December 17: The Beatles’ Third Christmas Record 1965

Several off-key, a cappella versions of Yesterday are dispersed throughout the record, alongside Lennon’s Happy Christmas to Ya List’nas, Auld Lang Syne, a one-and-a-half-line version of the Four Tops’ It’s the Same Old Song, which they quickly stop before they violate the copyright, and an original poem titled Christmas Comes But Once a Year. A second version of Auld Lang Syne segues messily into a cover of Barry McGuire’s Eve of Destruction. I find this both funny and interesting and my favorite among the Christmas records.

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Dec 16: The Beatles’ Fourth Christmas Record – Pantomime: Everywhere It’s Christmas 1966

Recorded between sessions for Strawberry Fields Forever, for the 1966 offering, the usual greetings and thanks gave way to a ‘Pantomime’-themed collection of original songs and dramatic skits. The songs include Everywhere It’s Christmas, Orowainya, and Please Don’t Bring Your Banjo Back. Paul McCartney plays the piano. The sketches performed include Podgy the Bear and Jasper and Felpin Mansions.

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December 3: The Beatles released Rubber Soul in 1965

There are places I’ll remember
All my life, though some have changed
Some forever, not for better
Some have gone and some remain
All these places had their moments
With lovers and friends, I still can recall
Some are dead and some are living
In my life, I’ve loved them all

All four faces of The Beatles appear stretched on the cover of 1965’s Rubber Soul, but it is not only the picture that is mind bending, the music within stretches the boundaries of popular music, too. In my mind it is he first truly unified album by The Beatles (and their first recorded within a specified session period), it is a quantum leap compared to the band’s past work. The Songwriting is out of this world, and the instrumentation was cutting edge. A milestone in rock history.
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Dec 4: The Beatles released Beatles For Sale in 1964

Beatles for Sale is the fourth studio album by the Beatles, it was released on 4 December 1964 and produced by George Martin. The album marked a minor turning point in the evolution of the Lennon–McCartney partnership, John Lennon particularly now showing interest in composing songs of a more autobiographical nature. I’m a Loser shows Lennon for the first time coming under the influence of Bob Dylan, whom he met in New York while on tour, on 28 August 1964.

John, when you were in New York, what did you like best about it?

 I just like cities, you see, and preferably big ones. That’s why I liked it. And we met some good people like Bob Dylan and Joan Baez, you know, and I enjoy meeting people I admire.

(Sept 13, 1964 via In The Life Of…The Beatles)

Beatles for Sale didn’t  produce a single for the UK – the non-album tracks I Feel Fine and She’s a Woman performed that role. Nevertheless, that coupling was followed up in the United States by Eight Days a Week, which became their seventh number one.

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