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My rules:
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A lot of wonderful music was released in 1967, here are my 20 chosen songs.
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There must be some kind of way outta here
Said the joker to the thief
There’s too much confusion
I can’t get no relief
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A song by The Beatles that was released as the final track of their 1967 album Sgt. Pepper’s Lonely Hearts Club Band. Credited to Lennon–McCartney, the verses were written mainly by John Lennon, with Paul McCartney primarily contributing the song’s middle section. Lennon’s lyrics were inspired by contemporary newspaper articles, including a report on the death of Guinness heir Tara Browne. The recording includes two passages of orchestral glissandos that were partly improvised in the avant-garde style. As with the sustained piano chord that closes the song, the orchestral passages were added after the Beatles had recorded the main rhythm track.
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I read the news today, oh boy
About a lucky man who made the grade
And though the news was rather sad
Well I just had to laugh
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A song written by Jimi Hendrix and released as the second record single by the Jimi Hendrix Experience on March 17, 1967. As a record chart hit in several countries and the opening number on the Experience’s debut American album, it was many people’s first exposure to Hendrix’s psychedelic rock sound.
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Purple haze, all in my brain
Lately things they don’t seem the same
Actin’ funny, but I don’t know why
Excuse me while I kiss the sky
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Could not find the original on youtube, so here is a great live version:
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Spotify:
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A song written by Pete Townshend of The Who, recorded for the band’s 1967 album, The Who Sell Out. It was the only song from the album to be released as a single. It remains The Who’s biggest hit single in the US, and, after debuting on the Hot 100 at #72 on 14 October 1967, their only one to reach the Top 10 of the Billboard Hot 100, at #9 on 25 November – 2 December 1967.
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I know you’ve deceived me, now here’s a surprise
I know that you have ’cause there’s magic in my eyes
I can see for miles and miles and miles and miles and miles
Oh yeah
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A song written by Canadian poet and musician Leonard Cohen in the 1960s. First published as a poem in 1966, it was recorded as a song by Judy Collins in the same year, and Cohen performed it as his debut single, from his 1967 album Songs of Leonard Cohen. Many other artists have recorded versions, and it has become one of the most-covered songs in Cohen’s catalogue.
In 2006, Pitchfork Media listed the song #41 on their list of “The Top Songs of the 1960s”.
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Suzanne takes you down to her place near the river
You can hear the boats go by, you can spend the night forever
And you know that she’s half-crazy but that’s why you want to be there
And she feeds you tea and oranges that come all the way from China
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Dirty old river, must you keep rolling
Flowing into the night
People so busy, makes me feel dizzy
Taxi light shines so bright
But I don’t need no friends
As long as I gaze on Waterloo sunset
I am in paradise
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A song written and originally released by American recording artist Otis Redding in 1965. The song became a 1967 hit and signature song for R&B singer Aretha Franklin.
Franklin’s cover was a landmark for the feminist movement, and is often considered as one of the best songs of the R&B era, earning her two Grammy Awards in 1968 for “Best Rhythm & Blues Recording” and “Best Rhythm & Blues Solo Vocal Performance, Female”, and was inducted in the Grammy Hall of Fame in 1987. In 2002, the Library of Congress honored Franklin’s version by adding it to the National Recording Registry. It was placed number five on Rolling Stone magazine’s list of The 500 Greatest Songs of All Time.
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What you want
Baby, I got it
What you need
Do you know I got it
All I’m askin’
Is for a little respect when you get home (just a little bit)
Hey baby (just a little bit) when you get home
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A blues-influenced song written and recorded by Northern Irish singer-lyricist Van Morrison, recorded for the Bang Records label in 1967 and included on his first solo album, Blowin’ Your Mind!.
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Now listen, Julie baby,
It ain’t natural for you to cry in the midnight.
It ain’t natural for you to cry way into midnight through,
Until the wee small hours long ‘fore the break of dawn,
Oh Lord, huh uh ha. Ha.
