April 27: Ann Peebles was born in 1947

Ann Lee Peebles (born April 27, 1947) is an American singer and songwriter who gained celebrity for her Memphis soul albums of the 1970s for Hi Records. Two of her most popular songs are “I Can’t Stand the Rain”, which she wrote with her husband Don Bryant and radio broadcaster Bernie Miller, and “I’m Gonna Tear Your Playhouse Down”. In 2014, Ann Peebles was inducted into the Memphis Music Hall of Fame.

Happy birthday!

I can’t stand the rain (1974):

I’m gonna tear your playhouse down:

– Hallgeir

April 13: Al Green was born in 1946

I’m thankful for every moment.
~Al Green

The music is the message, the message is the music. So that’s my little ministry that the Big Man upstairs gave to me – a little ministry called love and happiness.
~Al Green

“Green plays the boyish Sam Cooke supplicant–or maybe a smooth Otis Redding, or an assertive Smokey Robinson–with the startling is-that-a-synthesizer? high note…”
~Robert Christgau (in 1970 – review of “Gets next to you” album)

Let’s Stay Together (Live 1972):

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November 15: Little Willie John was born in 1937

“…Take a picture of this
The fields are empty, abandoned ’59 Chevy
Laying in the back seat listening to Little Willie John
Yea, that’s when time stood still…”
– Robbie Robertson – Somewhere Down The Crazy River

William Edward “Little Willie” John (November 15, 1937 – May 26, 1968) was an American rock ‘n’ roll and R&B singer who performed in the 1950s and early 1960s. He is best known for his successes on the record charts, with songs such as “All Around the World” (1955), “Need Your Love So Bad” (1956), and “Fever” (1956). An important figure in R&B music of the 1950s, John was posthumously inducted into the Rock and Roll Hall of Fame in 1996.

Fever:

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September 9: The Late Great Otis Redding was Born in 1941

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[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]Otis Redding was soul, but Otis Redding was country, too. That was a point on which he always insisted, and that was the way others saw him. His strength was his simplicity, even if the simplicity was hard-won. The basis for his music was sincerity, not spectacular showmanship; he was at heart a stand-up singer whose power came from his ability to inspire…
~Peter Guralnick[/vc_message][/vc_column][/vc_row]

Check out: Robbie Robertson: The night Bob Dylan offered Otis Redding to record Just Like a Woman

Sitting on the dock of the bay:

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July 4: Happy 79th Birthday Bill Withers

[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]I feel that it is healthier to look out at the world through a window than through a mirror. Otherwise, all you see is yourself and whatever is behind you.
~Bill Withers

Ain’t no sunshine when she’s gone, It’s not warm when she’s away, Ain’t no sunshine when she’s gone, And she’s always gone too long, Anytime she goes away.
~Bill Withers (Ain’t No Sunshine)[/vc_message][/vc_column][/vc_row]

Ain’t No Sunshine (Live 1971):

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June 25: Happy 82nd Birthday Eddie Floyd

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[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”].. a workmanlike singer and a very accomplished songwriter, who showed occasional flashes of brilliance.
~The Rough Guide to Soul and R&B

“…I’d had nothing directly to do with Motown while I’d been in Detroit, I’d still been around a lotta their artists and seen from a distance how they did things. And so, when I eventually got to Memphis, I could see that it was pretty much the SAME – you know, musicians getting together producing music, with everybody in the same groove… So yeah, working at Stax was very easy, because everybody was open-minded. You know, Al and I first met (legendary MGs guitarist) Steve Cropper at the same time we met Jim Stewart. So what would happen is, Cropper and I would more or less go off to the hotel, sit down and talk about music – and BOOM, almost immediately we’d WRITE something! While Al Bell and Jim Stewart would go off and talk about music and BUSINESS… So yeah, that’s the way it started – and it just moved on from THERE! I later went on to write with Booker T., which was great too. You know, Stax was all about TEAM-work. Like if an artist was recording and needing backing singers, I’d go and sing on THEIR record, and in turn they’d sing on MINE! That’s just the way we DID things.”
– Eddie Floyd (Blues&Soul.com, issue 1067)[/vc_message][/vc_column][/vc_row]

Raise Your Hand – Live in Oslo 1967:

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