Live and Well is a live album by Dolly Parton, released on September 14, 2004. It was recorded during her 2002 Halos & Horns Tour, her first in years; the performances on December 12 and 13, 2002 were used. A DVD of the concert was released simultaneously with the album. This was Dolly Parton’s first concert DVD.
“The show, also released as a double album, is far more successful with the visuals, since Parton is noticeably having a great time. Also, the patter that interrupts the flow of the audio-only version works to the advantage of the DVD as watching Dolly naturally interact with the crowd is so integral to her persona. Everything about the singer, from her makeup to her hair and curvy body is exaggerated, but with the songs conversely stripped down to their basics, the effect is impressive. Her voice is clear and strong so she doesn’t need costume changes, fancy light shows or backdrops, which would distract from her talent.”
– Hal Horowitz (allmusic)
Muddy Waters Bluesband live at Rockpalast is a great document of a fantastic musician and stage personality. It really shows Muddy’s magnetism and skill in working a crowd. Especially when he abandons his guitar for “Mannish Boy” and at the end prowls the stage, manic preaching-style, as he jumps up and down, bemoaning the fact that “another mule is kicking in your stall”. His falsetto is sweet and true here, and gives us a glimpse of the strong sexual attraction Waters exuded in the fifties. What an artist, what a stage presence!
Real Live Roadrunning is a collaborative live album by Mark Knopfler and Emmylou Harris, released on 14 November 2006. The album was recorded live on 28 June 2006 at the Gibson Amphitheatre in Los Angeles, at the end of their summer tour in support of their critically acclaimed album, All the Roadrunning. Real Live Roadrunning was released as a combined CD/DVD. This is the video version of the concert : Continue reading “Emmylou Harris and Mark Knopfler Real Live Roadrunning 2016 (full concert video)”→
“Folsom Prison looms large in Johnny Cash’s legacy, providing the setting for perhaps his definitive song and the location for his definitive album, At Folsom Prison. The ideal blend of mythmaking and gritty reality, At Folsom Prison is the moment when Cash turned into the towering Man in Black, a haunted troubadour singing songs of crime, conflicted conscience, and jail.”
~Stephen Thomas Erlewine (allmusic.com)
One of the best live albums in recording history was taped on this date in 1968, hell, it’s one of the best albums period. Today it is it’s 48-year anniversary.
One of the most anticipated gigs of 1983 came at the very end of the year, when the Band returned to the city of The Last Waltz when invited to open for the Grateful Dead at their annual New Year’s Eve extravaganza. Before a sold-out crowd at San Francisco’s Civic Auditorium, the Band proved they were still one of the best sounding groups on the planet, delivering a performance that not only delighted the San Francisco audience, but the Band members themselves. Performing classic original material as well as a smattering of choice covers, this performance was captured by the Bill Graham Presents crew and is presented here in its entirety.
Bruce played 3 concerts @ Nassau Coliseum at the end of 1980, and the New-year eve concert is the most famous. The concert bootleg “Nassau Night” (Crystal Cat) from the 12-31-1980 concert is one of the most famous (& best) Springsteen boots. BUT the concert he played on the 29th is also fantastic… and he played a heavenly version of “Incident on 57th Street” (only River Tour version – and next live version didn’t come until September 25th 1999 in Philadelphia, PA)
Incident on 57th Street – 1980-12-29:
“This is, uh…this is a song we haven’t done in a real long time…(?) …this is, uh, I hope I remember all the words, alright, I might not, I just learned them (?)…”
~Bruce intro for “Incident..”