They declared me unfit to live, said into that great void my soul be hurled. They wanted to know why I did what I did; Well sir, I guess there’s just a meanness in this world. –Nebraska
[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]“The fact that you didn’t intend to release it makes it the most intimate record you’ll ever do. This is an absolutely legitimate piece of art.”
-Steven Van Zandt
“I felt that it was my best writing. I felt I was getting better as a writer. I was learning things. I was certainly taking a hard look at everything around me.” Bruce Springsteen[/vc_message][/vc_column][/vc_row]
Brilliant album by Bruce, definitely top 5, probably top 3.
Some facts (from Wikipedia):
September 30, 1982
Mostly January 3, 1982 at Springsteen’s Colts Neck, New Jersey bedroom
Americana, folk rock, folk
Nebraska is the sixth studio album by Bruce Springsteen, released in 1982 on Columbia Records.
Today we present one of the best of the still unreleased tracks from the Nebraska sessions, The Losin’ Kind. The song started out as The Answer an early home demo with slightly different lyrics.
The melody is reminiscent of Highway Patrolman (Nebraska) and the story is about the same as in the song Highway 29 (The Ghost of Tom Joad), and I’m guessing that these similarities will keep the song in Springsteen’s vault.
As I said the song started out as The Answer before it became The Losin’ Kind and both versions are in circulation:
The Answer (The Losin’ kind acoustic demo) was recorded in fall 1981 (sometime between September and December), at Thrill Hill Recording in Colts Neck.
The Losin’ Kind (the “finished” version) were probably taped on 03 Jan 1982 at Thrill Hill Recording. There are records of a third version, but I’ve not heard it and I don’t think it floats around the web.
Let us hear the song.
The Losin’ Kind:
Incredibly good ! …and will hopefully be included on Tracks part 2 (if that is ever released…)
The Nebraska sessions were never conceived to result in a commercially released album. Bruce’s intention was to create a batch of multi-channel, professional sounding, finished solo demos to demonstrate to The E Street Band at sessions for the follow-up to The River album due to start in New York City in February 1982. By creating professional demos Springsteen felt the band sessions would progress faster than they had for his previous three albums.
To achieve his goal in December 1981 Springsteen asked his guitar technician, Mike Batlan, to set up a no frills “porta-studio” in a spare room of Bruce’s Colts Neck, NJ home. Some modification work was done to the room to make it more receptive to achieving a decent sound. Batlan purchased a Teac Tascam (Series 144) 4-track cassette recorder, 2 x Shure SM57 mics and 2 x mic stands. The sound was mixed through an old Gibson Echoplex and an old Panasonic boom box acted as the mix-down deck.
Springsteen recorded during the first few days of January, with the bulk of the songs recorded in one all day/night session on January 3, 1982. There were 15 songs recorded and some of them were recorded 2 or 3 times in slightly different arrangements. However two or three months later, with a few of these 15 songs by-then earmarked for coverage by the E Street Band, Springsteen recorded 2 additional songs (“My Father’s House” and “The Big Payback”) at home on the same equipment – thus making a total of 17 different songs…