[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]You don’t need anybody to tell you who you are or what you are. You are what you are!
From the Liverpool docks to the red light Hamburg streets
Down in the quarry with the Quarrymen.
Playing to the big crowds
Playing to the cheap seats
Another day in your life on your way to your journey’s end
Shine your light, move it on, you burn so bright, roll on John
“Life is what happens to you while you’re busy making other plans.”
― John Lennon[/vc_message][/vc_column][/vc_row]
Heaps of wonderful music was released in 1971, here are my 30 chosen songs.
Wild Horses – The Rolling Stones
A song by The Rolling Stones from their 1971 album Sticky Fingers, written by Mick Jagger and Keith Richards. Rolling Stone ranked it at No. 334 in its “500 Greatest Songs of All Time” list in 2004.
– Childhood living is easy to do The things you wanted I bought them for you Graceless lady you know who I am You know I can’t let you slide through my hands
A lot of GREAT music was released in 1970, here are my 20 chosen songs.
Into the Mystic – Van Morrison
[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]”Into the Mystic” is one of Morrison’s warmest ballads, an Otis Redding-style reverie with acoustic guitar and horns. The lyrics are truly mysterious: “People say, ‘What does this mean?’ ” said Morrison. “A lot of times I have no idea what I mean. That’s what I like about rock & roll — the concept. Like Little Richard — what does he mean? You can’t take him apart; that’s rock & roll to me.”
Written by Van Morrison and featured on his 1970 album Moondance. It was also included on Morrison’s 1974 live album, It’s Too Late To Stop Now. It was recorded during the Moondance sessions at A&R Recording Studios in New York City in September to November 1969. Elliott Scheiner was the engineer.
– We were born before the wind
Also younger than the sun
Ere the bonnie boat was won as we sailed into the mystic
Hark, now hear the sailors cry
Smell the sea and feel the sky
Let your soul and spirit fly into the mystic
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“The movie was out of our control. With A Hard Day’s Night, we had a lot of input, and it was semi-realistic. But with Help!, Dick Lester didn’t tell us what it was all about.”
– John Lennon on filming Help!
“I realize, looking back, how advanced it was. It was a precursor to the Batman “Pow! Wow!” on TV—that kind of stuff. But [Lester] never explained it to us. Partly, maybe, because we hadn’t spent a lot of time together between A Hard Day’s Night and Help!, and partly because we were smoking marijuana for breakfast during that period. Nobody could communicate with us, it was all glazed eyes and giggling all the time. In our own world. It’s like doing nothing most of the time, but still having to rise at 7 am, so we became bored.”
-John Lennon to David Sheff[/vc_message][/vc_column][/vc_row]
[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]“It was a funky record – it’s one of my favorite Beatle tracks, or, one of my favourite Lennon tracks, let’s say that. It’s funky, it’s bluesy, and I’m singing it pretty well. I like the sound of the record. You can dance to it. I’d buy it!”
“The thing was created in the studio. It’s gobbledygook, Come Together was an expression that Leary had come up with for his attempt at being president or whatever he wanted to be, and he asked me to write a campaign song. I tried and tried, but I couldn’t come up with one. But I came up with this, Come Together, which would’ve been no good to him, you couldn’t have a campaign song like that, right?”
– John Lennon (Playboy, 1980)[/vc_message][/vc_column][/vc_row]
“Come Together” is a song by The Beatles written by John Lennon and credited to Lennon–McCartney. The song is the opening track on the album Abbey Road, and was released as a double A-sided single with “Something”, their twenty-first single in the United Kingdom and twenty-sixth in the United States. The song reached the top of the charts in the US,and peaked at number four in the UK.
I really love the song, one of John’s masterpieces!
John Lennon: vocals, rhythm guitar, handclaps and tambourine
Paul McCartney: harmony vocals,electric piano and bass
George Harrison: lead guitar
Ringo Starr: drums, maracas
[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]We were different. We were older. We knew each other on all kinds of levels that we didn’t when we were teenagers. The early stuff – the Hard Day’s Night period, I call it – was the sexual equivalent of the beginning hysteria of a relationship. And the Sgt Pepper-Abbey Road period was the mature part of the relationship.”
– John Lennon (1980)[/vc_message][/vc_column][/vc_row]
A Hard Day’s Night is the third album by The Beatles; it was released on July 10, 1964. The album is a soundtrack to the A Hard Day’s Night film, starring the Beatles. The American version of the album was released two weeks earlier, on 26 June 1964 by United Artists Records, with a different track listing. This is the first Beatles album to be recorded entirely on four-track tape, allowing for good stereo mixes.
In 2000, Q placed A Hard Day’s Night at number 5 in its list of the 100 Greatest British Albums Ever. In 2003, the album was ranked number 388 on Rolling Stone magazine’s list of the 500 Greatest Albums of All Time.
The soundtrack songs were recorded in late February, and the non-soundtrack songs were recorded in June. The title song itself was recorded on April 16.
[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]…but A Hard Day’s Night is perhaps the band’s most straightforward album: You notice the catchiness first, and you can wonder how they got it later.
The best example of this is the title track– the clang of that opening chord to put everyone on notice, two burning minutes thick with percussion (including a hammering cowbell!) thanks to the new four-track machines George Martin was using, and then the song spiraling out with a guitar figure as abstractedly lovely as anything the group had recorded.”
– Tom Ewing, Pitchfork[/vc_message][/vc_column][/vc_row]