Roger McGuinn’s sparkling, chordal 12-string Rickenbacker riffs on the Byrds’ early hits were the sonic bridge between folk and rock – and an irreplaceable color in rock’s palette: Every indie band who’s more interested in beatific strumming than screaming solos owes him a debt (the striking break in “Bells of Rhymney” could be on a Smiths record). McGuinn could do a lot more than chime, however, as demonstrated by his still-astonishing psychedelic-raga-Coltrane licks on “Eight Miles High.
James Roger McGuinn (born James Joseph McGuinn III on July 13, 1942)known professionally as Roger McGuinn and previously as Jim McGuinn, is an American singer-songwriter and guitarist. He is best known for being the lead singer and lead guitarist on many of The Byrds‘ records. He is a member of the Rock and Roll Hall of Fame for his work with The Byrds.
The Byrds were an American rock band, formed in Los Angeles, California in 1964.The band underwent multiple line-up changes throughout its existence, with frontman Roger McGuinn (aka Jim McGuinn) remaining the sole consistent member until the group disbanded in 1973.
We were different. We were older. We knew each other on all kinds of levels that we didn’t when we were teenagers. The early stuff – the Hard Day’s Night period, I call it – was the sexual equivalent of the beginning hysteria of a relationship. And the Sgt Pepper-Abbey Road period was the mature part of the relationship.”
– John Lennon (1980)
A Hard Day’s Night is the third album by The Beatles; it was released on July 10, 1964. The album is a soundtrack to the A Hard Day’s Night film, starring the Beatles. The American version of the album was released two weeks earlier, on 26 June 1964 by United Artists Records, with a different track listing. This is the first Beatles album to be recorded entirely on four-track tape, allowing for good stereo mixes.
In 2000, Q placed A Hard Day’s Night at number 5 in its list of the 100 Greatest British Albums Ever. In 2003, the album was ranked number 388 on Rolling Stone magazine’s list of the 500 Greatest Albums of All Time.
The soundtrack songs were recorded in late February, and the non-soundtrack songs were recorded in June. The title song itself was recorded on April 16.
…but A Hard Day’s Night is perhaps the band’s most straightforward album: You notice the catchiness first, and you can wonder how they got it later.
The best example of this is the title track– the clang of that opening chord to put everyone on notice, two burning minutes thick with percussion (including a hammering cowbell!) thanks to the new four-track machines George Martin was using, and then the song spiraling out with a guitar figure as abstractedly lovely as anything the group had recorded.”
– Tom Ewing, Pitchfork
Ringo was a star in his own right in Liverpool before we even met. Ringo was a professional drummer who sang and performed and was in one of the top groups in Britain, but especially in Liverpool. So Ringo’s talent would have come out one way or the other … whatever that spark is in Ringo, we all know it but can’t put our finger on it. Whether it’s acting, drumming, or singing, I don’t know. There’s something in him that is projectable and he would have surfaced as an individual … Ringo is a damn good drummer.
~John Lennon (Sept 1980)
Beatles accept award Rock and Roll Hall of Fame inductions 1988:
Hey Charley I’m pregnant
Living on 9th Street
Right above a dirty bookstore
Off Euclid Avenue
I stopped taking dope
And I quit drinking whiskey
And my old man plays the trombone
And works out at the track
One of Tom Waits’ most beloved songs from one of his more obscure albums, Blue Valentine, “Christmas Card…” is a live standard. The song showcases Waits playing a barroom piano melody, weaving words together — in essence, doing what he does best in one long, bittersweet song. The lyrics are essentially a reading aloud of what the title says it is — a Christmas card from a hooker in Minneapolis. Waits takes the voice of the female character: “Hey Charley, I’m pregnant…”; you can guess the rest. The song is littered with characters with names like Mario. There are references to the track, a filling station, and a used car lot. There is whiskey, dope, grease, a trombone, and Little Anthony & the Imperials. What more could you want from a Tom Waits song?
– Denise Sullivan (allmusic.com)