This was as startling a debut record as any ever made, representing every side of Elvis’ musical influences except gospel — rockabilly, blues, R&B, country, and pop were all here in an explosive and seductive combination. Elvis Presley became the first rock & roll album to reach the number one spot on the national charts, and RCA’s first million dollar-earning pop album.
-Bruce Eder (allmusic.com)
Released | March 23, 1956 |
---|---|
Recorded | July 1954 to January 1956 |
Genre |
|
Length | 28:03 |
Label | RCA Victor |
Producer | Sam Phillips (Sun recordings) Steve Sholes (RCA recordings) |
Elvis Presley (released in the UK as Elvis Presley Rock n’ Roll) is the debut studio album by American singer and musician Elvis Presley. It was released on RCA Victor, in mono, catalogue number LPM 1254, in March 1956. The recording sessions took place on January 10 and January 11 at the RCA Victor recording studios in Nashville, Tennessee, and on January 30 and January 31 at the RCA Victor studios in New York. Additional material originated from sessions at Sun Studio in Memphis, Tennessee, on July 5, August 19 and September 10 of 1954, and on July 11, 1955.
What is more remarkable about the album is the fact it simultaneously established rock n’ roll no longer as a teenage fad but as a genuine cultural movement, albeit firmly removed from its racial roots. Elvis Presley proved that a rock album could not only sell, as teenagers generally only invested in ’45s in those days, but it could outsell the singles from its own and any other genre. More importantly, though the correlation is hardly incidental, it established a degree of vocal primacy on a genre not yet blessed with a number of great singers. Chuck Berry’s unique selling point was his ear-splitting guitar solos and strong backbeat; Elvis’ main selling point was his beautiful voice, which was only increasing in confidence and stature as he released more and more new material. By the end of the year and the release of his second album Elvis, the Memphis singer was America’s most successful musician bar none.
-Dr Dave De Sylvia (sputnikmusic.com)
Side one | ||||
---|---|---|---|---|
No. | Title | Writer(s) | Recording date | Length |
1. | “Blue Suede Shoes“ | Carl Perkins | January 30, 1956 | 2:00 |
2. | “I’m Counting on You” | Don Robertson | January 11, 1956 | 2:25 |
3. | “I Got a Woman“ | Ray Charles, R. Richard | January 10, 1956 | 2:25 |
4. | “One Sided Love Affair“ | Bill Campbell | January 30, 1956 | 2:11 |
5. | “I Love You Because“ | Leon Payne | July 5, 1954 | 2:43 |
6. | “Just Because“ | Bob Shelton, Joe Shelton, S. Robin | Sept. 10, 1954 | 2:34 |
Side two | ||||
---|---|---|---|---|
No. | Title | Writer(s) | Recording date | Length |
1. | “Tutti Frutti“ | D. LaBostrie, R. W Penniman | Jan 31, 1956 | 1:59 |
2. | “Tryin’ to Get to You“ | R. M. McCoy, C. Singleton | July 11, 1955 | 2:31 |
3. | “I’m Gonna Sit Right Down and Cry“ | H. Biggs and Joe Thomas | Jan 31, 1956 | 2:01 |
4. | “I’ll Never Let You Go (Little Darlin’)“ | Jimmy Wakely | Sept 10, 1954 | 2:24 |
5. | “Blue Moon“ | R. Rodgers and L. Hart | Aug 19, 1954 | 2:40 |
6. | “Money Honey“ | Jesse Stone | Jan 10, 1956 | 2:36 |
-Egil
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