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My, my, my, my
Don’t you worry ’bout what’s on your mind (oh my)
I’m in no hurry I can take my time (oh my)
I’m going red and my tongue’s getting tied (tongues’ getting tied)
I’m off my head and my mouth’s getting dry
I’m high, but I try, try, try (oh my)
Let’s spend the night together
Now I need you more than ever
Let’s spend the night together now
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At the dark end of the street
That’s where we always meet
Hiding in shadows where we don’t belong
Living in darkness to hide our wrong
You and me, at the dark end of the street
You and me
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A 1967 song by the British rock band Cream. With elements of hard rock, psychedelia, and pop, it is one of Cream’s best-known and most popular songs. Cream bassist and vocalist Jack Bruce based it on a distinctive bass riff or repeated musical phrase he developed after attending a Jimi Hendrix concert. Guitarist Eric Clapton and lyricist Pete Brown later contributed to the song. Recording engineer Tom Dowd suggested the rhythm arrangement in which drummer Ginger Baker plays a distinctive tom-tom drum rhythm, although Baker has claimed it was his idea.
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It’s getting near dawn,
When lights close their tired eyes
I’ll soon be with you my love,
To give you my dawn surprise
I’ll be with you darling soon,
I’ll be with you when the stars start falling
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A blues song recorded by American blues singer and guitarist Albert King in 1967. Called “a timeless staple of the blues”, the song also had strong crossover appeal to the rock audience with its bass and guitar harmony line and topical astrology reference. “Born Under a Bad Sign” became an R&B chart hit for King and numerous blues and other musicians have made it perhaps the most recorded Albert King song.
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Born under a bad sign
Been down since I began to crawl
If it wasn’t for bad luck, you know I wouldn’t have no luck at all
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A song performed by James Brown and written with his bandleader Alfred “Pee Wee” Ellis. Brown recorded it in May 1967. An edited version of “Cold Sweat” released as a two-part single on King Records was a #1 R&B hit, and reached number seven on the Pop Singles chart. The complete recording, over 7 minutes long, was included on an album of the same name.
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I don’t care ha about your past
I just want ho our love to last dee
I don’t care darlin’ about your faults huh
I just want to satisfy your pulse
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A song written and recorded by American country music artist Merle Haggard. It was released in July 1967 as the second single and title track from the album Branded Man. The song was Haggard’s second number one on the country charts. The single stayed at number one for a single week and spent 15 weeks on the chart.
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I’d like to hold my head up and be proud of who I am
But they won’t let my secret go untold
I paid the debt I owed them, but they’re still not satisfied
Now I’m a branded man out in the cold
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It was the third of June, another sleepy, dusty Delta day
I was out choppin’ cotton, and my brother was balin’ hay
And at dinner time we stopped and walked back to the house to eat
And mama hollered out the back door, y’all, remember to wipe your feet
And then she said, I got some news this mornin’ from Choctaw Ridge
Today, Billy Joe MacAllister jumped off the Tallahatchie Bridge
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A 1967 song written and composed by Isaac Hayes and David Porter, first successful as a number 2 hit single by Atlantic Records soul duo Sam & Dave, which consisted of Samuel “Sam” Moore and David “Dave” Prater.
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Comin’ to you on a dust road
Good lovin’, I got a truck load
And when you get it, you got something
So don’t worry, cause I’m coming
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There’s something happening here
But what it is ain’t exactly clear
There’s a man with a gun over there
Telling me I got to beware
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A song by the Velvet Underground, released on their 1967 debut album, The Velvet Underground & Nico. Written by Lou Reed in 1964, the song, which overtly depicts heroin use and abuse, is one of the band’s most celebrated compositions. Critic Mark Deming writes, “While ‘Heroin’ hardly endorses drug use, it doesn’t clearly condemn it, either, which made it all the more troubling in the eyes of many listeners”. In 2004, Rolling Stone ranked it #455 on their list of the 500 Greatest Songs of All Time. The song is included in The Rock and Roll Hall of Fame’s 500 Songs that Shaped Rock and Roll.
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I don’t know just where I’m going
But I’m gonna try for the kingdom, if I can
‘Cause it makes me feel like I’m a man
When I put a spike into my vein
And I tell you things aren’t quite the same
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A song by Captain Beefheart and his Magic Band on the 1967 album Safe as Milk. Beefheart claimed thehe and his band were signed to, A&M Records, dropped them after co-owner Jerry Moss heard the song and declared it “too negative” for his teenage daughter to listen to. Beefheart’s vocals, while recording the final version for the album, shattered the microphone.
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Singin through you to me
Thunder-bolts caught easily
Shouts the truth peacefully
E-LEC-TRI-CITY
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[NA]
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