The Year 1964 world events
My rules:
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A topical song written by the American musician Bob Dylan. Recorded on October 23, 1963, the song was released on Dylan’s 1964 album, The Times They Are a-Changin’ and gives a generally factual account of the killing of a 51-year-old barmaid, Hattie Carroll, by William Devereux “Billy” Zantzinger.
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William Zanzinger killed poor Hattie Carroll
With a cane that he twirled around his diamond ring finger
At a Baltimore hotel society gath’rin’
And the cops were called in and his weapon took from him
As they rode him in custody down to the station
And booked William Zanzinger for first-degree murder
But you who philosophize disgrace and criticize all fears
Take the rag away from your face
Now ain’t the time for your tears
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Released on “Bitter Tears: Ballads of the American Indian”, October 1, 1964.
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Call him drunken Ira Hayes
He won’t answer anymore
Not the whiskey drinkin’ Indian
Nor the Marine that went to war
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Written by John Lennon, and credited to Lennon–McCartney, it was released on the movie soundtrack of the same name in 1964.
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It’s been a hard day’s night, and I’d been working like a dog
It’s been a hard day’s night, I should be sleeping like a log
But when I get home to you I find the things that you do
Will make me feel alright
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Written by Northern Irish singer-songwriter Van Morrison and originally recorded by Morrison’s band Them in 1964 and released as the B-side of “Baby, Please Don’t Go” 6 July 1964.
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Like to tell ya about my baby
You know she comes around
She about five feet four
A-from her head to the ground
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Released as a single November 13, 1964.
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I am the little red rooster
Too lazy to crow for day
I am the little red rooster
Too lazy to crow for day
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Recorded on the Monument Records label in Nashville, Tennessee, it was written by Roy Orbison and Bill Dees. The song spent three weeks at number one on the Billboard Hot 100.
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Pretty woman, walking down the street
Pretty woman, the kind I like to meet
Pretty woman
I don’t believe you, you’re not the truth
No one could look as good as you
Mercy
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Released on December 22, 1964 by RCA Victor.
Produced by Hugo & Luigi and arranged and conducted by René Hall, the song was the B-side to “Shake”.
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I was born by the river in a little tent
Oh, and just like the river I’ve been running ever since
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Released on Folk Singer, the fourth studio album by Muddy Waters, in April 1964 on Chess Records. The album features Waters on acoustic guitar, backed by Willie Dixon on string bass, Clifton James on drums, and Buddy Guy on acoustic guitar. The record is Waters’ only all-acoustic album.
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Well my home’s in the delta,
Way out on that farmer’s road.
Now you know I’m living in Chicago,
And people, I sure do hate to go.
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Released as a single in February 1964, it was the first music that Berry released after finishing a prison term in October 1963.
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As I got on a city bus and found a vacant seat
I thought I saw my future bride walking up the street
I shouted to the driver, “Hey conductor, you must slow down
I think I see her, please let me off the bus”
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Written by Ray Davies and performed by The Kinks. It was released on 4 August 1964 as the group’s third single, and reached No. 1 on the UK singles chart the next month, remaining for two weeks. It was the group’s breakthrough hit; it established them as one of the top British Invasion acts in the United States, reaching No. 7 there later in the year. It was later included on the Kinks’ debut album, Kinks.
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Girl, you really got me goin’
You got me so I don’t know what I’m doin’
Yeah, you really got me now
You got me so I can’t sleep at night
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Released as a single 19 June 1964 (UK) & August 1964 (U.S.).
Dave Marsh described The Animals’ take on “The House of the Rising Sun” as “…the first folk-rock hit,” sounding “…as if they’d connected the ancient tune to a live wire.”
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There is a house in New Orleans
They call the Rising Sun
And it’s been the ruin of many a poor boy
And God, I know I’m one
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Released on Out to Lunch!, Eric Dolphy’s only recording for Blue Note Records as a leader. Today it is generally considered one of the finest albums in the label’s history, as well as one of the high points in 1960s jazz avant garde and in Dolphy’s discography.
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Written by Liz Anderson.
Best remembered as American country musicartist Merle Haggard’s first national top ten record.
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Oh, the love you promised would be mine forever
I would have bet my bottom dollar on
Well, it sure turned out to be a short forever
Just once I turned by back and you were gone
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Written by country music artist George Jones and Don Rollins and made a hit by George Jones. It was the first single released from his 1965 album of the same name. Released as a single in late 1964, it peaked at number three on the Billboard Hot Country Singles chart and at number 96 on the Billboard Hot 100 in January 1965.
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I feel tears wellin’ up cold and deep inside
Like my heart’s sprung a big break
And the stab of loneliness, sharp and painful
That I may never shake
Now you might say that I was taking it hard
Since you wrote me off with a call
But don’t you wager that I’ll hide the sorrow
When I may break right down and bawl
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It combines a powerful melancholic crescendo with a rich poetic account of the exploits of sailors on shore leave in Amsterdam.Brel never recorded this for a studio album, and his only version was released on the live album Enregistrement Public à l’Olympia 1964. Despite this, it has been one of his most enduringly popular works.
–Dans le port d’Amsterdam y’a des marins qui chantent
Les rêves qui les hantent au large d’Amsterdam
Dans le port d’Amsterdam y’a des marins qui dorment
Comme des oriflammes le long des berges mornes
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Released on Crescent, a 1964 studio album by jazz musician John Coltrane, released by Impulse! as A-66. It features his jazz quartet group of McCoy Tyner, Jimmy Garrison and Elvin Jones playing all original Coltrane compositions, with the leader playing tenor saxophone exclusively. It is commonly regarded as the saxophonist’s darkest album. Only the brief, infectious medium-up “Bessie’s Blues”, and a samba-tinged groove in the midsection of the otherwise sedate “Wise One”, break the sombre mood.
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Written by Billy Hayes and Jay W. Johnson and most famously performed by Elvis Presley. It is a tale of unrequited love during the holidays and is a longstanding staple of Christmas music, especially in the country genre.
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I’ll have a Blue Christmas without you
I’ll be so blue thinking about you
Decorations of red on a green Christmastree
Won’t be the same dear, if you’re not here with me
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It is one of Motown’s signature songs and is the group’s premier signature song.
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Callin’ out around the world
Are you ready for a brand new beat?
Summer’s here and the time is right
For dancin’ in the streets
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A 1964 song by The Righteous Brothers which became a number-one hit single in the United States and the United Kingdom the following year. In 1999, the performing-rights organization Broadcast Music, Inc. (BMI) ranked the song as having had more radio and television play in the United States than any other song during the 20th century. Additionally, the song was chosen as one of the Songs of the Century by RIAA and ranked #34 on the list of the 500 Greatest Songs of All Time by Rolling Stone.
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You never close your eyes anymore when I kiss your lips
And there’s no tenderness like before in your fingertips
You’re trying hard not to show it, (baby)
But baby, baby I know it
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Written by Otis Redding and Steve Cropper and released on the 1965 album The Great Otis Redding Sings Soul Ballads.
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They call me Mr. Pitiful
Baby thats my name now, oh
They call me Mr. Pitiful
That’s how I got my fame
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These came close:
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-Egil
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