The world is full of musicians who can play great, and you wouldn’t cross the road to see them. It’s people who have this indefinable attitude that are the good ones.
As long as my body holds out, I’ll be grooving when I’m 70, and not some sort of horrible spectacle.
As the leader of the seminal pub rockers Brinsley Schwarz, a producer, and a solo artist, Nick Lowe held considerable influence over the development of punk rock. With the Brinsleys, Lowe began a back-to-basics movement that flowered into punk rock in the late ’70s. As the house producer for Stiff, he recorded many seminal records by the likes of the Damned, Elvis Costello, and the Pretenders. His rough, ragged production style earned him the nickname “Basher” and also established the amateurish, D.I.Y. aesthetics of punk. Despite his massive influence on punk rock, Lowe was never really a punk rocker. ..
~Stephen Thomas Erlewine (allmusic.com)
Live BBC 4 Sessions 2007 concert (59min)
03:45 What’s Skakin’ On The Hill
07:16 Without Love
09:55 Lately I’ve Let Things Slide
13:16 Has She Got A Friend?
16:05 I Trained Her To Love Me
20:23 Indian Queens
24:21 Cruel To Be Kind
27:47 You Inspire Me
31:15 Introducing The Horns
31:52 Long Limbed Girl
34:55 Hope For Us All
38:56 The Other Side Of The Coin
45:08 The Man In Love
47:22 (What’s So Funny ‘Bout) Peace, Love And Understanding
51:40 I Knew The Bride
56:00 The Beast In Me
Michael Jackson’s Thriller is an American 13-minute music video for the song of the same name released on December 2, 1983. It was directed by the great John Landis, who also co-wrote the screenplay with Michael Jackson. The song was released from his sixth studio album of the same name. This music video aired alongside the Inspector Gadget episode, “Tree Guesses”.
It was MTV’s first world premiere video. Voted as the most influential pop music video of all time, in the UK Channel 4 aired the video late at night Thriller proved to have a profound effect on popular culture, and was named “a watershed moment for the [music] industry” for its unprecedented merging of filmmaking and music. Guinness World Records listed it in 2006 as the “most successful music video”, selling over nine million copies.
In 2009, the video was inducted into the National Film Registry by the Library of Congress, the first music video to ever receive this honor, for being “culturally, historically or aesthetically” significant. The track was also listed at number one on “The Top 10 Halloween Songs” by Billboard.
Michael Jackson’s Thriller (13 min. version):
The video (like the song) contains a spoken word performance by horror film veteran Vincent Price. Rick Baker assisted in prosthetics and makeup for the production.
The band kick into spirited versions of “Tore down A la Rimbaud”, “In The Garden” and “Rave On, John Donne”, before being joined by the might of the Chieftains for a full set. WONDERFUL is the only word.
– Brian Hinton (Celtic Crossroads)
Van Morrison with The Chieftains
Ulster Hall, Belfast
September 15, 1988
“To me, someone who writes really good songs is Randy Newman. There’s a lot of people who write good songs. As songs. Now Randy might not go out on stage and knock you out, or knock your socks off. And he’s not going to get people thrilled in the front row. He ain’t gonna do that. But he’s gonna write a better song than most people who can do it.
You know, he’s got that down to an art. Now Randy knows music. He knows music But it doesn’t get any better than “Louisiana” or “Cross Charleston Bay” [“Sail Away”]. It doesn’t get any better than that. It’s like a classically heroic anthem theme. He did it. There’s quite a few people who did it. Not that many people in Randy’s class.”
– Bob Dylan (1991)
Good Old Boys is the fifth album by Randy Newman, released 10 September 1974 on Reprise Records. It peaked at #36 on the Billboard 200, Newman’s first album to obtain major commercial success. The premiere live performance of the album took place on October 5, 1974, at the Symphony Hall in Atlanta, Georgia, with guest Ry Cooder and Newman conducting the Atlanta Symphony Orchestra.
This is one of the best records about “The South” that has ever been made. Randy Newman is cruel but, oh, so witty.
The album’s scabrous opening cut, “Rednecks,” is guaranteed to offend practically anyone with its tale of a slow-witted, willfully (and proudly) ignorant Southerner obsessed with “keeping the n—–s down.” “A Wedding in Cherokee County” is more polite but hardly less mean-spirited, in which an impotent hick marries a circus freak; if the song’s melody and arrangement weren’t so skillful, it would be hard to imagine anyone bothering with this musical geek show. … Good Old Boys is one of Newman’s finest albums; it’s also one of his most provocative and infuriating, and that’s probably just the way he wanted it.
–Mark Demming (Allmusic.com)