March 5: Steve Earle released I Feel Alright in 1996

“With his new album, I Feel Alright, Texas-raised Earle turns a middle finger to Nashville and screams, ”Chuck it, I’m rockin’ out!” And that he does.”
– Alanna Nash (Entertainment Weekly)

“…like Train a Comin’, I Feel Alright shows Earle finding the courage and confidence to make a record just the way he wants, and this may be Earle’s finest hour in the studio — the production is tough, resonant, and a perfect match for the material, the players bring their A game without showboating, and Earle’s rough but passionate vocals are pure, honest, and direct on every cut.”
– Mark Demming (Allmusic) Continue reading “March 5: Steve Earle released I Feel Alright in 1996”

March 5: Steve Earle released Guitar Town in 1986

steve earle guitar town

The first two things I wrote were Guitar Town and Down the Road, because I was looking for an opening and an ending.  So I wrote ’em like bookends, and then filled in the spaces in the middle.  And the album’s kind of about me.  It’s kind of personal.
~Steve Earle (to Alanna Nash – May 1986)

Guitar Town was his first shot at showing a major audience what he could do, and he hit a bull’s-eye — it’s perhaps the strongest and most confident debut album any country act released in the 1980s.
~Mark Deming (allmusic)

Guitar Town:

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January 17: Steve Earle was born in 1955

“In a perfect world, Steve Earle would run Nashville.”
– Todd Snider

“If I can get me out of the way, I can do anything”
– Steve Earle

“I don’t really think in terms of obstacles. My biggest obstacle is always myself.”
~Steve Earle

All we do as songwriters is rewrite the songs that have impressed us till we find our own voice. It’s part of learning the craft.
~Steve Earle

One of our  greatest musical heroes

Fort Worth Blues:

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Classic concert: Steve Earle To Hell and Back (1996)

Steve Earle beat the odds, and he knows it. “I was the ultimate functional heroin addict for a number of years,” he says, introducing himself to a MTV audience that might not be intimately familiar with his life story and ferocious brand of country-rock music. “I got clean because I got locked up. If that hadn’t happened, I would have died. I just made my first album straight this year.”

se hell

On June 25, 1996, as part of a court order, Steve Earle performed a live concert for prison inmates at Tennessee’s Cold Creek Correctional Facility where Earle was incarcerated in 1994. The concert entitled To Hell and Back aired on MTV on August 17, 1996. Steve reunited with his backing group the Dukes for the concert, and it was an incredible show.

Earle gives the performance of a lifetime  “This ain’t gonna be a beach party,” he says in front of an appreciative audience of convicts who had just endured two days in a prison-wide lockdown.
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July 30: Johnny Cash recorded “Folsom Prison Blues” in 1955

Folsom Prison looms large in Johnny Cash’s legacy, providing the setting for perhaps his definitive song and the location for his definitive album, At Folsom Prison. The ideal blend of mythmaking and gritty reality, At Folsom Prison is the moment when Cash turned into the towering Man in Black, a haunted troubadour singing songs of crime, conflicted conscience, and jail.
~Stephen Thomas Erlewine (allmusic.com)

Wikipedia:

Single by Johnny Cash
B-side So Doggone Lonesome
Released December 15, 1955
April 1968 (re-recording)
Format 7″ single
Recorded July 30, 1955Sun StudioMemphis, Tennessee
Genre Rockabilly, country blues, rock and roll
Length 2:50
Label Sun
Songwriter Johnny Cash
Producer Sam Phillips

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Great New Album from Steve Earle – So You Wannabe an Outlaw

“There’s nothing ‘retro’ about this record,” Earle says. “I’m just acknowledging where I’m coming from.” So You Wannabe an Outlaw is the first recording he has made in Austin, TX. Earle has lived in New York City for the past decade. “Look, I’m always gonna be a Texan, no matter what I do,” he says. “And I’m always going to be somebody who learned their craft in Nashville. It’s who I am.”
amazon.com

For me this is Steve Earle´s best album since Transcendental Blues (June 6, 2000). Backed by his band The Dukes (guitarist Chris Masterson, fiddle player Eleanor Whitmore, bassist Kelly Looney, and new members drummer Brad Pemberton and pedal steel player Ricky Ray Jackson) & recorded at Arlyn Studios in Austin. Produced by Richard Bennett.

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