by Elmore James. The Black Crowes have played the song live many times over the years, but it is not included on this album.

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January 25: John Phillips released John The Wolfking of L.A. in 1970

“…not exactly a great lead vocalist. Phillips knew this, and, according to his book, Papa John, he purposely buried his voice in the mix. This proved to be a bit of tragedy, because underneath it all, this is an excellent album. Songs such as “April Anne,” “Malibu People,” and “Holland Tunnel” bear out what a fine songwriter he really was, and indeed, these are some of the finest songs of his career. The performances on this record are spectacular. Backed by an all-star group of musicians (most of Elvis Presley’s band, including James Burton, as well as the Wrecking Crew, among others), the record’s decidedly country feel is crafted to the extreme. Mamas co-founder Denny Doherty has always felt that had the Mamas & Papas recorded this album, it would have been one of their finest. There’s no doubt.
– Matthew Greenwald (Allmusic)

John Phillips (John, the Wolf King of L.A.) is the first solo recording by the Mamas & the Papas leader John Phillips. All songs were Phillips originals, dealing mostly with recent events in Phillips’ life, including references to his new girlfriend Geneviève Waïte and longtime friend Ann Marshall (“April Anne”). The backing musicians included members of Wrecking Crew. Today the album receives favourable reviews from fans and critics alike. The album was selected as one of ShortList’s 50 Coolest Albums Ever. Continue reading “January 25: John Phillips released John The Wolfking of L.A. in 1970”

January 24: Aretha Franklin released Young, Gifted and Black in 1972

Young, Gifted and Black is the twentieth studio album by American singer Aretha Franklin, Released on January 24, 1972 by Atlantic Records. The album is Top 10 Gold-certified. The album won Aretha a 1972 Grammy Award for Best Female R&B Vocal Performance of the year. It takes its title from the Nina Simone song “To Be Young, Gifted and Black.” In 2003, the TV network VH1 named it the 76th greatest album of all time.

“…of this stunning era, Young, Gifted and Black certainly ranks highly among her studio efforts, with many arguing that it may be her greatest. And with songs like “Rock Steady,” that may be a valid argument. But there’s much more here than just a few highlights. If you really want to go song by song, you’d be hard-pressed to find any throwaways here — this is quite honestly an album that merits play from beginning to end.”
– Jason Birchmeier (allmusic)  Continue reading “January 24: Aretha Franklin released Young, Gifted and Black in 1972”

January 23: David Bowie released Station To Station in 1976

The return of the Thin White Duke
Throwing darts in lovers’ eyes
Here are we, one magical moment, such is the stuff

Station to Station is a collection of soul, rock, funk, and disco, twisted by an influence of experimental German artists. This is David Bowie’s “plastic soul” mixed with krautrock. This is the introduction of the “Thin White Duke”.

It is Bowie’s tenth album, one of his most important and in my opinion, one of his very best!

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David Bowie came from the soul infused “Young Americans” into Nicolas Roeg’s film, “The Man who fell to Earth” (the picture on the cover is a still from the film) and then into this masterpiece of a record. If you see the film and listen to Young Americans you get a sense of what made the album. There is a switch from popular dance oriented music into a more artful approach. But, without losing the pop sensibility. It is also a start for Bowie on his journey back to a more  European approach to his music, even if it was recorded in LA.

“I know it was in LA because I’ve read it was”
– David Bowie

TVC15 (from rehearsals for the Station to Station tour 1976):

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