[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]His presence burns from the video screen. His music bursts with aliveness. Anyone can see he’s being driven by some kind of primal force.
~Paul Williams (Bob Dylan: Performing Artist, Vol 2: The Middle Years 1974-1986
Broadcast by WTTW-TV 13 December 1975 in the program The World Of John Hammond, which was part of the Soundstage series.
[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]Dylan gives an excellent performance, and is surprisingly unselfconscious about the camera – he looks uncomfortable at the start of each song.. but it is a functional discomfort, which evolves into a purposeful seriousness, clearly a surface expression of his concentration, his intensity, his intent.
~Paul Williams (Bob Dylan: Performing Artist, Vol 2: The Middle Years 1974-1986
Setlist:
[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]Dylan, accompanied by Scarlet Rivera, Rob Stoner, and Howie Wyeth, performs three songs at WTTW-TV studios in Chicago for “The World of John Hammond,” a one-hour tribute to John Hammond, Sr. “Hurricane” is performed twice, the broadcast version being an edit of the pair. The other songs are “Oh Sister,” receiving its first public performance and dedicated to “someone watching tonight,” and a rewritten version of “Simple Twist of Fate,” concentrating more on the narrative and clearly influenced by his collaborations with Jacques Levy.
~Clinton Heylin (Bob Dylan: A Life in Stolen Moments Day by Day 1941-1995
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