Jan 29: The Legendary Willie Dixon died in 1992

The Blues are the true facts of life expressed in words and song, inspiration, feeling, and understanding.
~Willie Dixon

“The blues will always be because the blues are the roots of all American music.”
~Willie Dixon

I Am The Blues (Full documentary)
This documentary captures the Rock And Roll Hall Of Fame member in the twilight of his career, during a 1984 concert with the Chicago Blues All-Stars in support. Among the highlights of the gig are a spunky rendition of “Built For Comfort” and the stirring, little-known composition “Peace”; its simplistic lyrics and heartfelt sentiments make it a bluesy first cousin to John Lennon’s Give Peace A Chance. Interspersed with the great music are warm recollections from Dixon as he covers topics ranging from composing to his mid 1960s re-emergence in England via cover versions of his best material courtesy of The Rolling Stones and Cream (which featured long time admirer Eric Clapton):

Jan 29: The Legendary Willie Dixon died in 1992

The Blues are the true facts of life expressed in words and song, inspiration, feeling, and understanding.
~Willie Dixon

“The blues will always be because the blues are the roots of all American music.”
~Willie Dixon

Chuck Berry Inducts Willie Dixon into the Rock and Roll Hall of Fame:

From Wikipedia:

Birth name	William James Dixon
Born	July 1, 1915 Vicksburg, Mississippi, United States
Died	January 29, 1992 (aged 76) Burbank, California, United States
Genres	Blues, rock and roll, Chicago blues, jump blues, rhythm and blues, gospel
Occupations	Musician, songwriter, arranger, record producer, boxer
Instruments	Vocals, double bass, guitar
Labels	Chess, Cobra, Columbia, Bluesville, Checker, Verve, MCA, Legacy, Columbia, Yambo
Associated acts	Big Three Trio, Muddy Waters, Howlin’ Wolf, Little Walter, Lowell Fulson, Sonny Boy Williamson, Chuck Berry, Otis Rush, Buddy Guy, Magic Sam, Junior Wells, Otis Spann
Website	www.willie-dixon.com

William James “Willie” Dixon (July 1, 1915 – January 29, 1992) was an American blues musician, vocalist, songwriter, arranger and record producer. A Grammy Award winner who was proficient on both the upright bass and the guitar and as a vocalist, Dixon is perhaps best known as one of the most prolific songwriters of his time. He is recognized as one of the founders of the Chicago blues sound.

Dixon’s songs have been recorded by countless musicians in many genres as well as by various ensembles in which he participated. A short list of the man’s most famous compositions includes “Little Red Rooster”, “Hoochie Coochie Man”, “Evil”, “Spoonful”, “Back Door Man”, “I Just Want to Make Love to You”, “I Ain’t Superstitious”, “My Babe”, “Wang Dang Doodle”, and “Bring It On Home”. These tunes were written during the peak of Chess Records, 1950–1965, and performed by Muddy Waters, Howlin’ Wolf, and Little Walter, influencing a worldwide generation of musicians.

Next to Muddy Waters, he was the most influential person in shaping the post World War II sound of the Chicago blues.

Bassology:

Willie Dixon’s life and work was virtually an embodiment of the progress of the blues, from an accidental creation of the descendants of freed slaves to a recognized and vital part of America’s musical heritage. That Dixon was one of the first professional blues songwriters to benefit in a serious, material way — and that he had to fight to do it — from his work also made him an important symbol of the injustice that still informs the music industry, even at the end of the 20th century. A producer, songwriter, bassist, and singer, he helped Muddy Waters, Howlin’ Wolf, Little Walter, and others find their most commercially successful voices. ~Bruce Eder (allmusic.com)

 

From Muddy Waters tribute – 1983:

Album of the day – The Chess Box:

This was the most unusual, and probably the most difficult to assemble of MCA’s Chess Box series, mostly because of the unusual nature of Willie Dixon’s contribution to Chess Records. To be sure, Dixon rates a place in the history of the label right alongside that of Muddy Waters, Howlin’ Wolf, and Little Walter, but his role was more subtle than that of a performer (indeed, two of the half-dozen recordings here that feature Dixon as a singer were previously unreleased). So he is all over this two-CD set, as a songwriter, producer, and bassist, and occasionally as a singer as well, but the unifying element are the Dixon songs, and he is the only blues songwriter to be honored by a major label with a retrospective of this type. ~Bruce Eder (allmusic.com)